Pop International

These 29 tracks represent every recording made by Jackie Wilson between 1957 and 1962 that appeared on one or more of America’s record charts, Billboard, Cashbox and Record World, including the handful that also charted in the UK. The booklet contains detailed liner notes. Record Label: Jasmine Style: Pop

Record Label: Metro Tins/Union Square Style: Pop

Record Label: Simply Tins/Union Square Style: Lounge

Record Label: Metro Tins/Union Square Style: Pop

The King Brothers, also known as “Britain’s Youngest Rhythm Aces”, “Britain’s Favourite Swing Trio!” or “The Singing Group That Sizzles!”, were Britain’s first boy band. Led by Denis, aged 13, on piano, with Michael on guitar and Tony on double bass, the teenage trio made their name on BBC television and in 1956 became the youngest Variety act to play the London Palladium. Record Label: Jasmine Style: Pop

On July 12, 2014, Incognito threw a party that will surely be remembered for years to come. To celebrate the band’s 35th anniversary in style, Incognito performed at London‘s O2 Shepherd‘s Bush Empire and invited friends, family and fans to join them for a wild night out. “Live In London – 35th Anniversary Show” will be released on 2CD, DVD and Blu-ray on August 14th, 2015 on earMUSIC. With guest performances by genre and music companion Mario Biondi, American soul diva Carleen Anderson and friends and artists from former and current times like Mo Brandis and Imaani, Incognito plucked out songs from their 17 studio albums for an amazing performance, delivered in style, with passion, with soul and with heart. Formed in 1979 and having been successful for over 35 years now, the global phenomenon behind mastermind Jean-Paul ‘Bluey’ Maunick, presented the band’s greatest hits like their #6 UK single charts success “Always There”, their first single ever “Parisienne Girl” as well as recent songs like “Goodbye To Yesterday”, fan favourites and songs dear to the band on this night to remember. The memorable gig brought the essentials of Incognito, the jazz, blues, funk, soul, latin and dance together for a perfect blend. Adds Bluey: “For those of you who joined us for this celebration, this will hopefully bring back fond memories and make a great souvenir of the night! And for those who could not attend the show, here’s what you missed… Enjoy!” The songs are just as surprising on the HD live video as on CD - a great emotional atmosphere where to feel that Incognito loves and lives the music. Embedded with funky grooves and huge soulful voices this music experience will definitely give you goose bumps in its quieter parts and animate you to lose control in the up tempo ones. So it’s time now to turn up the volume and dance! Record Label: Ear Music/Edel Style: Funk/Soul/Nu-Jazz

Record Label: Simply Tins/Union Square Style: Disco / Dance

180 GRAM - INSERT - 1000 COPIES ON GOLD COLOURED VINYL True is the third studio album by British New Wave heroes Spandau Ballet, one of the most successful groups to emerge during the New Romantic era. It was released in March 1983. While Spandau Ballet' Record Label: Music On Vinyl Style: Pop

First time on vinyl: re-issue of solo-album from the former Japan bass-player. 180 gram black vinyl. Strictly limited edition. Record Label: K-Scope Style: Rock

Damon Paul - Lose Control featuring: Daniel Schumacher, Joelina Drews, Isabel Soares, MC Ambush, Simone Mangiapane & many more! The DJ and producer Damon Paul proudly presents his first album on ZYX Music! With numerous appearances on German television, he created a large fan base. As a remixer, he has already worked with global stars such as the Black Eyed Peas, Usher, David Guetta, Afrojack, Loona and Shaggy. On his latest album „Lose Control“, he gathered renowned guests such as Daniel Schumacher, Joelina Drews (daughter of Jürgen Drews), Isabel Soares, Simone Mangiapane and MC Ambush (known thanks to his collaborations with Chuckie and Afrojack) The album includes 14 regular titles and 4 bonus tracks. The collaborations with Daniel Schumacher „GYWO“ and the two songs with Joelina Drews can be listened as absolute world premieres, and so for the first time on this CD! Record Label: Zyx Style: Pop

Artist: Autobahn Label: TOUGH LOVE

Record Label: Haldern Pop Recordings Style: Pop

180 Gramm Vinyl, Gatefold Sleeve original recordings remastered Record Label: Vinyl Passion Style: Blues

Downloadcode / 2 Bonus Tracks. Performer, producer, songwriter, composer, and multi-instrumentalist Dominic "Mocky" Salole rose to prominence in the Berlin electronic scene of the mid-2000s, releasing three acclaimed solo albums, co-writing and producing classics like Jamie Lidell's Multiply (2005) and Feist's The Reminder (2007), and making waves on stage with close collaborators (and fellow Canadians) Peaches, Feist, and Chilly Gonzales. A critical favorite, his 2009 album Saskamodie was described by Pitchfork as "an exceptionally musical album -- there's no other word for it -- that could fail to seduce only the hardest of hearing, or the hardest of hearts." Key Change documents Mocky's move from the musical community of Berlin to that of LA, and reflects the city's underground jazz and psychedelic scene. "Frank Sinatra was the first techno artist," declared Mocky in a 2015 interview on PRI's The World. As Sinatra was one of the first singers to use microphone technology to bring more intimacy to his sound, Mocky uses software and laptop-recording to bring the listener within close range of his music. Mocky is a radical multitracker -- he plays most of the instruments on Key Change himself -- but he strictly avoids presets and uses no samples. As Mocky said in a 2015 interview in Wired, "The most modern thing I can do in 2015 is make music with my bare hands." Key Change is also a testament to Mocky's musical family: the wondrously lush "When Paulie Gets Mad" features frequent Flying Lotus collaborator Miguel Atwood-Ferguson on strings; the infectious "Living in the Snow" features a Feist cameo on drums; Moses Sumney and Joey Dosik, two singers for whom Mocky has written and produced and who have been making a mark on the LA scene, turn in a smoother-than-smooth vocal performance on "Tomorrow Maker"; and longtime collaborator Chilly Gonzales sits in on piano and Rhodes on "Head in the Clouds." Mocky draws on the past and the future to give us back the present as only someone with deep roots in electronic music can. If "machines have become the arbiters of emotion," as Mocky claims, then Key Change offers another way. Deeply familiar yet utterly new, dreamy and ethereal yet earthy and grounded, this is the music of paradox. It resists classification, as many a music journalist has discovered. It lives on its own terms. You can talk about it all you want. But in the end, you just have to listen. Record Label: Heavy Sheet Style: Indie Pop

Finally available again; Knuckledust's second studio album on GSR; a slamming album that will appeal to kids from all genres of hardcore. With these 11 relentless anthems they really are Unbreakable. The boys from London deliver a kick straight to the teeth with the re-release of their second GSR studio album "Unbreakable" that delivers 11 relentless tracks of pure energy and aggression that will incite rage to any Hardcore, Punk or Metal kid. With lyrics that spew anger, hatred and frustration and music that screams violence, devastation, destruction and chaos seem to be the only future for our world. Knuckledust have again succeeded to bring the people what they want with an album full of soon-to-be classics. "Unbreakable" is truly an inspiring record and shows that you don''t have to be technical or the heaviest band in the world to write truly inspiring and crushing music. Are you ready for the onslaught that awaits? Record Label: GSR Style: Punk/Hardcore

Downloadcode. Originally released as a strictly limited 10-inch vinyl record exclusive on Record Store Day 2012, this long sold-out must-have for fans of these two artists will finally be re-issued – this time in 12-inch format (and with a new barcode)! Erased Tapes label mates Ólafur Arnalds and Nils Frahm recorded and mixed their first collaborative record between Reyjkjavík and Berlin as a surprise release for label founder Robert Raths. The ambient/electronic work ‘Stare’ is a true family effort with long-time collaborator Anne Müller joining in on cello and all graphics created by close label-friend and designer Torsten Posselt of FELD Studios. Words by Nils Frahm: “I heard ‘Eulogy For Evolution’ for the first time six years ago and I was totally captivated. Impossible to know back then that I was supposed to meet Ólafur many years later as my label mate. Later when he took me along a tour of his we also noted that we kind of like hanging out together, doing important things like cover versions of long forgotten songs or eating veggie pizza. Also he would join my live set for a jam and I would return the favour by playing along with his set. All in all, I fell for Óli and after one memorable jam session we had in Berlin at Roter Salon in 2011, he finally proposed the idea to visit me in my studio in Berlin to work on 'some music'. I was happy and delighted about that idea, so we got together in April 2011 and after having a big pizza, I plugged in some old analogue synths and we played for four days until late in the night. Also queen Anne Müller stopped by after a show with Agnes Obel to record some cello at 5 am in the morning for ‘b1’. Making music together with people is lovely! The time I spent with Óli in Berlin made me very happy and the music wasn't like anything I have heard before. It was all very reduced and minimal and I felt like I couldn't have done this alone. So we decided to do another 4-day jam at Óli´s E7 studio in Reykjavik. So I flew there in the end of October 2011 to repeat the trick and record some out of this world ambient music. It didn't take us too long to write ‘a1’ and ‘a2’. I can’t wait for the follow up!” Words by Ólafur Arnalds: “After having toured together and having had many inspiring late night conversations, I decided to visit Nils in his Durton Studio in Berlin for a weekend. We didn't have anything specific in mind, we just wanted to hang out, jam and eat some falafel. That's what we did, but somehow we also made 25 minutes of ambient bliss that weekend. After that we quickly decided we had to do the same in my studio in Iceland. Just hang out for a weekend and possibly make some music. So the album became kind of an Iceland vs. Berlin thing. I think you can hear it very well in the sound (side a vs. side b) and that is the most interesting thing about this record for me: that subtle but significant different in the characteristics of the music two people made in Iceland against what the same two people made in Germany. I'm not sure why we decided to keep it secret, it just happened. But it sure was fun! I remember a party at Robert's (Erased Tapes founder) flat in Berlin, where me and Nils stood in the corner the whole night whispering about the project. We then delivered the fully mastered record with finished artwork to Robert around the 5th anniversary of the label in early 2012. It would have been nice to be there to see his face." The live video of Nils and Ólafur’s spontaneous improv live set in Berlin won them many fans since. You can watch it here: https://vimeo.com/28631568 'Erased Tapes has a rare, communal feel. Sure, it's roster might be spread across Europe (and beyond) but the label has a central ethic that seems to bond the artists together’ – Clash ‘A newly-minted electronic ensemble, outside of their backgrounds and careers; both musicians enter the area of cosmic ambient music, and even low-intensity techno, from zero’ – Playground (Spain) Record Label: Erased Tapes Style: Pop

Record Label: Haldern Pop Recordings Style: Pop

Performer, producer, songwriter, composer, and multi-instrumentalist Dominic "Mocky" Salole rose to prominence in the Berlin electronic scene of the mid-2000s, releasing three acclaimed solo albums, co-writing and producing classics like Jamie Lidell's Multiply (2005) and Feist's The Reminder (2007), and making waves on stage with close collaborators (and fellow Canadians) Peaches, Feist, and Chilly Gonzales. A critical favorite, his 2009 album Saskamodie was described by Pitchfork as "an exceptionally musical album -- there's no other word for it -- that could fail to seduce only the hardest of hearing, or the hardest of hearts." Key Change documents Mocky's move from the musical community of Berlin to that of LA, and reflects the city's underground jazz and psychedelic scene. "Frank Sinatra was the first techno artist," declared Mocky in a 2015 interview on PRI's The World. As Sinatra was one of the first singers to use microphone technology to bring more intimacy to his sound, Mocky uses software and laptop-recording to bring the listener within close range of his music. Mocky is a radical multitracker -- he plays most of the instruments on Key Change himself -- but he strictly avoids presets and uses no samples. As Mocky said in a 2015 interview in Wired, "The most modern thing I can do in 2015 is make music with my bare hands." Key Change is also a testament to Mocky's musical family: the wondrously lush "When Paulie Gets Mad" features frequent Flying Lotus collaborator Miguel Atwood-Ferguson on strings; the infectious "Living in the Snow" features a Feist cameo on drums; Moses Sumney and Joey Dosik, two singers for whom Mocky has written and produced and who have been making a mark on the LA scene, turn in a smoother-than-smooth vocal performance on "Tomorrow Maker"; and longtime collaborator Chilly Gonzales sits in on piano and Rhodes on "Head in the Clouds." Mocky draws on the past and the future to give us back the present as only someone with deep roots in electronic music can. If "machines have become the arbiters of emotion," as Mocky claims, then Key Change offers another way. Deeply familiar yet utterly new, dreamy and ethereal yet earthy and grounded, this is the music of paradox. It resists classification, as many a music journalist has discovered. It lives on its own terms. You can talk about it all you want. But in the end, you just have to listen. Record Label: Heavy Sheet Style: Indie Pop

Record Label: SNWF Style: Pop

For Jakub Alexander, the languages of music and visual art are permanently intertwined. And he's always been this way - from his birthplace in communist Poland, to growing up outside of Detroit, to his current home in Greenpoint, Brooklyn. "When music like Gas, early Dial Records, and Mille Plateaux releases in the 2000s popped up in my headphones," Alexander begins, "it was completely visual for me. Something clicked from collecting pages out of old Architectural Digest magazines and being completely overwhelmed with inspiration for my own visions of interior architecture." The concept carries on still, now as an integral part of Body Complex, his second album as Heathered Pearls, which also features contributions from fellow Ghostly artists The Sight Below, Shigeto, and Outerbridge (mem. Beacon). Body Complex represents a new form of Alexander's visually inspired sound creation, but just as it points to changes in direction for the ambient-inclined producer, it also revisits the past experiences that make his music possible. Record Label: Ghostly International Style: Dance