Фирма Now Again

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Ayalew Mesfin stands aside the likes of Mulatu Astake, Mahmoud Ahmed, Hailu Mergia and Alemayehu Eshete as a legend of 1970s Ethiopia. Mesfin’s music is some of the funkiest to arise from this unconquerable East African nation. Mesfin’s recording career, captured in nearly two dozen 7” singles and numerous reel-to-reel tapes, shows the strata of the most fertile decade in Ethiopia’s 20th century recording industry, when records were pressed constantly by both independent upstarts and corporate behemoths, even if they were only distributed within the confines of this East African nation. Though Mesfin was forced underground by the Derg regime that took control of Ethiopia in 1974, he has returned almost 50 years later with this triumphant set albums – the first time that his music has been presented in this form. These albums give us a chance to discover a rare and beautiful moment in music history, in anthologies built from Mesfin’s uber-rare 7” single releases and from previously unreleased recordings taken from master tapes. Tewedije Limut gives us a chance to discover a rare & beautiful moment in music history, in an anthology built from his uber-rare 7” single releases. Contains an oversized 11” x 11” 16 page book that tells the story of modern Ethiopian music and Mesfin’s role within it.

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Reissue of the 5th installment of the hugely popular 'Now That's What I Call Music' series. Now 5 was originally released in August 1985 and it kicks off with Duran Duran‘s Bond theme, ‘A View To A Kill’, although it doesn’t feature the song that kept Duran off number one in the UK singles charts which was Paul Hardcastle‘s ’19’. What it does include is the Rory Bremner-led spoof version of that song, ‘N-n-nineteen Not Out’, which was credited to ‘The Commentators’. It later turned out that Hardcastle actually helped them put this together but was under strict orders to keep it a secret. Other big hits of the day including Paul Young‘s US number one ‘Every Time You Go Away’, Scritti Politti‘s ‘The Word Girl’, Stephen ‘Tin Tin’ Duffy‘s ‘other’ hit (‘The Icing On The Cake’), Marillion‘s ‘Kayleigh’, Simple Minds‘ ‘Don’t You Forget About Me’, ‘Out In The Fields’ by Gary Moore and Phil Lynott and Howard Jones‘ ‘Life In One Day’.

Get ready for NOW 106! Includes the biggest chart hits from the biggest stars of 2020. The only album you will need this Summer!

Get ready for our biggest summer album to date! Featuring all your favourite Summer staples old and new. Enjoy the sunshine with NOW 100 Hits Summer

Track List: CD ONE 01. Queen - Killer Queen 02. The Buggles - Video Killed The Radio Star 03. Blondie - Heart Of Glass 04. Earth, Wind & Fire with The Emotions - Boogie Wonderland 05. The Four Seasons - December, 1963 (Oh What a Night!) 06. Gladys Knight & The Pips - Midnight Train to Georgia 07. Bill Withers - Ain't No Sunshine 08. Ike & Tina Turner - Proud Mary 09. Curtis Mayfield - Move on Up 10. Sister Sledge - We Are Family 11. The O'Jays - Love Train 12. The Specials feat. Rico - A Message to You Rudy 13. Electric Light Orchestra - Livin' Thing 14. Billy Joel - Piano Man 15. John Denver - Annie's Song 16. Steve Harley & Cockney Rebel - Make Me Smile (Come up and See Me) 17. Marvin Gaye - What's Going On 18. Barry White - You're The First, The Last, My Everything 19. Freda Payne - Band of Gold 20. 10cc - I'm Not In Love CD TWO 01. John Lennon, The Plastic Ono Band & Yoko Ono - Instant Karma! (We All Shine On) 02. Bryan Ferry - Let's Stick Together 03. The Sugarhill Gang - Rapper’s Delight 04. LaBelle - Lady Marmalade 05. McFadden & Whitehead - Ain't No Stoppin' Us Now 06. Tina Charles - I Love to Love 07. Billy Paul - Me and Mrs. Jones 08. Commodores - Three Times A Lady 09. The Three Degrees - Woman in Love 10. Sly & The Family Stone - Family Affair 11. Harry J Allstars - Liquidator 12. R. Dean Taylor - There's A Ghost In My House 13. Chairmen of the Board - Give Me Just a Little More Time 14. KC & The Sunshine Band - That's The Way (I Like It) 15. Smokey Robinson & The Miracles - The Tears Of A Clown 16. Chic - Good Times 17. Van McCoy & The Soul City Symphony - The Hustle 18. Heatwave - Boogie Nights 19. Diana Ross - Ain't No Mountain High Enough 20. Minnie Riperton - Lovin' You CD THREE 01. ABBA - Fernando 02. Fleetwood Mac - Don’t Stop 03. Paul McCartney - Another Day 04. Chicago - If You Leave Me Now 05. Harry Nilsson - Without You 06. Barry Manilow - Mandy 07. Patti Smith Group - Because the Night 08. Kate Bush - Wuthering Heights 09. Meat Loaf - You Took the Words Right Out of My Mouth (Hot Summer Night) 10. Foreigner - Cold As Ice 11. Edwin Starr - War 12. The Jam - Down In The Tube Station At Midnight 13. The Boomtown Rats - Rat Trap 14. Rod Stewart – Handbags & Gladrags 15. Terry Jacks - Seasons in the Sun 16. Ralph McTell - Streets Of London 17. Gordon Lightfoot - If You Could Read My Mind 18. Nazareth - Love Hurts 19. Gary Moore & Phil Lynott - Parisienne Walkways 20. Eric Carmen - All by Myself CD FOUR 01. The Cars - My Best Friend's Girl 02. Joe Jackson - Is She Really Going Out With Him? 03. Roxy Music - Dance Away 04. M - Pop Muzik 05. The Tourists - I Only Want to Be with You 06. Mott The Hoople - Roll Away the Stone 07. Status Quo - Down Down 08. Sweet - Blockbuster 09. The Allman Brothers Band – Jessica 10. Thin Lizzy - Whiskey In The Jar 11. Justin Hayward - Forever Autumn (From Jeff Wayne's Musical Version of "The War of the Worlds") 12. Python Lee Jackson feat. Rod Stewart - In A Broken Dream 13. The Walker Brothers - No Regrets 14. Elkie Brooks - Pearl's A Singer 15. Santana - She's Not There 16. Sparks - This Town Ain't Big Enough For Both Of Us 17. Madness - The Prince 18. Sham 69 – Hurry Up Harry 19. Graham Parker & The Rumour - Hold Back The Night 20. Chris Rea - Fool (If You Think It's Over) CD FIVE 01. Carl Douglas - Kung Fu Fighting 02. Bay City Rollers - Bye Bye Baby 03. Showaddywaddy - Under The Moon Of Love 04. The Rubettes - Sugar Baby Love 05. Suzi Quatro - Devil Gate Drive 06. Kiki Dee - Amoureuse 07. David Soul - Don’t Give Up On Us 08. Matthews' Southern Comfort - Woodstock 09. The New Seekers - I'd Like To Teach The World To Sing (In Perfect Harmony) 10. Dawn feat. Tony Orlando - Tie a Yellow Ribbon Round the Ole Oak Tree 11. The Drifters - Kissin' in the Back Row of the Movies 12. Third World - Now That We've Found Love 13. Dave Edmunds - I Hear You Knocking 14. Sailor - A Glass of Champagne 15. Racey - Some Girls 16. Alvin Stardust - My Coo Ca Choo 17. Pilot - January 18. David Essex - Hold Me Close 19. The Isley Brothers - Harvest for the World 20. Racing Cars - They Shoot Horses Don't They?

First Ever CD Issue For This Recording From James Brown’s Backing Band: The Bootsy Collins-lead JB’s. This album is the Rosetta Stone of funk’s dominant idioms, yet its existence has barely been a rumor. In 1970 James Brown perfectly captured a definitive moment in modern music when he ordered Bootsy Collins into the studio to record the tracks that would be test pressed on King Records as These Are The J.B.’s. This album is the epitome of funk music, Brown’s innovation that influenced everything that came after it, from Afro-beat to disco to hip-hop. And if there is any funk ensemble as influential as Brown’s, in the post-“Cold Sweat” musical landscape, it’s the Parliament/Funkadelic contingent. Those two streams, as Grammy Winning James Brown historian Alan Leeds details in this album’s liner notes, converged for the first time here. This link between Brown’s funk and all that followed features Bootsy and his young band running through twelve-minute instrumental take of Marva Whitney’s “It’s My Thing,” replete with blues chord changes, alongside interpretations of the Meters, Kool and the Gang and none other than Jimi Hendrix. This is a young band’s James Brown-turned-on-his-head style of funk that they nail in a one-minute vamp that pre-dates their obscure but important work as the Houseguests ensemble and embodies the essence of the psychedelic-flavored music that would propel them into the orbit of George Clinton and his mothership, where they poked cosmic holes in funk’s polyrhythmic ozone layer in the mid-1970s. There are only two extant copies of the original King Records test press LP of These Are The J.B.’s. The first commercial issue of this album, was overseen by Now-Again’s Egon alongside Leeds and Universal Music Group’s James Brown expert Harry Weinger. It was mastered specifically for vinyl by Elysian Master’s Dave Cooley from the original two-track stereo master that James Brown and his engineer Ron Lenhoff delivered to production forty-four years ago.

The elusive gemstone of 1970s Harlem soul and funk from the Ray Alexander Technique, officially reissued for the first time with bonus tracks and previously unreleased alternate mixes. Renowned for its enviable combination of musical muscle and malleability, guitarist / songwriter Raymond Alexander Jenkins’ tight four-piece unit was so revered on the uptown club circuit that it was offered the opportunity to serve as the Apollo Theater house band. Jenkins demurred, hopeful and confident in his group’s chances at making it on its own, and Let’s Talk is the sublime result of their hard work. Independently released and recorded with a distinctly lo-fi charm, it is a collection of unabashedly sincere songs that perfectly encapsulates the era’s heady milieu of Black pride and cultural awareness, and the plaintive emotion of struggling to realize dreams whilst navigating a city and neighborhood in decline. Personal tragedy coupled with Jenkins’ inability to gain traction as a musician, would haunt him for years. But Let’s Talk’s reputation would eventually spread via word-of-mouth praise amongst soul and funk connoisseurs and record collectors. Now elevated to exalted status, it may finally be more widely appreciated as a testament to Jenkins’ gifts.

Prelúdio is the third album Now-Again Records will issue from the thrilling, young Brasilian guitarist Fabiano do Nascimento. Produced by Mario Caldato, Jr. and Luther Russell and engineered and mixed by Caldato and Jason Hiller, this album features do Nascimento’s longtime drummer Ricardo “Tiki” Pasillas. It is the first album of solely do Nascimento’s own compositions and, like his previous albums Dança dos Tempos and Tempo dos Mestres, follows folkloric Brasilian music, Brasilian jazz, bossa-nova and samba as experienced through the mind and able fingers of an expansive musician, combing the heady ‘60s and ‘70s experimentalism of Hermeto Pascoal and Baden Powell with the childlike elegance of music played and passed down by native Brasilians for generations. Do Nascimento was born into a musical family, from lineage that stretches back to his great-grand-father Ladario Teixeira, a blind saxophonist who contributed to the re-creation of the instrument by adding more keys to the older incarnation of the instrument in the early 20th century. He was born in Rio de Janeiro and grew up there and in Sao Paulo, where he found inspiration in his uncle, the late Lúcio Nascimento, bassist and composer in Leny Andrade's band Bom de Três. While he came from a musical pedigree, he’s largely self-taught, largely in the service of an overarching mission to showcase the folkloric music of his home country as he continue to develop possibilities for language of the guitar itself. His studies ramped up after he moved to Los Angeles in 2001. His first champion was Aloe Blacc, who worked with do Nascimento over the years, including his work on his debut album Shine Through for Stones Throw Records. His collaborators now include Madlib, multi-instrumentalist Sam Gandel, Innovative Leisure chanteuse Claude Fontaine and legendary Brasilian percussionist, bandleader, songwriter and catalyst Airto Moreira. Moreiera states that Nascimento is "Brazilian but (his mind is) from a place in Brazil that is not common. Fortunately, we still have some musicians who like to play music and who like to touch the instrument and who like that energy! You see, because that’s the most important thing in music. The energy. That’s why I love to play live. And that’s why I’m playing with Fabiano.” The Brazilian guitarist’s third album for Now-Again, featuring 10 original compositions. Shades of Baden Powell, Hermeto Pascoal, Carioca, Tenorio Jr., Rosinha de Valença. Produced by Luther Russell and Mario C. Featuring Ricardo “Tiki” Pasillas.

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