Garage Rock

El Camino — седьмой студийный альбом американской рок-группы The Black Keys, изданный 6 декабря 2011 года на лейбле Nonesuch. Альбом является третьей совместной работой с американским продюсером Danger Mouse. Песни на диске выдержаны в жанрах гаражный рок, блюз-рок и соул. , цена действует до 01.04

Artist: Jonathan Adams Label: Eroica Classical

CD, Album

2 × CD, Mixed

Vinyl, 7", Gold vinyl

CD, Album, Reissue CD, Album, Reissue All Media, Compilation

FatCat Records are proud to present the debut album Cokefloat! by Scottish 3-piece PAWS. Friends since school, PAWS are made up of Phillip, Joshua and Matthew, and are based in Glasgow, Scotland. The band play (in their own words) ‘infectious, lo-fi, garage pop-rock’ and have already made a name for themselves in Glasgow as one of the best Scottish live bands currently on the scene. CD, Album, Cardboard Sleeve

CD, Album

Finally reissued on vinyl and properly remastered for the occasion, divinity from THE GUN CLUB features and compiles an extended version of the original double EP released in 1991. This record, almost impossible to find nowadays, features the classic line Record Label: Bang! Style: Indie Rock

CD, Album

Considered a reference recording for European punk, Anti Todo (1985) has been out of print for years due to legal issues between the band and their old record company, finally we've been able to recover the original masters, that have been re-worked by Xa Record Label: Bcore Disc Style: Garage Rock

Battered Bones came out of the aptly named Absinthe Studios at the hands of Denver producer Robert Ferbrache (16 Horsepower, Woven Hand, Slim Cessna): smoothing Bates' raw appeal into and Brandy's Big Sky horizons into a gothic western. The rustic punk style on Battered Bones brings to mind a hard drive over dirt roads in a flat black '69 Charger. In other words western style and raw power that shakes the roots out of the woodwork. Starting as Annihilator's singer Bates & his razor-sharp Gretsch have chiseled out a career with a caravan of misfits, playing hundreds of shows every year across North America & Europe. He's been featured on Battlestar Galactica, on A&E Discovery, played for thousands at European festivals, had songs in countless movies and TV shows. After a quick 7" release Bates spent the past two years holed up and writing with Höfner Strings' Brandy Bones before they hit the road in 2012 with Indiana friends Murder by Death. Brandy's love for old-school country infects her voice inside her often bleak lyrics while the band harnesses a wall of sound in a style she has christened "Rustic Punk". Perfect for a band whose show is a spellbinding hour or sound wrapped in physical showmanship & slashed to ribbons. Don't expect them to stay on the stage - they like to get up close & personal - not just playing from the heart but tearing it out by the roots Record Label: Rookie Style: Rockabilly

Battered Bones came out of the aptly named Absinthe Studios at the hands of Denver producer Robert Ferbrache (16 Horsepower, Woven Hand, Slim Cessna): smoothing Bates' raw appeal into and Brandy's Big Sky horizons into a gothic western. The rustic punk style on Battered Bones brings to mind a hard drive over dirt roads in a flat black '69 Charger. In other words western style and raw power that shakes the roots out of the woodwork. Starting as Annihilator's singer Bates & his razor-sharp Gretsch have chiseled out a career with a caravan of misfits, playing hundreds of shows every year across North America & Europe. He's been featured on Battlestar Galactica, on A&E Discovery, played for thousands at European festivals, had songs in countless movies and TV shows. After a quick 7" release Bates spent the past two years holed up and writing with Höfner Strings' Brandy Bones before they hit the road in 2012 with Indiana friends Murder by Death. Brandy's love for old-school country infects her voice inside her often bleak lyrics while the band harnesses a wall of sound in a style she has christened "Rustic Punk". Perfect for a band whose show is a spellbinding hour or sound wrapped in physical showmanship & slashed to ribbons. Don't expect them to stay on the stage - they like to get up close & personal - not just playing from the heart but tearing it out by the roots CD, Album

Vinyl, LP, Album

"Hard-On Rockïn Roll! New Orleans based garage punk / power pop legends M.O.T.O. are back with their tenth full length album. The Record is co-released by Airiston punk-levyt, Blast of Silence records and Svart records - all hailing from Turku, Finland. T Record Label: Svart Style: Punk'n'Roll

A great selection of covers and originals make Lyres' second album a fascinating example of a band at the top of their game. Sound, attitude and a way of making music that you don't see around too often. Over the next few months Munster Records will reissue the complete Lyres discography on Ace of Hearts. +++ A sticker on this LP's shockingly pink jacket proclaimed this new product to be "Lyres Lyres" All new for '87 Lyres Vol II 'She Pays The Rent'. Yeah, wow, well... we were certainly more than ready! Upon examining the rear cover we find that the group's personnel had shifted slightly, with Paul Murphy no longer in the drum seat, his place now taken by John Bernardo, also known as John Smith, formerly of the Mick Divvensfronted group from Columbus, Ohio, Boys From Nowhere, named (plurally) after the DMZ song. While a previous EP version of 'She Pays The Rent' had a fairly moderate pace, the LP reading couldn't have been any more different, moving at a snail's pace and somewhat dramatic to boot. This version could well be Jeff "Monoman" Conolly at his most James Brown/Otis Redding soulful best, shredding his larynx as he bares his soul. The element of theatre continues throughout the LP, which contains one of their most, let's say, atypical offerings, the Oscar-worthy 'The Only Thing'. In keeping with some of the sentiments expressed in 'She Pays The Rent' and their cover of The Nightcrawlers' heart-breaking 'If You Want My Love', this is also an emotionally charged choker. It's fair to say that some of the greatest achievements in Lyres cover version territory present themselves on "Lyres Lyres". Specifically, I'm speaking of their glorious interpretation of two Dutch beat gems from the writing duo of Ronnie Splinter and Wally Tax - lead guitarist and lead singer, respectively, of The Outsiders. 'Teach Me To Forget You' is sad beyond belief, a tale of lost love; originally the B-side of that group's '67 chart smash 'Summer Is Here'. 'I Love Her Still, I Always Will' too, another B-side beauty, came from an early Outsiders single. Lyres, in their wisdom, do not diminish any of the qualities contained in the original and create an astonishing and truly haunting rendition. "Back From The Grave" stars The Alarm Clocks and The Jesters Of Newport also get 'Lyred' as their stone cold killers 'No Reason To Complain' and 'Stormy', respectively, are brought kicking and screaming from the darkened void into the dazzling daylight of the modern world. It's a similar situation regarding 'You'll Never Do It, Baby', already a long-held favourite in the hands of The Pretty Things, the British-based Cops 'N' Robbers original version, and also Berlin's finest stompmeisters, The Boots. But it's not like there was any lack of high-end original Lyres cuts around to make the grade either, far from it. In fact, for this particular fan, "Lyres Lyres" houses one of their most enduring creations, the juggernaut garage pop sensation 'You Won't Be Sad Anymore'. Its heart-skipping primary refrain and veritable rabbit's warren of words seem to tumble over themselves in an effort to get out and be heard, and it's hard to think of a more positive, musically more perfect Lyres rock'n'roll love song. Another significant factor of the "Lyres Lyres" record is that it produced a kind of polarisation in some quarters, between some fan factions who wanted them to stay as they had been before, raw and basic with not quite yet still an air of slavish 60-style garage affectations, and just the minimal acquiescence towards a half-way modern sound. Others, meanwhile, welcomed the new approach. "Jeff and I did not want to make another "On Fyre"," says producer Rick Harte. "I thought we had made our point with that record. We wanted a more progressive interpretation which resulted in more production, effects, etc. The 'outside the box' choice of material is a testament to Jeff's knowledge of the genre and his genius. There was a huge, obsessive effort put into making all of the Lyres records." Indeed, "Lyres Lyres" is an album that can stand up to repeated plays year on year and always offers something new to the listener. (Lenny Helsing) Vinyl, LP, Album, Reissue, 180G