Фирма Circus Records

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Some experiments take time. The new Engine-Earz Experiment album Symbol is the one we’ve been waiting for all year. In 2009, when he started Engine-Earz Experiment, they were a heavy dubstep outfit known for their mesmerising live shows and lashings of wobble bass. “We started off when dubstep was kind of blowing up, we were one of the first live acts, ” Prash recalls. What set them apart was the tapestry of instruments used: a variety of live drums, keys, programmed sounds, guitars, vocals, and more surprising additions such as sitar and flute. A spell of live sessions for BBC’s Maida Vale sessions went viral and propelled them into the limelight. They played sell-out clubs alongside big-name DJs such as Chase and Status, Skream, Diplo, Breakage, Sub Focus, Shy FX and Rodigan, and toured the world with acts such as Enter Shikari, DJ Shadow, Tricky, Dreadzone. They also joined The Streets on their farewell tour. They’re equally at home in the studio though, recording with artists such as the Grammy award-winning jazz bassist John Benitez, Roots Manuva, and Foreign Beggars; while working on tight remixes for Basement Jaxx, Sean Paul and Busta Rhymes to name a few. You’ll recognise Prash’s mixing and mastering work on the records of several sound-of-the-moment Brit artists such as Ray BLK, Akala, and PHOENIX Spring / Summer 17 cover star Jorja Smith on her critically acclaimed Project II EP Blue Lights and A Prince featuring Maverick Sabre. Symbol is less about speaker-rattling bass and more about the message. Prash explains, “it’s very context heavy. We’ve really pushed towards having more vocals. It’s very honest, if I could say that? It also has more featured artists, a great collaborated album really with a great future.” It joins a growing body of social commentary albums of the last two years. Prash believes the artistic output of creative industries is a faint silver lining to the dark cloud of uncertain times. “You become a historian in the sense, the moment your music is released the moment it becomes a time capsule of a period,” he explains. “Especially if you really talk about your surroundings and experiences. I think it’s more important now how we have the responsibility to talk about it.” The result is an experiment in humanity. “We collaborated with people that have similar quests to find where our roots are originally. Especially now it’s so divided, that’s really been the core of the project.” Prash’s musical roots are diverse. “I’ve always been a classical character, and drum and bass and the nudge of dance music has always been a big part of my life, as well as more political rock music.” Expect the unexpected on 20th October, as Prash continues his “cinematic search for patterns in the noise.” Record Label: Circus Style: Dubstep

Some experiments take time. The new Engine-Earz Experiment album Symbol is the one we’ve been waiting for all year. In 2009, when he started Engine-Earz Experiment, they were a heavy dubstep outfit known for their mesmerising live shows and lashings of wobble bass. “We started off when dubstep was kind of blowing up, we were one of the first live acts, ” Prash recalls. What set them apart was the tapestry of instruments used: a variety of live drums, keys, programmed sounds, guitars, vocals, and more surprising additions such as sitar and flute. A spell of live sessions for BBC’s Maida Vale sessions went viral and propelled them into the limelight. They played sell-out clubs alongside big-name DJs such as Chase and Status, Skream, Diplo, Breakage, Sub Focus, Shy FX and Rodigan, and toured the world with acts such as Enter Shikari, DJ Shadow, Tricky, Dreadzone. They also joined The Streets on their farewell tour. They’re equally at home in the studio though, recording with artists such as the Grammy award-winning jazz bassist John Benitez, Roots Manuva, and Foreign Beggars; while working on tight remixes for Basement Jaxx, Sean Paul and Busta Rhymes to name a few. You’ll recognise Prash’s mixing and mastering work on the records of several sound-of-the-moment Brit artists such as Ray BLK, Akala, and PHOENIX Spring / Summer 17 cover star Jorja Smith on her critically acclaimed Project II EP Blue Lights and A Prince featuring Maverick Sabre. Symbol is less about speaker-rattling bass and more about the message. Prash explains, “it’s very context heavy. We’ve really pushed towards having more vocals. It’s very honest, if I could say that? It also has more featured artists, a great collaborated album really with a great future.” It joins a growing body of social commentary albums of the last two years. Prash believes the artistic output of creative industries is a faint silver lining to the dark cloud of uncertain times. “You become a historian in the sense, the moment your music is released the moment it becomes a time capsule of a period,” he explains. “Especially if you really talk about your surroundings and experiences. I think it’s more important now how we have the responsibility to talk about it.” The result is an experiment in humanity. “We collaborated with people that have similar quests to find where our roots are originally. Especially now it’s so divided, that’s really been the core of the project.” Prash’s musical roots are diverse. “I’ve always been a classical character, and drum and bass and the nudge of dance music has always been a big part of my life, as well as more political rock music.” Expect the unexpected on 20th October, as Prash continues his “cinematic search for patterns in the noise.” Record Label: Circus Style: Dubstep

Prash Mistry’s endeavor as a producer, songwriter, performer, and engineer under his Engine-Earz Experiment alias is without doubt the project from which this rising star will be born. With the same sensibilities of the likes of The Chemical Brothers and The Prodigy, Prash fuses varied genres and instrumentation, while enlisting an array of collaborators to create a distinct style of genre-hopping electronic music. Prash’s eclectic and erudite musical taste informs his vision – a vision which is brought to fruition with his latest collaborative efforts. Secrets sees Prash team up with Aloe Blacc, whose soulful and unequivocally cool vocal stylings we all fell in love with on his hit single, 'I Need A Dollar'. Blacc’s silky tones run a social commentary over minimal and expressive jazz piano, which is complimented further by Aryanna Witter-Johnson’s expressive cello. The result is a heartfelt number – one which manages both to sooth melodically, yet unsettle lyrically. Track two, Blackbird Down, is an evocative masterpiece of composition, employing well- considered and delicate instrumentation in an impressively earthy and organic production; especially given its primarily electronic nature. Hanna-Jade Browne’s beautifully fragile voice cries for help alongside emotive and echoing chords, which combined, can’t help but conjure images and move listeners. It’s an undeniably stunning example of Prash’s unbounded vision and skill. Prash’s single, Blue Moon, from earlier in 2017, has been treated to the trip-hop stylings of Kinobe in this smooth, sensual remix, which is sure to chill you to the core. Staying true to Prash’s design, soaring strings, twinkly arps, lazy drums, seductive vocals, and the silkiest of bass-lines, all align perfectly in this Zen-inducing reimagining. Record Label: Circus Style: Dubstep

Record Label: Circus Style: Dubstep