Фирма Glitterhouse

Record Label: Glitterhouse Style: Alternative Rock

What does the neverland promise? Not much when you look at the cover of "Promises Of No Man's Land", showing a naked, androgynous young man with a flower wreath perched on a bear skin. Musically it looks quite different: the fourth album of the Dutchman Johannes Sigmond aka Blaudzun does not take long to enchant any listener who has a weakness for sensitive yet still thrilling indie folk with dramatic dimensions. Sigmund, for instance, started out as his minimalist Belgian neighbors, Isbells, but he raised the sound to some extent so dizzying heights that one spontaneously wanted to embrace anyone or something. And indeed, according to the title of the title, which completely fulfills the promise of the opener "Euphoria" - with a bombastic arrangement of acoustic as well as electric guitars, piano, strings ensemble, harmonium and other great things. Sigmond sighs and jubilates with the lavish instrumentarium around the bet like Scott Matthew in his longing moments - to be called the magnificent "Hollow People", which himself probably so much to the heart grown, that immediately follows a two-minute recapitulation. And after that, only half of an album is reached, which still contains numerous other delicacies. Soon spring is a great honor. Thomas Pilgrim Record Label: Glitterhouse Style: Pop

These are changing times: sad times but times that are also filled with hope. And I felt like this changing world required a different position from me, another way of relating to it. Working on this album helped me in the process. I was searching for connections: with myself, with others and with something bigger than all of us. Soon I realised that wr Record Label: Glitterhouse Style: Pop

Downloadcode. Popular Amsterdam band MY BABY launches on Friday, March 17th a.s. the long-awaited new album 'Prehistoric Rhythm'. The first single from the album, the rousing 'Love Dance' will appear on February 10. Where the previous album even won an Edison Award for Best Alternative Album, the band's new album goes one step further and everything falls during the new club tour completely in place. MY BABY tries with the new album to create a theatrical and poetic world in which they will look for spiritual reflection. "In today's society, we continue to look for new ways to return to a primal consciousness," says singer Cato van Dijck. "We want to take the audience on a shamanic inspired musical journey." Record Label: Glitterhouse Style: Indie Pop

Popular Amsterdam band MY BABY launches on Friday, March 17th a.s. the long-awaited new album 'Prehistoric Rhythm'. The first single from the album, the rousing 'Love Dance' will appear on February 10. Where the previous album even won an Edison Award for Best Alternative Album, the band's new album goes one step further and everything falls during the new club tour completely in place. MY BABY tries with the new album to create a theatrical and poetic world in which they will look for spiritual reflection. "In today's society, we continue to look for new ways to return to a primal consciousness," says singer Cato van Dijck. "We want to take the audience on a shamanic inspired musical journey." Record Label: Glitterhouse Style: Indie Pop

180g. On October 7th, Blaudzun released the first of his three-part album cycle Jupiter: Jupiter Part I. According to Rolling Stone Germany, Part I was “...a genuinely powerful musical statement.” Blaudzun has now announced the second installment. Jupiter Part II contains brisk new songs exemplar to Blaudzun’s knack for stunning arrangements and large-scale sonic inquiry. This time, sounds testimonial to the German kraut rock movement, 80s Bowie, Bruce Springsteen and contemporary indie pop have shaped the Dutch songwriter’s (real name Johannes Sigmond) unique songwriting acumen. Jupiter II is slated for release on March 3rd. Over the breadth of nine tracks, Blaudzun’s unmistakably rich timbre and shrewd pop melodies permeate more than ever. If there’s one consistent thing throughout Blaudzun’s prolific career, it’s is his devout work ethic: whether he’s occupying himself with touring, writing or media-appearances, his art is always spearheaded by strong self-determination. Making an album comprised of three different parts deviates from the traditional game plan. This fresh approach dovetails with new creative challenges as well. “I started writing songs for Jupiter Part II almost immediately after the last shows supporting Part I. It’s been very stimulating, especially the pace in which I’m producing a record. There’s always a sense of risk involved, and I really enjoy that. Think of it as a fresh bottle of wine: the grapes that have been picked are immediately processed, with no time to ripe properly. At the moment, that’s exactly how I’m approaching my songs. The transition between fledging ideas and finished compositions happens relatively quick.” Tear GunOne of the cuts on Part II, ‘Tear Gun’, is an exception to this rule. Blaudzun came up with the basic idea of the track more than seven years ago. “Prior to the sessions for Seadrift Soundmachine, Heavy Flowers and Promises of No Man's Land, I kept fiddling with ‘Tear Gun’. In a way, the song served as a launchpad for all the work I’ve done on my previous albums. But I was never quite pleased with it, and I never got around to actually finishing it. However, the concept and overall vibe of ‘Tear Gun’ inspired me to write a lot of other stuff. I reckon there are about sixty versions of ‘Tear Gun’ in total. This time, nevertheless, I kind of felt obligated to include the track on Jupiter II. Perhaps the time was simply right, or perhaps I had to warm up to the song myself, maybe that’s the case.” One of the more remarkable features of Jupiter II are the piercing drums and especially the baritone sax, giving Blaudzun’s commanding live performances a vivid sense of romanticism and mystique. Deft analogue synths are featured more pervasively within the overall production, without upending the sheer gravitas of Blaudzun’s creative vernacular. “Melody and drums are the ones in charge. The inflections of the bass and drums shift and alternate repeatedly, a bit like an ebb and flow-effect. Also, Jupiter Part II features more traditional song structures than on Part I.” Record Label: Glitterhouse Style: Pop

On October 7th, Blaudzun released the first of his three-part album cycle Jupiter: Jupiter Part I. According to Rolling Stone Germany, Part I was “...a genuinely powerful musical statement.” Blaudzun has now announced the second installment. Jupiter Part II contains brisk new songs exemplar to Blaudzun’s knack for stunning arrangements and large-scale sonic inquiry. This time, sounds testimonial to the German kraut rock movement, 80s Bowie, Bruce Springsteen and contemporary indie pop have shaped the Dutch songwriter’s (real name Johannes Sigmond) unique songwriting acumen. Jupiter II is slated for release on March 3rd. Over the breadth of nine tracks, Blaudzun’s unmistakably rich timbre and shrewd pop melodies permeate more than ever. If there’s one consistent thing throughout Blaudzun’s prolific career, it’s is his devout work ethic: whether he’s occupying himself with touring, writing or media-appearances, his art is always spearheaded by strong self-determination. Making an album comprised of three different parts deviates from the traditional game plan. This fresh approach dovetails with new creative challenges as well. “I started writing songs for Jupiter Part II almost immediately after the last shows supporting Part I. It’s been very stimulating, especially the pace in which I’m producing a record. There’s always a sense of risk involved, and I really enjoy that. Think of it as a fresh bottle of wine: the grapes that have been picked are immediately processed, with no time to ripe properly. At the moment, that’s exactly how I’m approaching my songs. The transition between fledging ideas and finished compositions happens relatively quick.” Tear GunOne of the cuts on Part II, ‘Tear Gun’, is an exception to this rule. Blaudzun came up with the basic idea of the track more than seven years ago. “Prior to the sessions for Seadrift Soundmachine, Heavy Flowers and Promises of No Man's Land, I kept fiddling with ‘Tear Gun’. In a way, the song served as a launchpad for all the work I’ve done on my previous albums. But I was never quite pleased with it, and I never got around to actually finishing it. However, the concept and overall vibe of ‘Tear Gun’ inspired me to write a lot of other stuff. I reckon there are about sixty versions of ‘Tear Gun’ in total. This time, nevertheless, I kind of felt obligated to include the track on Jupiter II. Perhaps the time was simply right, or perhaps I had to warm up to the song myself, maybe that’s the case.” One of the more remarkable features of Jupiter II are the piercing drums and especially the baritone sax, giving Blaudzun’s commanding live performances a vivid sense of romanticism and mystique. Deft analogue synths are featured more pervasively within the overall production, without upending the sheer gravitas of Blaudzun’s creative vernacular. “Melody and drums are the ones in charge. The inflections of the bass and drums shift and alternate repeatedly, a bit like an ebb and flow-effect. Also, Jupiter Part II features more traditional song structures than on Part I.” Record Label: Glitterhouse Style: Pop

6LP+4CD, 180g, gatefold cover. Besides being probably one of the best and most underestimated indie-rock bands from the United States, Seattle's The Walkabouts always delivered remarkable and outstanding cover versions. In 1993 they released "Satisfied Mind" the 1st cover album in the band’s history and truly an alternative country masterpiece. 20 years after the release MOJO Magazine elected it as one of the “best 5 Americana Albums of all times”! In 2001 the highly anticipated "Train Leaves At Eight" was released - the counterpart to "Satisfied Mind" - covering only European music from Norway to Greece. "Satisfied Mind" was released as a single LP in 1993, maybe not the best decision for sound reasons, whereas "Train Leaves At Eight" never was released on vinyl. Both albums are now available for the first time ever remastered and on double vinyl. As a bonus and a special gift to the fans this box includes a third double LP, the live album "Gone To Hell, Back By Eight". This album includes two recordings of two concerts from the time of creation of both "Satisfied Mind" and "Train Leaves At Eight". Remastered from the original tapes by Grammy nominee Hans-Jörg Maucksch (Pauler Acoustics Studio). The Walkabouts - "Feel Like Going Home: Cover Albums" comes as a Deluxe box set with 3 double LPs (180 gram vinyl) plus 4 CDs. Record Label: Glitterhouse Style: Alternative Rock

Downloadcode, 180g. “Swedish post-rock romanticism or hauntingly whispering hover-pop" - Rolling Stone, US "Specialising in the epic, horizon-seeking guitar scapes pursued by Sigur Ros, new single ‘Under Your Wings I’ll Hide’ is nine minutes of undulating gorgeousness. It moves, it calms, it swells, it breaks. This is precious metal boiled down and remoulded into moving, uplifting pop music." - When the Gramophone Rings The last few years have been very special for Swedish dream pop pioneers Immanu El. Since the latest album release almost five years ago, the band have been touring around the world and battling a lawsuit against the state at the same time – a somewhat Kafka-esque experience that ended up with two trials and a verdict proving the band innocent almost two years later. Immanu El re-grouped in a cellar of an old regiment building, started to write new music and got Swedish Grammy nominated producer Johan Eckeborn (Jonathan Johansson – Lebensraum) on board to work with the band. When spring arrived, the boys booked a studio at the top of a hill near Florence in Tuscany, Italy, and spent two weeks recording what now has become the band’s fourth album; Hibernation. Putting more time and focus into the production than ever before, Immanu El and Johan Eckeborn have managed to create something unique, developing the sound of the band and making the songs more compelling and exciting than ever. Introducing synthesizers and a rhythmic drive to melodies, this album has brought a new level of grandeur and simplicity to the music. The album’s lead track features a video by Emmy nominated American filmmaker Jeff Penilla. Taken from the short film The Earth The Way I Left It, Immanu El's first official video clip follows the story of a child, using her imagination to cope with a tragedy in the family. A tale of youth, innocence and imagination, Jeff gives his perspective on the video - "I'm a believer that the sounds and textures that are expressed in Voices match very well with the expressive visuals we incorporated into our short film so when I heard the song for the first time, it made sense that the two should compliment one another”. 'Voices' somehow bridges the gap between 'Hibernation''s predecessor In Passage with its post-rock rhythmical fundament, but then opens up wide into its gorgeous chorus. "When writing the song Voices I recalled a story a good friend of mine told me once" says the band’s founder and creative driving force Claes Straengberg, "he had this dream every night, over and over again where angels came to him and sang for him all night long. He was so puzzled because of that dream that he couldn't concentrate anymore on his studies during daytime, and so he had no other choice than to tell the angels one night that they should leave him alone. He never had that dream again. Not sure if he was just inventing this story, but it somehow impressed me”. Immanu El started as a musical experiment in Jönköping, Sweden 2004 by then 16-year-old Claes Strängberg, soon joined by his twin brother Per and friends David Lillberg and Jonatan Josefsson. The band has gained a reputation as one of the most promising bands from Scandinavia and have performed over 300 shows in 30 countries since the debut album was released 2008. During the last years of touring Immanu El performed at festivals such as SXSW in Austin, Reeperbahn Festival in Hamburg, Filter's Culture Collide Festival in Los Angeles, CMJ Music Marathon in New York, Canadian Music Week in Toronto and Strawberry Festival in Beijing and Shanghai. The band's new album 'Hibernation' will be released on 25th November 2016 with Glitterhouse Records. Record Label: Glitterhouse Style: Indie Pop

“Swedish post-rock romanticism or hauntingly whispering hover-pop" - Rolling Stone, US "Specialising in the epic, horizon-seeking guitar scapes pursued by Sigur Ros, new single ‘Under Your Wings I’ll Hide’ is nine minutes of undulating gorgeousness. It moves, it calms, it swells, it breaks. This is precious metal boiled down and remoulded into moving, uplifting pop music." - When the Gramophone Rings The last few years have been very special for Swedish dream pop pioneers Immanu El. Since the latest album release almost five years ago, the band have been touring around the world and battling a lawsuit against the state at the same time – a somewhat Kafka-esque experience that ended up with two trials and a verdict proving the band innocent almost two years later. Immanu El re-grouped in a cellar of an old regiment building, started to write new music and got Swedish Grammy nominated producer Johan Eckeborn (Jonathan Johansson – Lebensraum) on board to work with the band. When spring arrived, the boys booked a studio at the top of a hill near Florence in Tuscany, Italy, and spent two weeks recording what now has become the band’s fourth album; Hibernation. Putting more time and focus into the production than ever before, Immanu El and Johan Eckeborn have managed to create something unique, developing the sound of the band and making the songs more compelling and exciting than ever. Introducing synthesizers and a rhythmic drive to melodies, this album has brought a new level of grandeur and simplicity to the music. The album’s lead track features a video by Emmy nominated American filmmaker Jeff Penilla. Taken from the short film The Earth The Way I Left It, Immanu El's first official video clip follows the story of a child, using her imagination to cope with a tragedy in the family. A tale of youth, innocence and imagination, Jeff gives his perspective on the video - "I'm a believer that the sounds and textures that are expressed in Voices match very well with the expressive visuals we incorporated into our short film so when I heard the song for the first time, it made sense that the two should compliment one another”. 'Voices' somehow bridges the gap between 'Hibernation''s predecessor In Passage with its post-rock rhythmical fundament, but then opens up wide into its gorgeous chorus. "When writing the song Voices I recalled a story a good friend of mine told me once" says the band’s founder and creative driving force Claes Straengberg, "he had this dream every night, over and over again where angels came to him and sang for him all night long. He was so puzzled because of that dream that he couldn't concentrate anymore on his studies during daytime, and so he had no other choice than to tell the angels one night that they should leave him alone. He never had that dream again. Not sure if he was just inventing this story, but it somehow impressed me”. Immanu El started as a musical experiment in Jönköping, Sweden 2004 by then 16-year-old Claes Strängberg, soon joined by his twin brother Per and friends David Lillberg and Jonatan Josefsson. The band has gained a reputation as one of the most promising bands from Scandinavia and have performed over 300 shows in 30 countries since the debut album was released 2008. During the last years of touring Immanu El performed at festivals such as SXSW in Austin, Reeperbahn Festival in Hamburg, Filter's Culture Collide Festival in Los Angeles, CMJ Music Marathon in New York, Canadian Music Week in Toronto and Strawberry Festival in Beijing and Shanghai. The band's new album 'Hibernation' will be released on 25th November 2016 with Glitterhouse Records. Record Label: Glitterhouse Style: Indie Pop

180g. Rodrigo Leão first met Scott Matthew on the path to A Montanha Mágica (The Magic Mountain), his 2011 album. Scott lent his extraordinary voice to the song “Terrible Dawn”, which paved the way to his participation on some live shows in Portugal and Spain and further studio work. Rodrigo has always been an avid collaborator, having worked with such diverse voices as Beth Gibbons (Portishead) or Brazilian singer Adriana Calcanhoto, among so many others. But “Terrible Dawn”, first, and “Incomplete”, afterwards, proved there was a special chemistry between the two. A Portuguese composer with his eyes set on the world, an Australian singer living in New York. Worlds apart, yet so close. An inventor of magical melodies and a self described “quiet noise maker”. Impossible to resist such an exotic pairing. Scott and Rodrigo have quietly and discretely been working together. Both have very busy schedules, Rodrigo having been deeply involved in film scores, including such boxoffice smashes as The Butler or La Cage Dorée. Scott is busy building a strong solo discography of five albums, contributed several songs for soundtracks of such successful films as John Cameron Mitchell’s Shortbus or guesting alongside Sia. But quietly both have been trading melodies and words, sending each other ideas that shall result in a collaborative album in 2016: Rodrigo handling the composition and production and Scott taking care of the lyrics, melody and vocals. Those who have seen them both on stage know how rich these encounters can be, how Scott’s deep and sweet voice and Rodrigo’s melodies and orchestrations can be joined in perfection. Record Label: Glitterhouse Style: Folk / Pop

Rodrigo Leão first met Scott Matthew on the path to A Montanha Mágica (The Magic Mountain), his 2011 album. Scott lent his extraordinary voice to the song “Terrible Dawn”, which paved the way to his participation on some live shows in Portugal and Spain and further studio work. Rodrigo has always been an avid collaborator, having worked with such diverse voices as Beth Gibbons (Portishead) or Brazilian singer Adriana Calcanhoto, among so many others. But “Terrible Dawn”, first, and “Incomplete”, afterwards, proved there was a special chemistry between the two. A Portuguese composer with his eyes set on the world, an Australian singer living in New York. Worlds apart, yet so close. An inventor of magical melodies and a self described “quiet noise maker”. Impossible to resist such an exotic pairing. Scott and Rodrigo have quietly and discretely been working together. Both have very busy schedules, Rodrigo having been deeply involved in film scores, including such boxoffice smashes as The Butler or La Cage Dorée. Scott is busy building a strong solo discography of five albums, contributed several songs for soundtracks of such successful films as John Cameron Mitchell’s Shortbus or guesting alongside Sia. But quietly both have been trading melodies and words, sending each other ideas that shall result in a collaborative album in 2016: Rodrigo handling the composition and production and Scott taking care of the lyrics, melody and vocals. Those who have seen them both on stage know how rich these encounters can be, how Scott’s deep and sweet voice and Rodrigo’s melodies and orchestrations can be joined in perfection. Record Label: Glitterhouse Style: Folk / Pop

180g Vinyl+CD. Christine Owman's passion for music started at an early age. She sang before she could talk, wrote music before she could spell and started playing the cello at the age of five. Her musical inspiration includes influences from post rock, psychedelic rock, grunge rock, classical music, punk and new wave. She started her own record label after graduating high school and released her own and other bands' music until she signed with Glitterhouse Records. In 2013 she released her second album ‚Little Beast‘ followed by extensive, worldwide touring with artists such as SoKo, Wovenhand, Robert Plant or Vånna Inget. Producing the new album ‚When On Fire‘ herself, Christine Owman has created music that is a dichotomous blend of dreamy sounds and raw distortion, reverb, bass and noise expressed through clever, uninhibited lyrics. Tales from dreams, fears, nightmares and interpretations of darkness but with an empowering strength that conveys hope and almost makes you feel safe in the dark underground she guids you through. Stories about unconscious thoughts surfacing, observations of surroundings in times where mental illness and suicide rates are rising like never before. ‚When On Fire‘ is sensual, dark, rough and airy, all at once. The cinematic feeling creates images in the listeners' mind. Owman guides you with a strong will and determination, almost hypnotising you to follow her into a lonely, dark, haunting path heading towards something mystical, a bit frightening but oh so beautiful. A place where contrasts and contradictions, reality and dreams intertwine. Beside Christine Owman you’ll find appearances by amazing guest musicians such as Mark Lanegan (Screaming Trees, Queens of the Stone Age), SoKo, Karolina Engdahl (Vånna Inget, True Moon) and Erika Rosén (Swim) with a B-side collaboration by Neil Keener (Wovenhand). Record Label: Glitterhouse Style: Pop

Christine Owman's passion for music started at an early age. She sang before she could talk, wrote music before she could spell and started playing the cello at the age of five. Her musical inspiration includes influences from post rock, psychedelic rock, grunge rock, classical music, punk and new wave. She started her own record label after graduating high school and released her own and other bands' music until she signed with Glitterhouse Records. In 2013 she released her second album ‚Little Beast‘ followed by extensive, worldwide touring with artists such as SoKo, Wovenhand, Robert Plant or Vånna Inget. Producing the new album ‚When On Fire‘ herself, Christine Owman has created music that is a dichotomous blend of dreamy sounds and raw distortion, reverb, bass and noise expressed through clever, uninhibited lyrics. Tales from dreams, fears, nightmares and interpretations of darkness but with an empowering strength that conveys hope and almost makes you feel safe in the dark underground she guids you through. Stories about unconscious thoughts surfacing, observations of surroundings in times where mental illness and suicide rates are rising like never before. ‚When On Fire‘ is sensual, dark, rough and airy, all at once. The cinematic feeling creates images in the listeners' mind. Owman guides you with a strong will and determination, almost hypnotising you to follow her into a lonely, dark, haunting path heading towards something mystical, a bit frightening but oh so beautiful. A place where contrasts and contradictions, reality and dreams intertwine. Beside Christine Owman you’ll find appearances by amazing guest musicians such as Mark Lanegan (Screaming Trees, Queens of the Stone Age), SoKo, Karolina Engdahl (Vånna Inget, True Moon) and Erika Rosén (Swim) with a B-side collaboration by Neil Keener (Wovenhand). Record Label: Glitterhouse Style: Pop

After releasing the debut ep ”Curtains” on a 500-dollar budget in 2014 Vita Bergen has snowballed into one of the most talked about bands in Sweden: they’ve topped the ITunes charts, played sold out venues in Germany, Switzerland and Scandinavia and are being played on national television in the US. They’ve received several awards in Sweden and is by many believed to be the next big thing on the European indie scene. The singer William Hellström is described as a cult leader on speed and co-founder Robert Jallinder as one of Scandinavia’s most eccentric guitarists. Their uncontrolled, often chaotic live shows have left the band with concussions, nails up their feet and torn apart fingers – and still they say they make pop music. Influenced by acts like MGMT, Pink Floyd, The Jesus & Mary Chain or The Brian Jonestown Massacre the band has made it to ”one of Sweden’s underground success stories” (Clash Magazine). After several heavyweights in the music business, such as NME, Vice, The Line of Best Fit and Clash Magazine have praised the band, now the time has come for their debut full-length album. Vita Bergen will release ”Disconnection” with Glitterhouse Records on the 3rd of March 2016 and will tour this May with gigs all around Europe. Vita Bergen has emerged from Sweden’s warehouse scene where they first made a name for themselves with their two magnetic front men who’ve left their former lives as straight A-students behind. Record Label: Glitterhouse Style: Indie Pop

180g. Joe Volk is a solo artist from Bristol, England now based in Bern, Switzerland. He was one of the first musicians signed to Invada records, headed by Portishead's Geoff Barrow. Joe Volk got widely known for being the original singer and lyricist in Crippled Black Phoenix, and was signed to Domino Publishing with Justin Greaves as sole songwriters of the band. After six studio albums, one live album and several EP's, Volk left the group in 2013 to focus his energy on his solo material. Volk is also a composer, having written scores for independent European and British short films. He has had his material used by the BBC, HBO and had commissions from National Geographic. Volk contributed music to the Academy Award nominated documentary on Bristol street artist Banksy, entitled "Exit Through The Gift Shop". In February 2016 Volk's new solo LP 'Happenings and Killings' will be released on Glitterhouse Records. Before christmas this year, an exclusive video by award winning visual artist Craig Murray (Mogwai, Converge) will be released for the first single “Soliloquy”. Volk will be touring the UK and Europe with a new live band in the spring of 2016. On the new album, Volk worked closely with the Emmy nominated composer Ben Salisbury and Geoff Barrow (the songwriting partnership behind the soundtrack to Alex Garland's 2015 film 'Ex Machina'), with both being credited as additional producers along with Volk. The album was mixed by Joe Volk and Jim Barr (Portishead / Get The Blessing), as well as the musician and artist Leafcutter John. The album features the three producers, along with Jim Barr, Billy Fuller (Robert Plant, BEAK>), Adrian Utley (Portishead), Mark Ophidian (US / Animals With Machinery), Guy Metcalfe (Thought Forms), Leafcutter John, Luke Harney (Typesun) and a collection of other musicians, all active in the Bristol music scene. The spectrum of the album is broad, ranging from low-fi acoustic pieces featuring subtle analogue electronics from Ophidian and instrumentation from Salisbury, to more realised tracks, layered with Volks harmonies and intricate guitar work with backing from Fuller and Barrow, who constitute the rhythm section of the band Beak>. There is “Yellow Sneak”, a track featuring a full orchestral score by Ben Salisbury, played by the Bristol Ensemble Orchestra, with a haunting accompaniment by Volk on acoustic guitar and voice, and then, again in contrast, there are tracks like “Soliloquy” or “Is Pyramid” for example, with programmed drums, bass, warm analogue synths, electric guitars, samples and electronics, with Volk pushing his voice to new extremes for his solo work. This is an album with a broad scope of sounds, styles and influences, yet it manages to translate into a cohesive body of work. The common thread running throughout is the instantly recognizable guitar playing and voice of Volk, which is uniquely complemented by the different musicianship that is bought to each track from the wide array of artists from different genres that he worked with Record Label: Glitterhouse Style: Alternative Rock

Record Label: Glitterhouse Style: Alternative Rock

Record Label: Glitterhouse Style: Pop

Record Label: Glitterhouse Style: Pop

Record Label: Glitterhouse Style: Indie Pop