Bach, J S: The Art of Fugue, BWV1080

CD1 - Part 1
Die Kunst Der Fuge - Part I 46:35
1-1 I. The Direct Main Subject - Simple Fugue 3:14
1-2 II. The Direct Main Subject - Simple Fugue 3:02
1-3 III. The Inverted Main Subject - Simple Fugue 3:12
1-4 IV. The Inverted Main Subject - Simple Fugue 3:48
1-5 V. Both Direct And Inverted Main Subject, Dotted Variation (Two Framings) - Counterfugue 4:21
1-6 VI. Both Direct And Inverted Main Subject, Dotted Variation - Both Diminished - Counterfugue 3:47
1-7 VII. Both Direct And Inverted Main Subject, Dotted Variation As Augmented (Six Framings) - Counterfugue 3:15
1-8 VIII. First Double Fugue: With A New Subject And The Main Subject - Simple Fugue 2:52
1-9 IX. Second Double Fugue: With A New Subject And The Main Subject - Simple Fugue 5:02
1-10 X. First Triple Fugue: With Two New Polythematic Subjects And The Main Subject Fugues - Simple Fugue 7:02
1-11 XI. Second Triple Fugue: With Two New Polythematic Subjects And The Main Subject Fugues - Simple Fugue 7:00
CD2 - Part 2
Die Kunst Der Fuge - Part II 41:24
2-1 XII. Canone All Ottava - Canon With Two Voices In The Form Of A Fugue, Main Subject Varied 3:01
2-2 XIII. Canone Alla Decima - Canon With Two Voices In The Form Of A Fugue, Main Subject Varied 6:21
2-3 XIV. Canone All Duodedima - Canon With Two Voices In The Form Of A Fugue, Main Subject Varied 2:05
2-4 XV. Mirror - And Augmentation Canon - Canon With Two Voices In The Form Of A Fugue; Second Voice Mirrors The First, In Double Values (Augmentation) 5:39
2-5 XVI.a) A Mirror - A Counterfugue For Three Voices With The Main Subject Varied - Direct (Rectus) 2:26
2-6 XVI.b) A Mirror - A Counterfugue For Three Voices With The Main Subject Varied - Totally Inverted (Inversus) 2:29
2-7 XVII.a) Mirror Fugue With Four Voices - Direct (Rectus) 2:39
2-8 XVII.b) Mirror Fugue With Four Voices - Totally Inverted (Inversus) 2:49
2-9 XVIII. The Last (Closing) Quadruple Fugue 13:55