Фирма Platinum Entertainment, Inc.

Interprète principal: Jana Dítetová; Interprète principal: Regina Rázlová; Actor: Jana Dítetová; Actor: Regina Rázlová; Actor: Ella Sárková; Actor: Jirí Holý; Actor: Radoslav Brzobohatý; Jirí Sequens Label: LaptopTraveller

This is the sixth album of this canadian girl duo Destruction and melody, acid wit and bruising vocals-this is the Pack A.D. Singer/guitarist Becky Black and drummer Maya Miller have made a sound so gigantic, so fierce and raw and empowering, that it's easy to forget there are just two people behind this brilliant, carefully constructed havoc. Shredding and pounding their way through every song, the Pack A.D. swallows you whole inside their fearless Franken-blend of heavy psychpop/garage-rock. Their lyrics are wild nests, human and complex: darkly funny disclosures about depression; indictments of digital excess; grief-stricken fire bombs; sly crusades against stupidity. The Pack A.D. is also one of Canada's "must-see" bands. Be it a massive stadium or the slightly seedy bar where everybody's shoes stick to the carpet, the Pack A.D. have owned every spotlight and stolen every show they've ever played. Becky and Maya are relentless and riveting, playing with the kind of fuck-off freedom that makes everybody in the room vicarious rock stars, even if it's just for the night. Record Label: Platinum Style: Rock

This is the sixth album of this canadian girl duo Destruction and melody, acid wit and bruising vocals-this is the Pack A.D. Singer/guitarist Becky Black and drummer Maya Miller have made a sound so gigantic, so fierce and raw and empowering, that it's easy to forget there are just two people behind this brilliant, carefully constructed havoc. Shredding and pounding their way through every song, the Pack A.D. swallows you whole inside their fearless Franken-blend of heavy psychpop/garage-rock. Their lyrics are wild nests, human and complex: darkly funny disclosures about depression; indictments of digital excess; grief-stricken fire bombs; sly crusades against stupidity. The Pack A.D. is also one of Canada's "must-see" bands. Be it a massive stadium or the slightly seedy bar where everybody's shoes stick to the carpet, the Pack A.D. have owned every spotlight and stolen every show they've ever played. Becky and Maya are relentless and riveting, playing with the kind of fuck-off freedom that makes everybody in the room vicarious rock stars, even if it's just for the night. Record Label: Platinum Style: Rock

Composer: Tiger Bell

We are Tiger Bell. We are Lotta, Lisa, Canan and Lovisa. Three of us come from the city of Lulea in northern Sweden but it was in Stockholm in 2010 that we began to play together. Tiger Bell stands with one foot in pop, one in punk and one in rock (which adds up to a lot of feet) and our music is characterized by the nagging and repeated girly choirs. With high energy hard work and lots of fun we realized early on that we create music in the same way that cheerleader's carry out their sport. Cheerleader-punk was born! Record Label: Platinum Style: Rock/Punk

Located halfway between hedonistic Post Punk and Mutant Rock, Shiko Shiko creates epic compositions where furious rhythmic patterns are carelessly associated with wild guitar riffs and sweet pop melodies. With a tremendous energy, their performances give to see a possessed band, expressing the emotion emitted from its music, as surprising as effective. It's like a meteor strike on a frozen lake by a full moon night. Beautiful, violent and mysterious at the same time, coming from nowhere, echoing in a magnificent spatial crash. With more than 100 different gigs in France and Belgium (Les Trans Musicales, Le Printemps de Bourges, Iceland Airwaves festival and support band for Vampire Weekend, The Ex and more.) the electrifying and surprising Shiko Shiko live show managed to get talked about. The climax of it all is the debut album of Shiko Shiko, "Best New Bestiole", a digest as enjoyable as urgent from their poetic wildness. Record Label: Platinum Style: Rock

Located halfway between hedonistic Post Punk and Mutant Rock, Shiko Shiko creates epic compositions where furious rhythmic patterns are carelessly associated with wild guitar riffs and sweet pop melodies. With a tremendous energy, their performances give to see a possessed band, expressing the emotion emitted from its music, as surprising as effective. It's like a meteor strike on a frozen lake by a full moon night. Beautiful, violent and mysterious at the same time, coming from nowhere, echoing in a magnificent spatial crash. With more than 100 different gigs in France and Belgium (Les Trans Musicales, Le Printemps de Bourges, Iceland Airwaves festival and support band for Vampire Weekend, The Ex and more.) the electrifying and surprising Shiko Shiko live show managed to get talked about. The climax of it all is the debut album of Shiko Shiko, "Best New Bestiole", a digest as enjoyable as urgent from their poetic wildness. Record Label: Platinum Style: Rock

with the undeniable success of the first edition, Bikini Machine is back with Let's Party with Bikini Machine Volume 2. 10 instrumental tracks, increasingly Surf Super Jerk & Soul. 2 unreleased remixes and the Little Rabbits track list Record Label: Platinum Style: Surf-Rock

Seattle's own punk-rap-shoegazers, backroom brown hornets, vibrate higher in their magnetic blackness. Two MC's: Pearl Dragon, lifer-a smoke-breathing hood Jim Morrison- and Sir Thomas Gray, the hyperactivated game-gifted trouble man. One producer/multi-instrumentalist DJ Gajamagic (AKA Mark Gadjahar, drummer/founding member of defunct Seattle posthardcore institution The Blood Brothers, current backbone to Past Lives and Weekend) - master of dark arts, road-trip Macgyver, and sound systems savage. Together they "outrap and outparty everyone" (via Seattle Weekly), drink greenrooms dry, and smash packed clubs and sweaty basements alike with their afrofuturist afterparty music- rejecting easy classifications, broke groupies, and bammer weed. Just picture The Cure, Cody ChesnuTT and Cannibal Ox at a Pabst-soaked jam in a haunted mansion. Now picture The 'Pagne burning it the fuck down. Yeah, you got it. Record Label: Platinum Style: Hip Hop

As usual, you never know what happen on a new album by Rubin Steiner. Since 98, indeed, he had fun sampler of old jazz, turning analog synth arpeggios, playing with drum machines to dance, to shout his guitar, to compose hymns and exotica as many killing rock'n'roll, disco punk or hip-hop. Today he plays with synthesizers and drum machines and drops the samples, guitars, and exotica to dive into his very particular vision of dance music: SF environments, monsters, love and retro-futuristic synthesizers. Some will find it techno, rock n'roll other, yet other post-punk or disco. As usual, only Rubin Steiner Rubin Steiner, and always in fashion DIY, fresh and spontaneous, without trying to stroke in the direction of hair growth. And again, this is a bomb baby ! Record Label: Platinum Style: Electro

Recorded over four months in Oakland, Lateef the Truthspeaker's FireWire brings together some of the best producers in hip-hop on one album, including Chief Xcel, DJ Shadow, Dan the Automator, Somehow at Sea and Headnodic (Crown City Rockers, Mighty Underdogs). Bay Area stalwarts Lyrics Born, Del and The Grouch turn up as well, giving the album a congenial, familial feel. FireWire stands as Lateef's most musically ambitious and diverse project to date; the musical equivalent of hip-hoppers, hipsters, dance heads, R&B lovers and unapologetic pop fans all doing shots at the same party. "We The People" opens with a Kraftwerk-style intro before morphing into a New Wave track that would make Gary Numan proud. "Oakland," a heartfelt, candid tribute to Lateef's native city, hits with dirty funk drums, while "Left Alone" fuses Steely Dan-esque '70s rock with retro '80s drum machines. Then there's "So Sexy" and "Inside You," two slow jams dripping with sex that convey clever double meanings while remaining appropriate for intimate, late night listening. Inspired by everyone from Toro Y Moi to Radiohead, it's as if Lateef found his inner Rakim, Paul Simon, Juan Atkins and R. Kelly simultaneously. "You have to make an album that you like and enjoy performing and that you like to listen to," says the rapper "I wanted a name that encapsulates the organic and digital aspects of the album," Lateef says of the title. "The album's sonic cohesiveness comes from the marriage of the two sounds. I wanted to showcase both aspects of my versatility in terms of singing and rapping. I'm not D'Angelo or Luther Vandross, but I can definitely carry a tune." Throughout FireWire's confluence of disparate styles, Lateef the Truthspeaker imbues his lyrics with an inspiring message that never relies on the preachy or didactic. Take "We the People," a ubiquitous American phrase reconfigured for global consumption. "I wanted to write something that was anthemic and unifying,"says Lateef. "Obviously, it's an American phrase, but the idea can be applied worldwide to show the power of unity. There's not much that can stop a unified people." "Social consciousness is integral to all my work. It informs my baseline moral values, politics and my attitude toward propaganda. A lot of those values are out of favor and not as popular as they once were but I'm not afraid to tackle more difficult subject matter or stuff other people may not feel comfortable speaking on." On the DJ Shadow-produced "Say What You Want," for example, Lateef imagines a revenge tale born out of the real-life shooting of his cousin and the death of the shooter at the hands of another cousin. Perhaps this mindset towards truth and consciousness was inevitable. The son of two Black Panthers - his mother was a roommate of famed activist Angela Davis - Lateef was part of an anti-apartheid group at the age of 4; the same age he first hopped on a mic. After co-founding legendary hip-hop collective SoleSides (later renamed Quannum Projects) in the early '90s, Lateef became an integral component in the Bay Area hip-hop scene, co-founding Latyrx (with Lyrics Born), Lateef and the Chief (with Chief Xcel) and The Mighty Underdogs (with Headnodic and Gift of Gab) and collaborating with everyone from Z-Trip to Fatboy Slim. In the end, talent, intellect and charisma have allowed Lateef the Truthspeaker to stand on his own two feet; rising past all internal and external challenges. On "Testimony," a 1970s AM radio track filtered through squelchy synths, the rapper's reflective, poignant lyrics could double as an overall life mantra. "Somehow I stay smiling/Even with the world swirling with violence/'Cause while no man is an island/I'm still sole proprietor of what's behind my eyelids Record Label: Platinum Style: Hip Hop

Part indie-rock preacher, part wonder-kind, Aucoin's We're All Dying To Live (Sonic Records), is a musical scrapbook compiling over 500 musicians, friends and fans from across Canada. Produced by Rich Aucoin and Joel Waddell, mixed by David Wrench (Caribou) and mastered by Nilesh Patel (Daft Punk, Justice), We're All Dying To Live is a testament to the metamorphic magic of music. "The record is really about making big life decisions or at least about thinking about those decisions and how to live one's life," says Aucoin. "This is something that is very relevant to me as the lives of people my age are in so much flux." Unlike his debut Personal Publication (2007), an EP that synchs to Dr. Seuss' How The Grinch Stole Christmas, We're All Dying To Live is a very public affair. From St. John's, NL to Dawson City, YK, Rich invited everyone and anyone who wanted to be on the record. From multiple choirs to some of Canada's finest musicians, we were all dying to sing. "I wanted to think about these things in the same way that I thought about love for the first record and make an album about these issues and topics," says Aucoin. "Choosing to make such a collaborative record was such a great way to spend time with and learn from so many great musicians." We're All Dying To Live embodies the human condition, opening with pensive adagio "The Morning Becomes Eclectic Overture," a preview of the epic musical journey to come. Sombre, almost mystical, Aucoin quietly asks listeners what is "All You Cannot Live Without, " and develops into a magnificent cacophony. "It's a song about reflection on what you want out of life, or what you love most.

The Pack a.d., have been growing inexorably since they signed to Mint Records. Drummer Maya Miller and guitarist/vocalist Becky Black stormed off the mean streets of East Vancouver with their debut album Tintype in hand and Funeral Mixtape following short Record Label: Platinum Style: Rock

Fangs are from Glasgow Scotland. their style draws from rock, electro,and new wave. Fangs meet in Glasgow Scotland 2008, their aim is simple...deliver no-wave dirty disco direct to the dancefloor. The 4 members were already established within the Glasgow Record Label: Platinum Style: Electro-Rock/Pop

Record Label: Platinum Style: Rock

Seattle's own punk-rap-shoegazers, backroom brown hornets, vibrate higher in their magnetic blackness. Two MC's: Pearl Dragon, lifer-a smoke-breathing hood Jim Morrison- and Sir Thomas Gray, the hyperactivated game-gifted trouble man. One producer/multiinstrumentalist DJ Gajamagic (AKA Mark Gadjahar, drummer/founding member of defunct Seattle posthardcore institution The Blood Brothers, current backbone to Past Lives and Weekend) - master of dark arts, road-trip Macgyver, and sound systems savage. Together they "outrap and outparty everyone" (via Seattle Weekly), drink greenrooms dry, and smash packed clubs and sweaty basements alike with their afrofuturist afterparty music- rejecting easy classifications, broke groupies, and bammer weed. Just picture The Cure, Cody ChesnuTT and Cannibal Ox at a Pabst-soaked jam in a haunted mansion. Now picture The 'Pagne burning it the fuck down. Yeah, you got it. Record Label: Platinum Style: Hip Hop

Record Label: Platinum Style: Rock

Record Label: Platinum Style: Rock