Фирма Silva Screen

Record Label: Silva Screen Style: Pop

Record Label: Silva Screen Style: Soundtrack

Record Label: Silva Screen Style: Soundtrack

White Vinyl. Original Soundtrack by Benjamin Wallfisch Printed Inner Sleeve Outer Sleeve Printed with a Concealed Image Inside Following on from the worldwide success of 2014's Annabelle, which frightened the worldwide box office to a gross of $257m comes another chilling story of the possessed doll causing sinister havoc once more. Composer Benjamin Wallfisch is recognised as one of the leading lights of his generation, working with film-makers of the calibre of Steven Spielberg, Rupert Wyatt, Gore Verbinksi and Lars von Trier. He has been a Golden Globe, Emmy and Ivor nominee. In a career spanning over a decade and 60 feature films, his recent credits include Hidden Figures, A Cure For Wellness and Bitter Harvest. A regular collaborator with Hans Zimmer he features on the soundtrack to Dunkirk, highlighted by his evocative arrangement on Elgar's Nimrod titled Variation 15 (Dunkirk). His next project is the long awaited big screen version of Stephen King's It. Record Label: Silva Screen Style: Soundtrack

Original Soundtrack by Pino Donaggio Gatefold Sleeve with Image by Benio Urbanowicz Nicolas Roeg's 1973 horror film Don't Look Now still retains the power to shock 44 years after its release and over that time has established itself as a seminal work in that genre. Julie Christie and Donald Sutherland are a married couple mourning the death of their young daughter, clinging on to her memory through a meeting with a mysterious psychic in Venice. Native Venetian composer Pino Donaggio was discovered by a producer on the film and his music appealed to director Roeg. It became his debut film score, launching a long career and a close working relationship with Brian De Palma. Many of the instruments in this recording were played by the composer himself. As well as writing soundtracks, Donaggio wrote Dusty Springfield's chart-topping hit "You Don't Have To Say You Love Me" (originally a hit in Italian as "Io Che Non Vivo") The cover was the winning design by artist Benio Urbanowicz in a competition organised by Creative Review and BFI Publishing for the 20th anniversary edition of the BFI Film Classics book on the film Record Label: Silva Screen Style: Soundtrack

On one of the most explosive periods in the history of the United Kingdom, Guerrilla tells the story of a politically active couple whose relationship and value system are put to the test as they liberate a political prisoner and in the 70s in London a radical underground cell form. This six-part series was written and implemented by Academy Award winner John Ridley together with Golden Globe and Screen Actors Guild Award winner Idris Elba. As one of the most productive contemporary artists, the musical genius Max Richter has composed music for more than 50 films, has played countless concerts and participated in opera, ballet, theater and television productions. On this release, he will listen to 70 reggae grooves by Trojan Records, psychedelich Soul by Noir and Afrobeat by Femi Kuti. Record Label: Silva Screen Style: Soundtrack

DLP in Gatefold Sleeve Limited Number Available Red & White Marbled Vinyl. Tim Burton's 2005 adaptation of Roald Dahl's classic children's book was conceived as long ago as 1991, and was in development for several years before Burton was involved in the production. He immediately brought regular collaborators Johnny Depp and Danny Elfman aboard. Charlie and the Chocolate Factory represents the first time since The Nightmare Before Christmas that Elfman contributed to a film score using written songs and his vocals. The film was released to critical praise and was a box office success, grossing $475 million worldwide. The wonderfully quirky melodic score and songs from one of Hollywood's great composers harks back to Edward Scissorhands, Burtons' and Elfman's most personal work, and is a return to the composer's "vintage" sound from the late 1980s and early 1990s. "It was more fun than I ever had working on a movie. It was so crazy and doing all the vocals was so much fun. I found myself falling into voices, singing vocal mannerisms. I was having such a gas." - Danny Elfman Record Label: Silva Screen Style: Soundtrack

The original soundtrack conducted by Bernard Herrmann sees its first vinyl release as a double LP on black vinyl. This timeless 1959 Alfred Hitchcock thriller set a new benchmark for the format across the following decades as the precursor to James Bond and the wide-screen world of larger than life action adventure. Starring Cary Grant, it's the story of a man in peril being pursued across America from New York to Mount Rushmore. Bernard Herrmann's score for the film is overwhelmingly an orchestral tour-de-force and this release presents the fullest of stereo mixes of the original recordings under the baton of the composer himself. It allows the listener to appreciate the incredible line-up of MGM contracted musicians whose flair across the entire range of orchestral instruments delivers one of the most breath-taking soundtracks ever recorded. Herrmann described it as, "a kaleidoscopic orchestral fandango designed to kick-off the exciting rout which follows". Premiered in Chicago on July 1st 1959, this release puts you dead centre in the best seats in the house to recapture the debut of that musical moment from 57 years ago. Record Label: Silva Screen Style: Soundtrack

Supported by the Film Fest Gent’s World Soundtrack Awards, Ryuichi Sakamoto Music For Film is the third release from the series and second on Silva Screen Records. Each year an eminent film music composer is invited to present their work during the annual World Soundtrack Awards Ceremony & Concert closing event. As part of the celebrations, Film Fest Gent and partner Brussels Philharmonic record a CD of their music in advance of the concert. This year’s guest of honour is Ryuichi Sakamoto, at on October 19, 2016, he will be the recipient of the festival’s Lifetime Achievement Award. As composer, performer, producer, and environmentalist, few artists have as diverse a résumé and fan base as that of Ryuichi Sakamoto. Sakamoto’s work has spanned vast musical territories, from pioneering electronic music as a member of Yellow Magic Orchestra to crafting globally inspired rock albums, classical compositions, a stretch of minimal/ambient music collaborations, and over thirty film scores. His work has been recognized with accolades including an Academy Award, two Golden Globes, a Grammy, the Order of the Cavaleiro Admissão from the government of Brazil, and the coveted Ordre des Arts et des Lettres from the government of France. Throughout his artistic career, Sakamoto has collaborated with David Bowie, David Sylvian, dramatist Robert Wilson, author William S Burroughs, His Holiness The Dalai Lama and more recently with electronic artists Alva Noto, Christian Fennesz, Christopher Willits, and Taylor Deupree. Sakamoto also wrote music for the 1992 Olympic Games in Barcelona and the 400th anniversary of the city of Mannheim, Germany and his stirring film opus includes Merry Christmas Mr Lawrence, Bertolucci’s The Last Emperor, Little Budha and The Sheltering Sky, Almodóvar’s High Heels, Brian De Palma’s Snake Eyes and Femme fatale, Iñárritu’s Babel and The Revenant. Record Label: Silva Screen Style: Soundtrack

Yellow Edge Glow Vinyl! In 1979 the Fairlight CMI (Computer Musical Instrument) was launched, the year that the BBC Radiophonic Workshop celebrated its 21st birthday. At the price of a house (approx. £30,000) this state of the art piece of equipment was embedded with an 8 bit digital sampling synthesizer capable of emulating acoustic instruments and orchestras alongside the manipulation of sound effects. For the BRW this was a major game changer, where previously, composers would spend weeks editing small pieces of tape together to create sounds. Ingenuity and creativity in music and sound was still at the forefront for Workshop members but suddenly made a whole lot easier. This 1983 collection (a first time re-release here of the complete album) celebrated these new found freedoms most notably on the opening track where five Radiophonic composers combined to add their own musical identity to a rhythmic percussive sequence from the Fairlight. Highlights include music from the radio production of The Hitchhiker's Guide To The Galaxy and Fancy Fish based on Saint-Saen's Carnival Of The Animals which was the first BRW project to utilise the Fairlight. Record Label: Silva Screen Style: Experimental

DLP on Transparent Red Vinyl / Foil Blocked Gatefold Sleeve. Still one of the most highly regarded horror films of all time, F.W. Murnau's unauthorised adaptation of Bram Stoker's Dracula, Nosferatu (1922), is an Expressionist masterpiece of the silent era. Much of the original score by Hans Erdmann (meant to be played live by an orchestra) was lost, leading Nosferatu to inspire several subsequent soundtracks, the best known of which is by Hammer Horror composer James Bernard, written for the Tanis Film video reissue of the film in 1997. The world premiere of the score was performed by Nic Raine and the City of Prague Philharmonic Orchestra at the London Film Festival the same year and now, almost twenty years later, the score is being pressed on vinyl for the first time. Record Label: Silva Screen Style: Soundtrack

Over a 60 year career director Akira Kurosawa's films have passed into cinematic legend and he retains his status as one of the most influential and preeminent film-makers of the 20th Century. Films such as Rashomon, Seven Samurai, Kagemusha and his last great epic, Ran are all regarded as milestones in the history of celluloid. The latter, the most expensive film made in Japan up to its release in 1985 is loosely based on Japanese legend and Shakespeare's King Lear. Composer Toru Takemitsu ranks as highly in the echelons of Japanese music as Kurosawa in film with a prolific output of soundtracks alongside major music works and books. Commissioned on Kurosawa's instructions to deliver a score inspired by Mahler with up to 40 disparate takes of music, the spectral and eerie sounds capture perfectly the imagery on screen. Originally released as two separate suites of music this version includes those and adds a further 14 tracks of Takemitsu's Record Label: Silva Screen Style: Soundtrack

Double LP on Black Vinyl Gatefold Sleeve Pressing of 1000 Making its debut on vinyl, Wojciech Kilar's haunting soundtrack to Polanski's disturbing film The Ninth Gate (1999) features at its core the vocals of Korean born soprano, Sumi Jo. Kilar established himself as a horror score composer with Bram Stoker's Dracula and his work here on Polanski's film achieves a creeping sense of menace worthy of Polanski's dark tale of Satanic worship. "If menacingly haunting horror music is your delight, then The Ninth Gate is not a score to miss." **** FILMTRACKS.COM "hypnotic music...which is guaranteed to have you looking over your shoulder and under the bed."***** FILM REVIEW Record Label: Silva Screen Style: Soundtrack

Blazing Saddles is widely regarded as one of the greatest of all Hollywood comedies, a fact underlined by its three Academy Award nominations. Writer and director Mel Brooks brought to the soundtrack exactly what played out on screen, a glorious, gag-packed parody of the western genre. The main theme performed by Frankie Laine was one of those Academy Award nominations. Running a trade ad to find a Laine sound-alike to perform the song he was astonished to see the great man himself turn up to deliver this delicious parody of of every wild west theme he had previously performed mixing elements of Rawhide, Mule Train and Gunfight At The OK Corral. In collaboration with John Morris, Brooks skilfully also created a magnificent score that refined every possible musical cliche connected to westerns from swirling strings to choral refrains. Originally only released in part in the 1970s this 40th anniversary edition is the most complete version yet with 28 tracks that also incorporates some of the most hilarious dialogue from the film. This is a soundtrack created with love that captures perfectly the essence of a truly great film, now a rarity in the modern cinema era. - Reviews: …regular Mel Brooks composer John Morris’ short but pitch-perfect work for what was Brooks’ finest, most gleefully politically incorrect hour remains undimmed. The theme song, with impassioned vocals from Frankie Laine, could quite comfortably have featured in any of the classic Westerns the film spoofed. Elsewhere, Madeleine Khan’s Dietrich-like torch song I’m Tired remains uproariously filthy, and Cleavon Little’s mischievous take on Cole Porter (“Some get a kick from cocaine...”) will further spark a quoting frenzy. While all-too-brief, Morris’ orchestral cues are superb, played straight and faithful - like all the best comedy scores - and are certainly a key ingredient in the film’s success. - Empire 5* Blazing Saddles may not be everyone's cup of tea, but, to quote the movie's bad guy, "rustlers, cutthroats, murders, bounty hunters, desperadoes, mugs, pugs, thugs, nitwits, dimwits, vipers, snipers, con-men, Mexican bandits, muggers, buggerers, bushwhackers, hornswogglars, horse thieves, train robbers, bank robbers, ***-kickers, ****-kickers and Methodists" may want to give it a try. As with the film, the soundtrack offers something to offend almost anyone at one point or another… The performance by the Blazing Saddles Orchestra under the direction of the composer can justly be called definitive… - AllMusic.com There was a time when even the crudest satires could be treated with elegance, where a composer could treat flatulence, cuss words and sexual innuendo with lush, sing-along melody instead of a crescendo over every fart. And in the history of hilarious vulgarity, few scores stand out in that way like BLAZING SADDLES, a rip-roaring salute to everything that was filthy about Hollywood’s whitewashed Old West. - Film Music Mag “This is just great comedy music, period... a short, but fun ride. Of course if you are a fan of the movie (and who isn’t?), there are plenty of fun other than the score, like some dialogue and show tunes. In any case, if you missed out on the La-La Land edition, now’s a good chance to grab the soundtrack.” - Soundtrack Geek Record Label: Silva Screen Style: Soundtrack

Record Label: Silva Screen Style: Soundtrack