Музыка и песни Eprom / Eprom

West coast producer and sound system murderer EPROM is back on Rwina for a second album, "Halflife" which continues the producer's mad scientist approach to what makes a dancefloor move: synthetizing the warmth of vintage computer sounds, the energy of African rhythmic traditions (including modern evolutions such as Kwaito and Shangaan Electro), the swagger of southern rap and the intricacy of pioneering electronic music from the likes of Richard Devine or Curtis Roads. The result is a heady melting pot, a unique sound that has some of the best DJs in the world - GASLAMP KILLER, KUTMAH, D-STYLES - and the crowds always wanting more. Wasting no time, EPROM opens the album with a volley of tracks built to blow up sound systems and take heads off in the dance. "Center of the Sun", "Beasts of Babylon" and "Hurricane" all display the sheer brilliance of EPROM's mad scientist streak: a minimalist blend of low slung rhythmic alchemy, ten ton heavy bass and dark melodies more powerful than the soulless, over-the-top showboating that characterises much of today's dance music. On the bouncy "Vogel" he revisits some of the melodic elements from the first album while "Super FX" and "Lost Levels" come across like 2013 dancefloor versions of a Final Fantasy soundtrack, introducing a focus on brighter melodies and variations. "Screwface" opens the second half of the album with more in-your-face brilliance as drums pound the bass bins into submission before "Machine Skin" rolls in with its hypnotic arpeggio to lead dancers around like a demented Pied Piper. "Pentatonic Dust" then provides a brief and blurry interlude before another trio of short tracks - "Moisture", "Turtle Ride" and "Subroc" - deliver a perfect blend of what's come before: mesmerising melodies, energetic rhythms and chest-pounding sub frequencies. The album closes with "Cloud Leanmixx" bringing the journey to an end by stripping back some of the energy and enveloping the listener in a warm blanket of synths and rolling drums. Record Label: Rwina Style: Dance

Coinciding with the third anniversary of their Berghain residency, the Leisure System collective from Berlin comes with the second release of their newly found label. While the label's debut was an atmospheric and soulful take on UK-influenced electronic Record Label: Leisure System Style: Dance

The musical world of Eprom is one of deliriously psychedelic productions that offer a glimpse into the future, today. etahuman' is the name of Eprom's debut album for renowned Amsterdam label Rwina, and ahead of its release comes egis Chillbin', a two-track single featuring a remix by the omnipresent yet always on point Machinedrum. egis Chillbin' is hip hop for the year 2050. Resting on a bed of a chest pounding bass drums, cartoon-bleepy melodies fly across the sonic spectrum while piercing snare rushes, pitched toms, modulated basslines and vocal samples take their turns to create an irresistible swagger that leaves listeners unable to resist nodding their heads or swerving their bodies to the rhythm. A centrepiece of Eprom's live sets, egis Chillbin' is pure unadulterated dancefloor fun. Machinedrum continues his own time-hopping work on the remix, looking at the past to shape the future. He leaves the core rhythmic backbone intact and uses it to build his own delirious dancefloor workout bringing in snippets of UK rave from circa 1992 in the shape of ominous stabs blended with more delirious samples including some of the original bleeps as well as air horns, scratch sounds, and animal sounds, manipulating all into a beautiful sonic hysteria. just close your eyes and get lost in the madness. Regis Chillbin' sets the tone for the forthcoming "Metahuman' album. EPROM's music is rooted in hip hop which the producer twists to refine a modern take on the genre's timeless aesthetics that bleeds effortlessly into electronic and dance music Record Label: Rwina Style: Dance

Since the world drifts into delirium, we must adopt a delirious point of view". This quote from French philosopher Jean Baudrillard serves as a perfect jump off point into the musical world of Eprom, whose music is as colourful and delirious as the imagined psychedelic science fiction worlds created by the artist Moebius. etahuman' is Eprom's debut album, borne of futuristic ideals grounding its musical offerings in a space that is far removed from our current reality yet inevitably linked to it. William Burroughs said "if you cut open the present, the future bleeds out" and so the music on this album is inspired by a possible future, but is made and consumed today, most appropriately in the dark corners of a club where a finely tuned sound system will allow mind and body to fully appreciate Eprom's sonic subtleties and physical pressures. 12 tracks long, etahuman' is a bold statement of intent that is aimed squarely at the dancefloor first, though it still functions in other spaces as Eprom balances more restrained moments alongside boisterous musical bravado. The album opens with oney Badger', one of Eprom's most popular dance numbers that has been a centrepiece of his live sets and received support from many fellow floor-wrecking luminaries. Tracks like Prototype' and Can Control' meanwhile offer a more subdued but no less potent take on eyes-down goove meditation, using powerful mood-setting atmospheres and chopped up vocal samples from hip hop and Jamaican music. Floating Palace' re-appropriates hip hop's swing for space hopping aliens in the year 3030 while Transparency' is one of the album's mellower moments. ariations' hints at pop friendliness in the saturated synth melodies and bouncy swing of its backing rhythms, a feeling subtly carried into ove Number', fused with another rhythm that clearly tips its hat to hip hop. The energy ramps up again on un Death', The Golden Planet' and Needle Thrasher', heading towards the album's conclusion on a bed of delirious floor-friendly melodies and rhythm. aytracing' quietly closes the book by flipping many of the elements Eprom uses throughout into a more delicate lullabye. As with previous releases etahuman' has roots in hip hop which Eprom twists to refine a modern take on the genre's timeless aesthetics that bleeds effortlessly into electronic and dance music. Using a sort of condensed bass minimalism as the foundation, Eprom manipulates established concepts and expectations of tension and release in ways that are refreshing and bring life to the music, with a beauty in his beats that shines as bright as some of Moebius' most striking works Record Label: Rwina Style: Electro