Фирма Rookie Records

Downloadcode.Young Garage Rock trio from Hamburg, raised on the traditional Crypt Records sound. Record Label: Rookie Style: Garage

Young Garage Rock trio from Hamburg, raised on the traditional Crypt Records sound. Record Label: Rookie Style: Garage

Downloadcode. The Wall of Sound by Zach Mathieu has its roots in the American post-hardcore and Emocore of the 1990s. With their harsh emotionality and intensity, the band evokes epigones such as Thrice and Hot Water Music as well as the early Jimmy Eat World and the alternative rock of the Foo Fighters. Even though "Highs & Lows" is the first work of the band, the four gentlemen are anything but new ones. With their predecessors, Carrie Anne and Palmcourtbeats, the musicians at the beginning of the 2000s have already accumulated ample stage experience, including a US West Coast tour. Zach Mathieu had already been on the road, with the New York postpunk combo The Noise, the quartet completed three tours to Germany and Switzerland. Zach Mathieu has devoted much time to her debut album. "Highs & Lows" was played live in the pavilion of Schrobenhausen under the direction of Achim Lindermeir (Emils Bulls, Claire, Van Holzen). The guest musicians included Maximilian Wörle (Adulescens) and Jon Landry and the Stanfields. The work has been mixed and mastered in the Canadian Halifax by Darren van Niekerk (The Stanfields, Iron Tulip Audio) and Noah Mintz (Lacquer Channel Mastering) Record Label: Rookie Style: Hardcore

Digipack. The Wall of Sound by Zach Mathieu has its roots in the American post-hardcore and Emocore of the 1990s. With their harsh emotionality and intensity, the band evokes epigones such as Thrice and Hot Water Music as well as the early Jimmy Eat World and the alternative rock of the Foo Fighters. Even though "Highs & Lows" is the first work of the band, the four gentlemen are anything but new ones. With their predecessors, Carrie Anne and Palmcourtbeats, the musicians at the beginning of the 2000s have already accumulated ample stage experience, including a US West Coast tour. Zach Mathieu had already been on the road, with the New York postpunk combo The Noise, the quartet completed three tours to Germany and Switzerland. Zach Mathieu has devoted much time to her debut album. "Highs & Lows" was played live in the pavilion of Schrobenhausen under the direction of Achim Lindermeir (Emils Bulls, Claire, Van Holzen). The guest musicians included Maximilian Wörle (Adulescens) and Jon Landry and the Stanfields. The work has been mixed and mastered in the Canadian Halifax by Darren van Niekerk (The Stanfields, Iron Tulip Audio) and Noah Mintz (Lacquer Channel Mastering) Record Label: Rookie Style: Hardcore

Downloadcode.A high five on the offbeat: Ska-Jazz septet with Mrs. Doctor and Walter Elf staff. What happens when half of the Wiesbaden's Ska-Punk-Soul-Heroes are brought together with Frank Rahm, known by bands like Spermbirds, Walter Elf or Kick Joneses, and a talented trombonist? You get a ska-jazz-boy group of the extra class: relaxed, handsome, sympathetic and musically versed. This is a continuation of what has already been created as a cut pattern in women's doctor's days in cover versions such as "Moanin" and "Birks Works". The Puerto Hurraco Sisters not only use hard bop and soul jazz, but they also decimate it through all the styles of the Jamaican dance music, but also do not shrink from a Stevie Wonder cover. The Groove's main feature is a 60s dress - and that's what he does! On their almost 35-minute debut "Goin 'Out" the sisters present eight highly varied songs. Each of the four new interpretations and self-compositions is represented by the cheerfully uptempo-ska over swinging Rocksteady-Schwoofer, rocky surf-sound and melancholic reggae-jazz up to the Calypso-inspired vocal number, which inspires friends of offbeatbetterter Bläsermusik. Ripened in over 20 years of stage experience and with ironic winking. Record Label: Rookie Style: Ska

A high five on the offbeat: Ska-Jazz septet with Mrs. Doctor and Walter Elf staff. What happens when half of the Wiesbaden's Ska-Punk-Soul-Heroes are brought together with Frank Rahm, known by bands like Spermbirds, Walter Elf or Kick Joneses, and a talented trombonist? You get a ska-jazz-boy group of the extra class: relaxed, handsome, sympathetic and musically versed. This is a continuation of what has already been created as a cut pattern in women's doctor's days in cover versions such as "Moanin" and "Birks Works". The Puerto Hurraco Sisters not only use hard bop and soul jazz, but they also decimate it through all the styles of the Jamaican dance music, but also do not shrink from a Stevie Wonder cover. The Groove's main feature is a 60s dress - and that's what he does! On their almost 35-minute debut "Goin 'Out" the sisters present eight highly varied songs. Each of the four new interpretations and self-compositions is represented by the cheerfully uptempo-ska over swinging Rocksteady-Schwoofer, rocky surf-sound and melancholic reggae-jazz up to the Calypso-inspired vocal number, which inspires friends of offbeatbetterter Bläsermusik. Ripened in over 20 years of stage experience and with ironic winking. Record Label: Rookie Style: Ska

Downloadcode / blue Vinyl. Back with a bang! After playing more than 400 shows worldwide, touring Europe, China, Japan & the U.S. numerous times during the last 3 years, German greaser-punks The SEWER RATS are back in the game and dropping a brand-new record. Their new album „Heartbreaks & Milkshakes“ takes the band to the next level and sounds like a sugarhigh vision of 90s old-school pop-punk with witty tongue-in-cheek humor and a greasy yet stylish 50s vibe. Delivering 12 catchy and well-crafted pop-punk sing-a-longs about heartbreak, black-metal chicks and moving back in with your parents (again), The SEWER RATS are ready to hit the road worldwide in order to promote their new release which will be out on Rookie Records (Europe), Rude Runner (Japan) and t.b.a. (USA & Canada) in spring 2017. They must have been listening to a whole lot of METHADONES, LILLINGTONS and QUEERS while driving down those west-coast highways during the last couple of years. Thus it comes as no big surprise that all those tours in the warm California pop-punk-sun made their way into the sound of the band’s new material. In contrast to their last album „Wild at Heart“, which included mostly upright bass and a far more billyoriented sound, the band uses Rickenbacker electric bass and guitar on their third studio album „Heartbreaks & Milkshakes“, making it way punker and in-your-face. Even though in terms of style the band still sticks to their guns of slicked-back-Ness a lá Mike-1994 and vegan leatherjackets, their oldschool Vans are now both feet on skate decks. The 12 album tracks mostly clock-in way under 3 minutes, bursting with juvenile energy and catchy-ness. All in all the new record sounds very 90s and a lot like summer and kinda makes you wanna call up your friends to go skate and eat burritos, drink Tecate and maybe get tattooed afterwards. The vinyl version includes the band’s take on RANCID’s „Journey to the End of the East Bay“ which they contributed to the RANCID tribute sampler put out by SMELLVIS/ HELLCAT Records. „PCH 101“ is the first single of the new record and a fast-paced uptempo skate punk anthem, a tribute to the band’s friends and memories they made on the road in the U.S. during their last west-coast tours. Record Label: Rookie Style: Punk

Digipack. Back with a bang! After playing more than 400 shows worldwide, touring Europe, China, Japan & the U.S. numerous times during the last 3 years, German greaser-punks The SEWER RATS are back in the game and dropping a brand-new record. Their new album „Heartbreaks & Milkshakes“ takes the band to the next level and sounds like a sugarhigh vision of 90s old-school pop-punk with witty tongue-in-cheek humor and a greasy yet stylish 50s vibe. Delivering 12 catchy and well-crafted pop-punk sing-a-longs about heartbreak, black-metal chicks and moving back in with your parents (again), The SEWER RATS are ready to hit the road worldwide in order to promote their new release which will be out on Rookie Records (Europe), Rude Runner (Japan) and t.b.a. (USA & Canada) in spring 2017. They must have been listening to a whole lot of METHADONES, LILLINGTONS and QUEERS while driving down those west-coast highways during the last couple of years. Thus it comes as no big surprise that all those tours in the warm California pop-punk-sun made their way into the sound of the band’s new material. In contrast to their last album „Wild at Heart“, which included mostly upright bass and a far more billyoriented sound, the band uses Rickenbacker electric bass and guitar on their third studio album „Heartbreaks & Milkshakes“, making it way punker and in-your-face. Even though in terms of style the band still sticks to their guns of slicked-back-Ness a lá Mike-1994 and vegan leatherjackets, their oldschool Vans are now both feet on skate decks. The 12 album tracks mostly clock-in way under 3 minutes, bursting with juvenile energy and catchy-ness. All in all the new record sounds very 90s and a lot like summer and kinda makes you wanna call up your friends to go skate and eat burritos, drink Tecate and maybe get tattooed afterwards. The vinyl version includes the band’s take on RANCID’s „Journey to the End of the East Bay“ which they contributed to the RANCID tribute sampler put out by SMELLVIS/ HELLCAT Records. „PCH 101“ is the first single of the new record and a fast-paced uptempo skate punk anthem, a tribute to the band’s friends and memories they made on the road in the U.S. during their last west-coast tours. Record Label: Rookie Style: Punk

Downloadcode. BITUME present themselves on their 7th full length album in a special acoustic version. It started in 2015 with a special concert request and it evolved into a constant part of BITUME with an independent existence. Needless to say, the Record Label: Rookie Style: Alternative Rock

DIVING FOR SUNKEN TREASURE are hoisting the sails again with 14 new songs on board. The journey continues where the pre-released single ,Caravan" has left us waiting: rougher, louder and more unpredictable than it's predecessor, ,Motherfucker Jazz Bar" comes with more distortion and twangy guitars that bring Tarantino soundtracks to mind. Stakkato drums, double bass, harmonized vocals and highspeed acoustic guitars remain the fundament of DFST's trademark gypsy-punk sound. With intimate recordings from the belly of the whale (in this case an old brewery in Neukölln/Berlin), produced in the usual rough manner by Sebastian Kiefer, DFST leave the safe port to throw established clichées overboard. Don't miss them on their ,Motherfucker Jazz Bar Release Tour" early this year.

The band of nine from the heart of Bavaria is looking back on a highly productive year. They released their second album Hinterland and played more than 40 live shows all over Germany. But eventually, the boys returned to the studio to record yet another Record Label: Rookie Style: Ska

Battered Bones came out of the aptly named Absinthe Studios at the hands of Denver producer Robert Ferbrache (16 Horsepower, Woven Hand, Slim Cessna): smoothing Bates' raw appeal into and Brandy's Big Sky horizons into a gothic western. The rustic punk style on Battered Bones brings to mind a hard drive over dirt roads in a flat black '69 Charger. In other words western style and raw power that shakes the roots out of the woodwork. Starting as Annihilator's singer Bates & his razor-sharp Gretsch have chiseled out a career with a caravan of misfits, playing hundreds of shows every year across North America & Europe. He's been featured on Battlestar Galactica, on A&E Discovery, played for thousands at European festivals, had songs in countless movies and TV shows. After a quick 7" release Bates spent the past two years holed up and writing with Höfner Strings' Brandy Bones before they hit the road in 2012 with Indiana friends Murder by Death. Brandy's love for old-school country infects her voice inside her often bleak lyrics while the band harnesses a wall of sound in a style she has christened "Rustic Punk". Perfect for a band whose show is a spellbinding hour or sound wrapped in physical showmanship & slashed to ribbons. Don't expect them to stay on the stage - they like to get up close & personal - not just playing from the heart but tearing it out by the roots Record Label: Rookie Style: Rockabilly

Battered Bones came out of the aptly named Absinthe Studios at the hands of Denver producer Robert Ferbrache (16 Horsepower, Woven Hand, Slim Cessna): smoothing Bates' raw appeal into and Brandy's Big Sky horizons into a gothic western. The rustic punk style on Battered Bones brings to mind a hard drive over dirt roads in a flat black '69 Charger. In other words western style and raw power that shakes the roots out of the woodwork. Starting as Annihilator's singer Bates & his razor-sharp Gretsch have chiseled out a career with a caravan of misfits, playing hundreds of shows every year across North America & Europe. He's been featured on Battlestar Galactica, on A&E Discovery, played for thousands at European festivals, had songs in countless movies and TV shows. After a quick 7" release Bates spent the past two years holed up and writing with Höfner Strings' Brandy Bones before they hit the road in 2012 with Indiana friends Murder by Death. Brandy's love for old-school country infects her voice inside her often bleak lyrics while the band harnesses a wall of sound in a style she has christened "Rustic Punk". Perfect for a band whose show is a spellbinding hour or sound wrapped in physical showmanship & slashed to ribbons. Don't expect them to stay on the stage - they like to get up close & personal - not just playing from the heart but tearing it out by the roots CD, Album