Психоделический рок

Son Of A Bitches Brew is a true electric jazz record from the Acid Mothers Temple & The Melting Paraiso UFO. Rooted in the sound of Miles Davis' electric era this record melds jazz, funk and psych with AMT's synth swoops, space whispers and cosmic acid vibe. Tsuyama Atsushi replaces Wayne Shorter on soprano saxophone. Cotton Casino rejoins & AMT goes all in. The only joke here are the titles. Recorded at the Acid MOthers Temple between December 2011 through 2012. Double vinyl limited to 500 copies. Record Label: Important Style: Psychedelic Rock

Record Label: Vinyl Lovers Style: Jazz-Rock/Fusion

First-ever reissue of this 1969 psych masterpiece by interracial North Carolina band led by legendary American Indian songwriter Willie French Lowery (1944-2012) * Remastered from original White Whale master tapes * Pressed on virgin vinyl in a limited edition of 1000 * Produced in collaboration with Willie Lowery and his family * Fully licensed from all legal copyright owners * Deluxe tip-on gatefold jacket features restored original artwork * Includes detailed new 1500 word essay by Lumbee historian and folklorist Jefferson Currie II, positioning the album within the contexts of Lowery's career & Lumbee culture * Stay tuned for more reissued, rare, and previously unreleased material documenting the remarkable solo recordings of Willie French Lowery & his later band Lumbee +++ Paradise of Bachelors is honored to celebrate the life and music of influential songwriter, singer, and guitarist Willie French Lowery (1944-2012) with the first-ever reissue of the sole eponymous album by his interracial swamp-psych band Plant and See. Originally released in 1969 on L.A. label White Whale-home of Jim Ford, the Turtles, and the Rockets-Plant and See is the strange fruit of disparate people, places, and players in dialogue. Its humid, storm-cloud guitars, ductile vocal harmonies, and intuitive, loose-limbed drumming are redolent of a specifically Southern syncretic musical identity and sense of place, testifying to the outstanding, colorblind musicianship of Lowery, African American drummer Forris Fulford, Latino bassist Ron Seiger, and Scotch-Irish backup vocalist Carol Fitzgerald. American Indian frontman Willie Lowery grew up in swamp-laced, tri-racial Robeson County, North Carolina, the state's geographically largest, economically poorest, and most ethnically diverse county. Shaped by his own Lumbee Indian heritage as well as the influence of local African American and European American musical traditions, Lowery's style developed into a powerful, singularly soulful sound that appealed to contemporary psych-rock audiences while directly addressing the concerns of his own Indian community. Plant and See represents his first major recorded work, following stints playing for the "hootchie-cootchie women" of a traveling carnival and the lite-psych group Corporate Image, as well as serving as Clyde McPhatter's bandleader. Plant and See was a short-lived incarnation; White Whale, already on the brink of dissolution, lacked the resources to effectively promote the album, which contravened the standard race, place, and genre-based markets of the day. Shortly after its release, the band regrouped as Lumbee, named in honor of Lowery's tribe, the most populous East of the Mississippi. Lumbee's 1970 album Overdose is, like Plant and See, a rare and highly collectable psychedelic classic; it attracted the attention of the Allman Brothers, whom Lumbee joined on tour in the early 0s. However, the mercurial Lowery quickly changed course, exploring ways to use the country, blues, and gospel idioms of his youth to articulate the history, politics, and cultural identity of the Lumbee people. Stay tuned for upcoming Paradise of Bachelors retrospective releases that document the equally fascinating post-Plant and See phases of Lowery's underrecognized but remarkable career. Record Label: Paradise Of Bac Style: Psychedelic Rock

Limited edition 3 track 12" from Carlton Melton, Side one is "Adrift", a 19 minute psychedelically enhanced drone that peaks and dips like the most tripped out journey...once again recorded at the Dome, Carlton Melton take their organic psychjam to the highest plane...on the flip are two more tracks that further the 'Melton's Magick Karpet ride.. "Smoke Drip" is exactly how you imagine a song called that might sound...and "Against The Wall" also hammers home their righteous blend of aural delight... fans of Bardo Pond, The Heads, Bong etc take note... 500 only / 200 only for UK. On Clear vinyl wrapped in a sweet sleeve and an inner bag... TUNE IN!! released in time for the Summer Solstice.. June 21st...TURN ON!!... NEW album due on Agitated in september...DROP OUT!! Record Label: Agitated Style: Psychedelic Rock

BARONESS' now-classic formative material has finally seen a proper reissue, combined together as one deluxe LP. A bit dirtier, punker and more metal than their current rock-infused catchy weirdness, First & Second is an important document in the lineage of this awesome band, and all 38 minutes of music have been completely re-mixed and re-mastered for a much fuller sound than ever before. Housed in a beautiful gatefold jacket with guitarist/vocalist John Dyer Baizley's elaborate and intricate artwork (spread through the exterior, interior and printed dustsleeve this foil-stamped beaut is available now! 2000 copies of this beast have been pressed on two different colors of vinyl, Yellow & Red. Record Label: Hyperrealist Style: Psychedelic Rock

180-gram LP housed in gatefold "tip-on" jacket and includes download card for full album +++ Pacific Northwest isolation mixed with wide-eyed ambition, a strong sense of family and the gift of music proved to be quite the combination for teenage brothers Donnie and Joe Emerson. Originally released in 1979, Dreamin' Wild is the sonic vision of the talented Emerson boys, recorded in a family built home studio in rural Washington State. Situated in the unlikely blink-and-you-missed-it town of Fruitland and far removed from the late 1970s punk movement and the larger disco boom, Donnie and Joe tilled their own musical soil, channeling bedroom pop jams, raw funk, and yacht rock. Spurred on their high school's music program, Donnie and Joe received a further push from their lifelong farmer father, who drew up a contract stating that he'd support his sons lofty ambitions with their very own recording studio as long as they focused on original material, sage advice for a man with zero experience in the music business. After taking out a second mortgage to help cover costs, Don Sr. also built his children a 300-capacity concert hall (dubbed Camp Jammin') replete with ticket booth, stage, and fully functioning snack bar. The only problem was that the projected audience never quite materialized, despite a prime time TV profile entitled "The Rock And Roll Farmers" from nearby Spokane, Washington. Even the Emerson brother's school pals were nonplussed at their privately pressed long player; hand distributed to local music stores, but not as far as Seattle, five hours away from their rural home. Somewhat rejected by the muted response, but never surrendering, both Donnie and Joe continued down a musical path and are still active as performers today. This rare slice of bedroom-funk gets the usual Light In The Attic treatment with newly remastered audio, detailed liner notes, and expanded original album art with loads of photos from the Emerson's collection. Be sure to also check out the short documentary Rock and Roll Farmers, premiering on LightInTheAttic.net. First ever CD & LP reissue/ CD and LP include detailed liner notes interviewing the Emersons plus unseen photos "[1]aby' has been a staple on just about every playlist/mixtape I've assembled in the past 3 years. It is nothing short of sublime." - Ariel Pink +++ "This is one of those LPs that helps one understand why people bother to even look for records to begin with. lovely, surprising mix of folk, soul, psych and funk." - Oliver Wang, Soul-Sides