Фирма Empire Records

Artist: Clockwise Label: Empire

Author: Glenn Hughes

Empire Records proudly present the new EP of Belgian Thrashers DEVASTATIÖN! The story of DEVASTATIÖN started more than a decade ago, around 2004, under the name “Black Fuel.” As young teenagers playing Heavy Metal, it never seemed too hard or fast enough. With a small reformation in the band, the road to play fast, aggressive and furious Thrash Metal was open – straight from the heart and balls, honest without compromise. DEVASTATIÖN was born and with teutonic Thrash in mind they started from scratch, published a demo in 2007 and played several shows in the local scene. In 2011 they went into the studio again to record the first full album “Leather Jack Maniac,” in collaboration with a local label called ‘Battle Cat Productions’. After receiving very good feedback and reviews, DEVASTATIÖN were able to play some bigger shows with bands like Vicious Rumors, Hobbs Angel Of Death, Pro-Pain, Killer and others, which gave them the boost they needed at the time. The band started to write new songs with more influences from other genres. The core was still Thrash, but adding more Black and Death Metal and even Rock’n’Roll vibes defined their sound with an own blend. With that mentality they went into the studio to record the second full-length-album “Pussy Juice Blues” (2015). Now, after signing with Empire Records, DEVASTATIÖN are ready to unleash an EP entitled “Drink With The Devil,” featuring five brand new tracks. No compromise! Thrash in hell! Record Label: Empire Records Style: Metal

Empire Records proudly present the new EP of Belgian Thrashers DEVASTATIÖN! The story of DEVASTATIÖN started more than a decade ago, around 2004, under the name “Black Fuel.” As young teenagers playing Heavy Metal, it never seemed too hard or fast enough. With a small reformation in the band, the road to play fast, aggressive and furious Thrash Metal was open – straight from the heart and balls, honest without compromise. DEVASTATIÖN was born and with teutonic Thrash in mind they started from scratch, published a demo in 2007 and played several shows in the local scene. In 2011 they went into the studio again to record the first full album “Leather Jack Maniac,” in collaboration with a local label called ‘Battle Cat Productions’. After receiving very good feedback and reviews, DEVASTATIÖN were able to play some bigger shows with bands like Vicious Rumors, Hobbs Angel Of Death, Pro-Pain, Killer and others, which gave them the boost they needed at the time. The band started to write new songs with more influences from other genres. The core was still Thrash, but adding more Black and Death Metal and even Rock’n’Roll vibes defined their sound with an own blend. With that mentality they went into the studio to record the second full-length-album “Pussy Juice Blues” (2015). Now, after signing with Empire Records, DEVASTATIÖN are ready to unleash an EP entitled “Drink With The Devil,” featuring five brand new tracks. No compromise! Thrash in hell! Record Label: Empire Records Style: Metal

Distillator is a band that has been doing the rounds in niche heavy metal circles ever since the release of their debut ‘Revolutionary Cells’ (which was voted one of the top thrash metal albums of 2015 by Metal Wani). The band, consisting of Laurens H. (guitars and lead vocals), Frank R. (bass and backing vocals) and Marco P. (drums) went into studio to record their sophomore album ‘Summoning the Malicious’, an album that is to be released on May 1st via Empire records. The album starts with “Blinded By Chauvinism” which is your standard thrash song and very reminiscent of ‘80s Exodus, especially Laurens’ vocal delivery (R.IP. Paul Baloff). There are occasional spurts of fast double bass shred patterns, but for the better part Marco uses the standard thrash kick-snare drum beat throughout the song (an approach that is maintained throughout the entire album). “Blinded By Chauvinism” is followed by “Mechanized Existence” which has a haunting vibe and even though innovative, Frank could have done a bit more with the bass solo to add more depth to the song. “Estates Of The Realm” oscillates between thrash and groove with a lot of Slayer overtones. The title track has a very Criminally Insane meets Call of Ktulu opening before progressing into blistering break neck thrash. The pace slightly reduces in “Enter The Void”, but not enough to change the dynamic of the album, the lack of which becomes highly prominent at this juncture. The solos start getting very one-dimensional towards and in my opinion Laurens should start experimenting with his solos (something that came to my notice even while listening to their first album). Save for the double bass spurt in the middle of “Algorithmic Citizenship”, the album continues to follow the same tangent, up until “Stature of Liberty” which follows a palm muted chug structure with a lot of interesting guitar licks in the beginning and gallops. Heavily influenced by Slayer circa Seasons In the Abyss, “The King Of Kings” is the track that stood out to me from the album. More melodic than the other songs on the album, this track has, to my ears at least, a slight Iron maiden flavor to it. The album closes with “Megalomania” which is your standard thrash fest (very similar to the first track). Sadly this album does not hold a candle in comparison to their debut. The production is unpolished (to say the least) and the songs are too monotonous. The album does not give the listener any breathing space and one tends to get claustrophobic halfway through the album. The opening riff structure of “Megalomania” is highly derivative of the 2nd track on their debut album “Saturation Bombing”. There are instances where things start to get progressive with the most obvious example being the multiple time signature changes in “Estates Of The Realm”, but in comparison to the tightly arranged riff pool that was ‘Revolutionary Cells’ (the breakdown in “Shiver In Fear” still gives me chills) , this album is extremely lackluster. Dave Mustaine once said “You have all the time in the world to write your 1st album…the challenge is following it up with a kick ass sophomore effort”. Distillator made heads turn with ‘Revolutionary Cells’ but failed to live up to their gargantuan debut. Let us see what they have in store for their next album. Record Label: Empire Records Style: Trash Metal

Distillator is a band that has been doing the rounds in niche heavy metal circles ever since the release of their debut ‘Revolutionary Cells’ (which was voted one of the top thrash metal albums of 2015 by Metal Wani). The band, consisting of Laurens H. (guitars and lead vocals), Frank R. (bass and backing vocals) and Marco P. (drums) went into studio to record their sophomore album ‘Summoning the Malicious’, an album that is to be released on May 1st via Empire records. The album starts with “Blinded By Chauvinism” which is your standard thrash song and very reminiscent of ‘80s Exodus, especially Laurens’ vocal delivery (R.IP. Paul Baloff). There are occasional spurts of fast double bass shred patterns, but for the better part Marco uses the standard thrash kick-snare drum beat throughout the song (an approach that is maintained throughout the entire album). “Blinded By Chauvinism” is followed by “Mechanized Existence” which has a haunting vibe and even though innovative, Frank could have done a bit more with the bass solo to add more depth to the song. “Estates Of The Realm” oscillates between thrash and groove with a lot of Slayer overtones. The title track has a very Criminally Insane meets Call of Ktulu opening before progressing into blistering break neck thrash. The pace slightly reduces in “Enter The Void”, but not enough to change the dynamic of the album, the lack of which becomes highly prominent at this juncture. The solos start getting very one-dimensional towards and in my opinion Laurens should start experimenting with his solos (something that came to my notice even while listening to their first album). Save for the double bass spurt in the middle of “Algorithmic Citizenship”, the album continues to follow the same tangent, up until “Stature of Liberty” which follows a palm muted chug structure with a lot of interesting guitar licks in the beginning and gallops. Heavily influenced by Slayer circa Seasons In the Abyss, “The King Of Kings” is the track that stood out to me from the album. More melodic than the other songs on the album, this track has, to my ears at least, a slight Iron maiden flavor to it. The album closes with “Megalomania” which is your standard thrash fest (very similar to the first track). Sadly this album does not hold a candle in comparison to their debut. The production is unpolished (to say the least) and the songs are too monotonous. The album does not give the listener any breathing space and one tends to get claustrophobic halfway through the album. The opening riff structure of “Megalomania” is highly derivative of the 2nd track on their debut album “Saturation Bombing”. There are instances where things start to get progressive with the most obvious example being the multiple time signature changes in “Estates Of The Realm”, but in comparison to the tightly arranged riff pool that was ‘Revolutionary Cells’ (the breakdown in “Shiver In Fear” still gives me chills) , this album is extremely lackluster. Dave Mustaine once said “You have all the time in the world to write your 1st album…the challenge is following it up with a kick ass sophomore effort”. Distillator made heads turn with ‘Revolutionary Cells’ but failed to live up to their gargantuan debut. Let us see what they have in store for their next album. Record Label: Empire Records Style: Trash Metal

Record Label: Empire Records Style: Metal

Imagine members of bands such as Suffocation, Sylencer, Symphony X, Lanfear, and Coldsteel combing together to forge an unholy union of molten heavy metal. Well, imagine no longer, as it has finally happened. This American super-group is known as THEM, and this collective has recently signed a deal with Belgium’s Empire Records. To whet the appetite of metalheads around the world, THEM has unleashed a limited-edition tour-CD titled Fear Them, with the EP available for purchase at bandcamp. The EP contains three compositions: “Forever Burns,” “Dead of Night,” and “Blood from Blood.” All three songs have been taken from the band’s upcoming debut full-length studio CD, titled Sweet Hollow. A lyric video of “Blood from Blood” has also been released and is available for viewing at Youtube. THEM’s Sweet Hollow is to be a concept album that weaves a macabre tale of tragedy, pain, and suffering Record Label: Empire Records Style: Metal

Imagine members of bands such as Suffocation, Sylencer, Symphony X, Lanfear, and Coldsteel combing together to forge an unholy union of molten heavy metal. Well, imagine no longer, as it has finally happened. This American super-group is known as THEM, and this collective has recently signed a deal with Belgium’s Empire Records. To whet the appetite of metalheads around the world, THEM has unleashed a limited-edition tour-CD titled Fear Them, with the EP available for purchase at bandcamp. The EP contains three compositions: “Forever Burns,” “Dead of Night,” and “Blood from Blood.” All three songs have been taken from the band’s upcoming debut full-length studio CD, titled Sweet Hollow. A lyric video of “Blood from Blood” has also been released and is available for viewing at Youtube. THEM’s Sweet Hollow is to be a concept album that weaves a macabre tale of tragedy, pain, and suffering Record Label: Empire Records Style: Metal

Artist: Talisman Label: Empire