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Live From Brooklyn Paramount (Ltd. 2LP)

Live From Brooklyn Paramount (2CD)

The Future Is Our Way Out

The Future Is Our Way Out

Recorded in their hometown of Nashville at Sputnik Sound Studio with producer Vance Powell (Chris Stapleton, Jack White), Twelfth is the twelfth studio album of the cult old country band. Hurrah for survival and a sonorous ode to the endurance and re

Less than a month after the release of their award-winning 2016 album Nonagon Infinity, King Gizzard & The Lizard Wizard took the stage in San Francisco's The Independent. In one of their last small club gigs, the Melbourne septet put on a breakneck

Drive-By Truckers released The Unraveling on Jan 31st 2020 and set out for what was supposed to be a full year of touring. Needless to say it did not go as planned. The New OK is a phrase Patterson Hood found himself saying a lot these past few month

Deluxe edition of their grammy nominated breakout self-titled debut album. The new edition features new artwork with unpublished in-studio and live photographs, as well as a bonus tracks including three new unreleased originals; three live in-studio versions (Colors, Oct 33, Confines); a live version of Know You Better recorded at C-Boys Heart and Soul, the Austin club where the band first made a name for itself; and covers of the Beatles’ Eleanor Rigby, Death’s Politicians in My Eyes, Bobby “Blue” Bland’s Ain’t No Love in the Heart of the City, and Tracy Chapman’s Fast Car

Back in 2014, the members of My Morning Jacket arrived at Stinson Beach, a tiny Northern California town set right on the ocean and near the majestic Muir Woods. Massively inspired by their idyllic surroundings, the Kentucky-bred five-piece ended up creating over two dozen songs at the mountaintop studio known as Panoramic House. Though they flirted with the idea of putting out what would have been a triple album, the band ultimately decided that less would be more and divided the project into two halves, releasing the first segment as 2015's The Waterfall. My Morning Jacket now share the second half of the project as The Waterfall II, an unforeseen and timely continuation of a psychic and sonic journey begun long ago. Opening with the profound reverie of Spinning My Wheels, The Waterfall II endlessly illuminates My Morning Jacket’s eclectic sensibilities, encompassing everything from lilting sunshine-pop to fantastically ramshackle rock and roll. While the album slips into heavenly psychedelia on tracks like Feel You (a mesmerizing epic James developed deep in the Muir Woods), a more ominous tone permeates Magic Bullet and its rattled response to gun violence. An intimate documenting of keeping an open heart in the face of devastation, The Waterfall II embodies a wistful longing on Run It (a song about “the desire to disappear and turn back into water,” according to James) and later gives way to overwhelming gratitude on Welcome Home (a portrait of “coming home from tour feeling so sad and defeated and lonely, but realizing how much love I was lucky to have in my friends and family”). And on The First Time, My Morning Jacket close out the album with a sweetly rambling meditation on the possibility of finding love again, channeling both ineffable sorrow and wide-eyed hope to incredibly glorious effect. Even in its most heavy-hearted moments, The Waterfall II radiates an undeniable sense of wonder, a testament to the wild-mindedness that’s long imbued the music of My Morning Jacket. With their unabashed curiosity infinitely stirred by their time at Stinson Beach, the band hopes that the album might lead others to look beyond what’s human-made in the search for solace and renewal