Ludwig van Beethoven - The Complete Works

BEETHOVEN
THE COMPLETE WORKS


CD1
Symphony No.1 in C Op.21
1 I. Adagio molto – Allegro con brio 9.20
2 II. Andante cantabile con moto 7.41
3 III. Menuetto: Allegro molto e vivace 4.00
4 IV. Finale: Adagio – Allegro molto e vivace 5.26
Symphony No.3 in E-flat Op.55 “Eroica”
5 I. Allegro con brio 15.53
6 II. Marcia funebre: Adagio assai 14.35
7 III. Scherzo & Trio: Allegro vivace 5.37
8 IV. Finale: Allegro molto – Poco andante – Presto 11.27

Chamber Orchestra of Europe
Nikolaus Harnoncourt


Recorded: 3.VII.1990 (LIVE), Stefaniensaal, Graz
Producer: Helmut Mühle
Balance Engineer: Michael Brammann
P 1991 Teldec Classics, a Warner Music UK Division


CD2
Symphony No.2 in D Op.36
1 I. Adagio molto – Allegro con brio 12.31
2 II. Larghetto 10.30
3 III. Scherzo & Trio: Allegro 4.22
4 IV. Allegro molto 5.55
Symphony No.5 in C minor Op.67
5 I. Allegro con brio 7.12
6 II. Andante con moto 9.54
7 III. Scherzo: Allegro 8.22
8 IV. Allegro – Presto 10.51

Chamber Orchestra of Europe
Nikolaus Harnoncourt


Recorded: 29.VI. (5–8) & 5.VII. (1–4) 1990 (LIVE), Stefaniensaal, Graz
Producer: Helmut Mühle
Balance Engineer: Michael Brammann
P 1991 Teldec Classics, a Warner Music UK Division


CD3
Symphony No.4 in B-flat Op.60
1 I. Adagio – Allegro vivace 12.14
2 II. Adagio 9.17
3 III. Menuetto: Allegro vivace – Trio: Un poco meno allegro 5.43
4 IV. Allegro ma non troppo 6.41
Symphony No.7 in A Op.92
5 I. Poco sostenuto – Vivace 14.03
6 II. Allegretto 8.08
7 III. Presto – Assai meno presto 9.25
8 IV. Allegro con brio 8.14

Chamber Orchestra of Europe
Nikolaus Harnoncourt

Recorded: 29.VI. (1–4) & 5.VII. (5–8) 1990 (LIVE), Stefaniensaal, Graz
Producer: Helmut Mühle
Balance Engineer: Michael Brammann
P 1991 Teldec Classics, a Warner Music UK Division


CD4
Symphony No.6 in F Op.68 “Pastoral”
1 I. Allegro ma non troppo 13.22
Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande
2 II. Andante molto mosso 12.06
Szene am Bach
3 III. Allegro 5.11
Lustiges Zusammensein der Landleute
4 IV. Allegro 3.51
Gewitter, Sturm
5 V. Allegretto 9.51
Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm
Symphony No.8 in F Op.93
6 I. Allegro vivace e con brio 9.31
7 II. Allegretto scherzando 3.53
8 III. Tempo di menuetto 5.54
9 IV. Allegro vivace 7.27

Chamber Orchestra of Europe
Nikolaus Harnoncourt

Recorded: 1.VII.1990 (LIVE), Stefaniensaal, Graz
Producer: Helmut Mühle
Balance Engineer: Michael Brammann
P 1991 Teldec Classics, a Warner Music UK Division


CD5
Symphony No.9 in D minor Op.125 “Choral”
1 I. Allegro ma non troppo, un poco maestoso 15.04
2 II. Molto vivace 13.42
3 III. Adagio molto e cantabile 13.34
4 IV. Finale 24.24

Charlotte Margiono soprano
Birgit Remmert mezzo-soprano
Rudolf Schasching tenor
Robert Holl bass
Peter Richards horn (3)
Arnold Schoenberg Chor chorus master Erwin Ortner
Chamber Orchestra of Europe
Nikolaus Harnoncourt

Recorded: 21.VI.1991 (LIVE), Stefaniensaal, Graz
Producer: Helmut Mühle
Balance Engineer: Michael Brammann
P 1991 Teldec Classics, a Warner Music UK Division


CD6
Piano Concerto No.1 in C Op.15
1 I. Allegro con brio 17.35
2 II. Largo 10.47
3 III. Rondo: Allegro scherzando 9.02
Piano Concerto No.3 in C minor Op.37
4 I. Allegro con brio 17.00
5 II. Largo 10.22
6 III. Rondo: Allegro 9.29

András Schiff piano
Staatskapelle Dresden
Bernard Haitink

Recorded: 1996, Lukaskirche, Dresden
Producer: Christopher Raeburn
Balance Engineer: Eberhard Sengpiel
P 1997 Teldec Classics, a Warner Music UK Division


CD7
Piano Concerto No.2 in B-flat Op.19
1 I. Allegro con brio 14.26
2 II. Adagio 9.03
3 III. Rondo: Molto allegro 6.01
Piano Concerto No.5 in E-flat Op.73 “Emperor”
4 I. Allegro 20.53
5 II. Adagio un poco mosso 8.14
6 III. Rondo: Allegro 10.44
7 Rondo in B-flat WoO 6 for piano and orchestra 8.25

(1–6) András Schiff piano
Staatskapelle Dresden/Bernard Haitink
(7) Pierre-Laurent Aimard piano
Chamber Orchestra of Europe/Nikolaus Harnoncourt


Recorded:1996, Lukaskirche, Dresden (1–6); 22–27.VI.2003, Stefaniensaal, Graz (7)
Producer: Christopher Raeburn (1–6); Friedemann Engelbrecht (7)
Balance Engineer: Eberhard Sengpiel (1–6); Michael Brammann (7)
P 1997 Teldec Classics, a Warner Music UK Division (1–6)
P 2004 Warner Classics, a Warner Music UK Division (7)


CD8
Piano Concerto No.4 in G Op.58
1 I. Allegro moderato 19.28
2 II. Andante con moto 4.38
3 III. Rondo: Vivace 10.11
Piano Concerto in D Op.61a
arr. Beethoven after Violin Concerto Op.61
cadenzas: Beethoven
4 I. Allegro ma non troppo 24.05
5 II. Larghetto 11.01
6 III. Rondo: Allegro 10.31

(1–3) András Schiff piano
Staatskapelle Dresden/Bernard Haitink
(4–6) François-René Duchâble piano
Piotr Kostrzewa timpani (4)
Sinfonia Varsovia/Yehudi Menuhin

Recorded: III.1996, Lukaskirche, Dresden (1–3); I.1999, Lutosławski Studio, Polish Radio, Warsaw (4–6)
Producer: Christopher Raeburn (1–3); Étienne Collard (4–6)
Balance Engineer: Eberhard Sengpiel (1–3); Mike Clements (4–6)
P 1997 Teldec Classics, a Warner Music UK Division (1–3)
P 1999 & Remastering P 2016 Parlophone Records Limited, a Warner Music Group Company (4–6)


CD9
Triple Concerto in C Op.56
1 I. Allegro 16.59
2 II. Largo – 5.37
3 III. Rondo alla polacca 12.44
Piano Concerto in E-flat WoO 4
orchestral score reconstructed by Ronald Brautigam
4 I. Allegro Moderato 9.29
5 II. Larghetto 6.30
6 III. Rondo: Allegro, ma non troppo 7.17
Fantasia Op.80 “Choral Fantasy” for piano, chorus & orchestra
7 I. Adagio 3.33
8 II. Finale: Allegro – Meno allegro – Allegro molto – Adagio ma non troppo – Marcia, assai vivace – Allegro – Allegretto ma non troppo (quasi andante con moto) „Schmeichelnd hold und lieblich klingen“ – Presto 15.53

(1–3) Itzhak Perlman violin · Yo-Yo Ma cello · Daniel Barenboim piano
Berliner Philharmoniker/Daniel Barenboim
(4–6) Ronald Brautigam piano
Norrköping Symphony Orchestra/Andrew Parrott
(7–8) Luba Orgonasova, Maria Haid sopranos · Elisabeth von Magnus alto
Deon van der Walt, Robert Fontane tenors · Florian Boesch, Ricardo Luna baritones
Pierre-Laurent Aimard piano
Arnold Schoenberg Chor chorus master Erwin Ortner
Chamber Orchestra of Europe/Nikolaus Harnoncourt

Recorded: 15–16.II.1995 (LIVE), Philharmonie, Berlin (1–3); 22–27.VI.2003, Stefaniensaal, Graz (7–8);
X.2008, Louis de Geer Concert Hall, Norrköping (4–6)
Producer: John Fraser (1–3); Ingo Petry (4–6); Friedemann Engelbrecht (7–8)
Balance Engineer: John Kurlander (1–3); Andreas Ruge (4–6); Michael Brammann (7–8)
P 1995 Parlophone Records Limited, a Warner Music Group Company (1–3)
P 2004 Warner Classics, a Warner Music UK Division (7–8) · P 2009 BIS Records AB (4–6)


CD10
Violin Concerto in D Op.61
cadenzas: Fritz Kreisler
1 I. Allegro ma non troppo 24.23
2 II. Larghetto 9.24
3 III. Rondo: Allegro 10.14
4 Romance No.1 in G Op.40 for violin & orchestra 7.12
5 Romance No.2 in F Op.50 for violin & orchestra 8.52
Violin Concerto in C WoO 5 (fragment)
6 I. Allegro con brio 14.22

(1–5) Itzhak Perlman violin
Philharmonia Orchestra/Carlo Maria Giulini (1–3)
Berliner Philharmoniker/Daniel Barenboim (4–5)
(6) Sergiu Luca violin
The Rochester Philharmonic/David Zinman

Recorded: 14–15.IX.1980, Studio No.1, Abbey Road, London (1–3); II.1981, Hochstein School Auditorium, Rochester, New York (6);
14–17.XI.1986 (LIVE), Philharmonie, Berlin (4–5)
Producer: Suvi Raj Grubb (1–3); Ulrich Kraus (4–5); Judith Sherman (6)
Balance Engineers: Michael Gray, Robert Gooch (1–3); Wolfgang Meyscheider (4–5); Judith Sherman (6)
P 1981 Parlophone Records Limited (1–3) · P 1982 Nonesuch Records Inc. for the United States and WEA International Inc. for the world outside the United States (6) · P 1989 Berliner Philharmoniker & Musibar SA, under exclusive licence to Parlophone Records Limited, a Warner Music Group Company (4–5)



CD11
1 Coriolan Overture Op.62 8.02
2 Zur Namensfeier Overture Op.115 6.23
3 Die Weihe des Hauses
Overture Op.124 10.11
The Consecration of the House
4 Leonore Overture No.1 Op.138 11.30
5 Introduction to Act II
of Fidelio (1805 version) WoO 2b 1.57
Wellington’s Victory Op.91
(The battle of Vitoria)
6 I. Marcia: Rule Britannia 1.25
7 II. Marcia: Marlborough 1.54
8 III. Battle 4.43
9 IV. Victory 6.56
10 March No.1 in F WoO 18
for military band 2.11
11 March No.2 in F WoO 19
for military band 2.20
12 March in C WoO 20
for military band 3.43
13 Polonaise in D WoO 21
for military band 2.17
14 Écossaise in D WoO 22
for military band 1.14
15 March in D WoO 24
for military band 6.51


Philharmonia Orchestra/Otto Klemperer (1)
Swedish Chamber Orchestra Örebro/Thomas Dausgaard (2, 5–9)
Philadelphia Orchestra/Riccardo Muti (3)
Staatskapelle Berlin/Daniel Barenboim (4)
The London Baroque Ensemble/Karl Haas (10–12)
Zentrales Orchester der Nationalen Volksarmee/Gerhard Baumann (13–15)

Recorded: 21.X.1957, Kingsway Hall, London (1); 1958, St Gabriel’s, Cricklewood, London (10–12);
II. & VII.1970 (13–15); X. & XI.1985, Memorial Hall, Fairmount Park, Philadelphia (3);
V. & VI.1999, Großer Sendesaal, Haus des Rundfunks, Berlin (4); 2002–2005, Örebro Concert Hall (2, 5–9)
Producers: Walter Legge (1); Andrew Keener (2, 5–9); James Mallinson (3); Christoph Classen, Martin Fouqué (4); John Snashall (10–12); Heinz Wegner (13–15)
Balance Engineers: Robert Gooch (1); Geoff Miles (2, 5–9); John Kurlander (3); Michael Brammann, Philipp Nedel, Eberhard Sengpiel (4); Horst Kunze, Bernd Runge (13–15)
P 1958 & Remastering P 1991 (10–12); P 1959 & Remastering P 2003 (1); P 1988 (3) Parlophone Records Limited, a Warner Music Group Company
P 1971 Licensed from Berlin Classics, a project of Edel Germany GmbH (13–15)
P 1999 Teldec Classics, a Warner Music UK Division (4) · P 2007 Simax Classics (2, 5–9)


CD12
Egmont Op.84
music for J.W. von Goethe’s tragedy
1 Overture 8.43
2 No.1 Lied (Klärchen): 3.00
“Die Trommel gerühret!”
3 No.2 Intermezzo I 3.18
4 No.3 Intermezzo II 4.58
5 No.4 Lied (Klärchen): 2.06
“Freudvoll und leidvoll”
6 No.5 Intermezzo III 3.53
7 No.6 Intermezzo IV 3.41
8 No.7 Musik, Klärchens Tod bezeichnend 2.33
(Music on the Death of Klärchen)
9 No.8 Melodrama: “Süßer Schlaf” 4.32
10 No.9 Siegessymphonie
(Victory Symphony) 1.29

Die Ruinen von Athen Op.113
The Ruins of Athens, music for A. von Kotzebue’s play
(track sequence: 11–20)
Die Weihe des Hauses Hess 118
The Consecration of the House, music for C. Meisl’s play
(track sequence: 12–15, 21, 17, 16, 18–20; the Meisl sung texts differ)
11 Overture 4.43
(for Die Weihe des Hauses Overture = Op.124, see CD11:4)
12 No.1 Chorus: “Tochter des mächtigen Zeus” 3.38
(= Die Weihe des Hauses, No.1)
13 No.2 Duet: “Ohne Verschulden Knechtschaft dulden” 3.35
(= Die Weihe des Hauses, No.2)
14 No.3 Chorus of Dervishes: 3.14
“Du hast in deines Ärmels Falten“
(= Die Weihe des Hauses, No.3)
15 No.4 Marcia alla Turca 1.36
(= Die Weihe des Hauses, No.4)
16 No.5 Musik hinter der Szene: “Es wandelt schon das Volk im Feierkleide” 1.45
(= Die Weihe des Hauses, No.7)
17 No.6 March with Chorus: 3.15
“Schmückt die Altäre” –
(= Die Weihe des Hauses, No.6 = Op.114)
18 Recitative: “Mit reger Freude, die nie erkaltet” 1.45
(= Die Weihe des Hauses, No.8a)
19 No.7 Chorus & Aria with Chorus: “Wir tragen empfängliche Herzen” 7.07
(= Die Weihe des Hauses, No.8b)
20 No.8 Chorus “Heil unserm König” 4.03
(= Die Weihe des Hauses, No.9)
Die Weihe des Hauses, No.5 = WoO 98
21 No.5 Dance with Chorus & Aria: “Wo sich die Pulse jugendlich jagen”… ”Laßt uns im Tanze” 6.05

Sylvia McNair (2, 5, 21) · Neumar Starling (13) soprano
Vladimir de Kanell (13, 19), Bryn Terfel (18) baritone
Will Quadflieg (9), Bruno Ganz (16) recitation
New York Philharmonic Orchestra/Kurt Masur (1–10)
Berliner Konzertchor (12, 14, 17, 19–20)
Berliner Symphoniker/Hans-Hubert Schönzeler (11–15, 17, 19–20)
Rundfunkchor Berlin chorus master Dietrich Knothe (21)
Berliner Philharmoniker/Claudio Abbado (16, 18, 21)


Recorded: 1970 (11–15, 17, 19–20);
IX. & X.1992 (LIVE), Avery Fisher Hall, New York (1–10);
II.1994, Großer Saal, Philharmonie, Berlin (16, 18, 21)
Producers: Martin Fouqué (1–10);
Arend Prohmann, Hans Bernhard Bätzing (16, 18, 21)
Balance Engineer: Eberhard Sengpiel (1–10); Klaus Hiemann (16, 18, 21)
P 1970 Vox Classics (11–15, 17, 19–20)
P 1993 Teldec Classics, a Warner Music UK Division (1–10)
P 1994 Deutsche Grammophon GmbH (16, 18, 21)


CD13
König Stephan Op.117
King Stephen, or Hungary’s First Benefactor
music for A. von Kotzebue’s festive prologue
1 Overture 6.33
2 No.1 Chorus: “Ruhend von seinen Taten” 4.14
3 No.2 Chorus: “Auf dunklem Irrweg in finstern Hainen” 1.48
4 No.3 Victory March: “Ihr tapfren Krieger, Ungarns Stolz und Zierde” 6.07
5 No.4 Chorus: “Wo die Unschuld Blumen streute” 2.25
6 No.5 Melodrama: “Du hast dein Vaterland, dein Fürstenhaus verlassen” 0.53
7 No.6 Chorus: “Eine neue strahlende Sonne” 0.34
8 No.7 Melodrama: “Ihr edlen Ungarn!” 3.55
9 No.8 Religious March: “In der schönsten deiner Lebensstunden”… Melodrama with Chorus: “Heil unserm Könige”… ”Ich schmücke ehrfurchtsvoll mein Haupt” 8.22
10 No.9 Final Chorus: “Heil! Heil unsern Enkeln!” 1.59

Musik zu einem Ritterballet WoO 1
music for a ballet on horseback
11 No.1 March 1.48
12 No.2 German Song: Allegro moderato 0.45
13 No.3 Hunting Song: Allegretto 2.04
14 No.4 Romance: Andantino 1.33
15 No.5 War Song: Allegro assai con brio 1.13
16 No.6 Drinking Song: (“Mihi est propositum”) Allegro con brio 2.08
17 No.7 German Dance (Tanzlied): Waltz 0.39
18 No.8 Coda: Allegro vivace 1.46
19 Triumphmarsch WoO 2a 3.14
for C. Kuffners’s tragedy Tarpeja
Insert Arias WoO 91
for I. Umlauf’s singspiel Die schöne Schusterin, oder Die pücefarbenen Schuhe
20 No.1 “O welch ein Leben” 2.35
21 No.2 “Soll ein Schuh nicht drücken” 4.29

22 Germania WoO 94 4.35
aria with chorus for F. Treitschke’s singspiel
Die gute Nachricht
Leonore Prohaska WoO 96
music for J.F.L. Duncker’s drama
Leonore Prohaska
23 No.1 War Chorus: “Wir bauen und sterben” 1.20
24 No.2 Romance: “Es blüht eine Blume im Garten mein” 2.31
25 No.3 Melodrama: Feierlich doch nicht schleppend 1.44
26 No.4 Funeral March: In gehender, annehmlicher Bewegung 5.55
27 Es ist vollbracht WoO 97 4.33
aria for F. Treitschke’s singspiel
Die Ehrenpforten
28 Gesang der Mönche WoO 104
“Rasch tritt der Tod den Menschen an” 1.09
for F. Schiller’s play Wilhelm Tell


(1–10) Dietrich Fischer-Dieskau (2–4, 6–9)
Boris Aljinovicz (3) · Helmut Rühl (4, 9)
Frank-Thomas Mende (4)
Ulrike Jackwerth (6) recitation
Coro dell’Accademia Nazionale
di Santa Cecilia
chorus master Norbert Balatsch (2–5, 7–10)
Orchestra dell’Accademia Nazionale
di Santa Cecilia/Myung Whun Chung

(11–18) Swedish Chamber Orchestra Örebro/Thomas Dausgaard
(19) Philharmonia Hungarica/Hans Ludwig Hirsch
(20–21) Hanne-Lore Kuhse soprano (21) · Eberhard Büchner tenor (20)
Staatskapelle Berlin/Artur Apelt
(22, 27) Gerald Finley bass · BBC Singers · BBC Symphony Orchestra/Andrew Davis
(23–26) Sylvia McNair soprano (24) · Karoline Eichhorn recitation (25)
Rundfunkchor Berlin chorus master Dietrich Knothe (23)
Berliner Philharmoniker/Claudio Abbado
(28) Joachim Vogt tenor · Günther Beyer, Siegfried Hausmann b


Recorded: 1972, Christuskirche, Berlin (20–21); 12.XII.1975, Bonifatius-Kirche, Marl (19);
1976 (28); XII.1994, Großer Saal, Philharmonie, Berlin (23–26); IX.1996, Studio 1, Abbey Road, London (22, 27); X.1996, Rome (1–10);
1998, Örebro Concert Hall (11–18) · Producers: Lennart Dehn (1–10); Sid McLauchlan (1–10, 22, 27); Frank Lipp (11–18);
Wolfgang Stengel (19); Bernd Runge, Horst Kunze (20–21); Arend Prohmann, Hans Bernhard Bätzing (23–26); Heinz Wegner (28)
Balance Engineers: Michel Bernard, Wolfgang Mitlehner (1–10); Erik Gard Amundsen (11–18); Schmidt (19);
Gernot von Schultzendorff, Rainer Höpfner (22, 27); Klaus Hiemann (23–26); Eberhard Richter, Heinrich Eras (28)
19: Newly remastered from original tapes in 192kHz/24-bit by Studio Art & Son, Annecy
P 1972 (20–21), 1977 (28) Licensed from Berlin Classics, a project of Edel Germany GmbH
P 1976 & Remastering P 2019 Teldec Classics, a Warner Music UK Division (19)
P 1996 (22, 27), 1997 (1–10, 23–26) Deutsche Grammophon GmbH · P 1999 Simax Classics (11–18)


CD14
Die Geschöpfe des Prometheus Op.43
The Creatures of Prometheus, ballet in 2 acts after the libretto by Salvatore Viganò
1 Overture: Adagio – Allegro molto con brio 5.02
2 Introduction (La tempesta): Allegro non troppo 2.13
3 No.1: Poco adagio 3.38
4 No.2: Adagio – Allegro con brio 1.45
5 No.3: Allegro vivace 2.29
6 No.4: Maestoso – Andante 1.34
7 No.5: Adagio – Andante quasi allegretto 7.42
8 No.6: Un poco adagio – Allegro 1.23
9 No.7: Grave 4.24
10 No.8: Allegro con brio – Presto 7.14
11 No.9: Adagio 3.59
12 No.10: Pastorale: Allegro 2.44
13 No.11: Coro di Gioja: Andante 0.22
14 No.12: Solo di Gioja: Maestoso – Adagio 3.04
15 No.13: Terzettino (Grotteschi): Allegro 4.09
16 No.14: Solo della Signora Casentini: Andante – Adagio 5.38
17 No.15: Solo di Viganò: Andantino – Adagio 4.48
18 No.16: Finale (Danze festive): Allegretto 6.22

Chamber Orchestra of Europe
Nikolaus Harnoncourt

Recorded: XI.1993, Musikverein, Vienna
Producer: Helmut Mühle
Balance Engineer: Michael Brammann
P 1995 Teldec Classics, a Warner Music UK Division


CD15
1 Gratulationsmenuett WoO 3 4.54
12 Menuette WoO 7
2 No.1 in D 2.19
3 No.2 in F 2.27
4 No.3 in G 2.07
5 No.4 in E-flat 2.23
6 No.5 in C 2.02
7 No.6 in A 2.37
8 No.7 in D 2.16
9 No.8 in B-flat 2.34
10 No.9 in G 2.15
11 No.10 in E-flat 2.48
12 No.11 in C 2.24
13 No.12 in F 2.21
12 Deutsche Tänze WoO 8
14 No.1 in C 0.55
15 No.2 in A 1.52
16 No.3 in F 1.59
17 No.4 in B-flat 1.45
18 No.5 in E-flat 2.01
19 No.6 in G 2.00
20 No.7 in C 1.33
21 No.8 in A 1.57
22 No.9 in F 1.40
23 No.10 in D 1.44
24 No.11 in G 1.34
25 No.12 in C – Coda 3.34
6 Ländlerische Tänze WoO 15
26 No.1 in D 0.48
27 No.2 in D 0.43
28 No.3 in D 0.47
29 No.4 in D minor 0.50
30 No.5 in D 0.46
31 No.6 in D 1.51

(1–25) Philharmonia Hungarica/Hans Ludwig Hirsch
(26–31) Consortium Classicum
Werner Grobholz, Dietmar Forster violins · Helmar Stiehler cello

Recorded: III.1975, Bonifatius-Kirche, Marl (1–25); 17.XII.1976, TELDEC-Studio, Berlin (26–31)
Producer: Wolfgang Stengel
Balance Engineer: Schmidt (1, 14–25); Martin Fouqué (2–13); Eberhard Sengpiel (26–31)
Newly remastered from original tapes in 192kHz/24-bit by Studio Art & Son, Annecy
P 1975 (2–13), 1976 (1, 14–26), 1977 (27–31) Teldec Classics, a Warner Music UK Division
Remastering P 2019 Parlophone Records Limited, a Warner Music Group Company


CD16
6 Menuette WoO 9
1 No.1 in E-flat 2.42
2 No.2 in G 2.32
3 No.3 in C 2.39
4 No.4 in F 2.36
5 No.5 in D 2.06
6 No.6 in G 2.42
6 Menuette WoO 10
orch. F. Beyer after G. Cappi piano reduction (1796)
7 No.1 in C 2.07
8 No.2 in G 3.04
9 No.3 in D 2.09
10 No.4 in B-flat 2.24
11 No.5 in E-flat 2.18
12 No.6 in C 2.21
12 Contretänze WoO 14
13 No.1 in C 0.34
14 No.2 in A 1.05
15 No.3 in D 1.10
16 No.4 in B-flat 0.36
17 No.5 in E-flat 1.44
18 No.6 in C 1.25
19 No.7 in E-flat 1.04
20 No.8 in C 0.32
21 No.9 in A 0.32
22 No.10 in C 1.34
23 No.11 in G 0.34
24 No.12 in E-flat 2.45
Mödlinger Tänze WoO 17
25 No.1 (Walzer) in E-flat 1.30
26 No.2 (Menuett) in B-flat 2.17
27 No.3 (Walzer) in B-flat 1.20
28 No.4 (Menuett) in E-flat 2.28
29 No.5 (Menuett) in E-flat 2.12
30 No.6 (Länderer) in E-flat 1.23
31 No.7 (Menuett) in B-flat 2.13
32 No.8 (Länderer) in B-flat 1.27
33 No.9 (Menuett) in G 2.08
34 No.10 (Walzer) in D 1.35
35 No.11 (Walzer) in D 1.40

(1–24) Philharmonia Hungarica/Hans Ludwig Hirsch
(25–35) Consortium Classicum
Robert Dohn, Gerhard Kittelmann, Renate Greiss flutes (26, 28, 29, 31)
Dieter Klöcker, Waldemar Wandel clarinets (25, 27, 28, 30, 32–35) · Karl-Otto Hartmann bassoon (28)
Nikolaus Grüger, Klaus Wallendorf horns
Werner Grobholz, Dietmar Forster violins · Walter Meuter double bass

Recorded: III. (1–12), 10–11, 19.X. (13–24) 1975, Bonifatius-Kirche, Marl; 17.XII.1976, TELDEC-Studio, Berlin (25–35)
Producer: Wolfgang Stengel · Balance Engineer: Martin Fouqué (1–12); Schmidt (13–24); Eberhard Sengpiel (25–35)
Newly remastered from original tapes in 192kHz/24-bit by Studio Art & Son, Annecy
P 1975 (1–12), 1976 (13–24), 1977 (25–35) Teldec Classics, a Warner Music UK Division
Remastering P 2019 Parlophone Records Limited, a Warner Music Group Company



CD17
Sonata No.1 in F minor Op.2
1 I. Allegro 3.11
2 II. Adagio 4.18
3 III. Menuetto: Allegretto – Trio 2.57
4 IV. Prestissimo 4.44
Sonata No.2 in A Op.2
5 I. Allegro vivace 6.52
6 II. Largo appassionato 5.35
7 III. Scherzo: Allegretto – Trio 3.24
8 IV. Rondo: Grazioso 6.29
Sonata No.3 in C Op.2
9 I. Allegro con brio 9.22
10 II. Adagio 6.18
11 III. Scherzo: Allegro – Trio 3.16
12 IV. Allegro assai 5.04

Stephen Kovacevich piano

Recorded: VI.2002 (9–12) & I.2003 (1–8), Air Studios, Lyndhurst Hall, London
Producer: John Fraser
Balance Engineer: Mike Hatch
P 2003 Parlophone Records Limited, a Warner Music Group Company


CD18
Sonata No.4 in E-flat Op.7
1 I. Allegro molto e con brio 8.12
2 II. Largo con gran espressione 6.16
3 III. Allegro 4.44
4 IV. Rondo: Poco allegretto e grazioso 6.31
Sonata No.5 in C minor Op.10 No.1
5 I. Allegro molto e con brio 4.42
6 II. Adagio molto 7.56
7 III. Finale: Prestissimo 3.59
Sonata No.6 in F Op.10 No.2
8 I. Allegro 5.37
9 II. Allegretto 3.13
10 III. Presto 2.20
Sonata No.7 in D Op.10 No.3
11 I. Presto 6.48
12 II. Largo e mesto 7.32
13 III. Menuetto: Allegro 2.32
14 IV. Rondo: Allegro 4.02

Stephen Kovacevich piano

Recorded: VI.1998 (5–14) & II.1999 (1–4), Lyndhurst Hall, Air Studios, London
Producer: John Fraser
Balance Engineer: Mike Hatch
P 1999 (5–14), 2000 (1–4) Parlophone Records Limited, a Warner Music Group Company


CD19
Sonata No.8 in C minor Op.13 “Pathétique”
1 I. Grave – Allegro di molto e con brio 8.47
2 II. Adagio cantabile 5.33
3 III. Rondo: Allegro 4.17
Sonata No.9 in E Op.14 No.1
4 I. Allegro 6.33
5 II. Allegretto 3.15
6 III. Rondo: Allegro comodo 3.11
Sonata No.10 in G Op.14 No.2
7 I. Allegro 6.48
8 II. Andante 4.17
9 III. Scherzo: Allegro assai 3.28
Sonata No.11 in B-flat Op.22
10 I. Allegro con brio 7.19
11 II. Adagio con molto espressione 7.13
12 III. Menuetto 3.16
13 IV. Rondo: Allegretto 6.08

Stephen Kovacevich piano

Recorded: V.1997, Lyndhurst Hall, Air Studios, London
Producer: John Fraser
Balance Engineer: Mike Hatch
P 1998 Parlophone Records Limited, a Warner Music Group Company


CD20
Sonata No.12 in A-flat Op.26 “Funeral March”
1 I. Andante con variazioni: Thema 1.06
2 Variation 1 1.00
3 Variation 2 0.47
4 Variation 3 0.51
5 Variation 4 0.49
6 Variation 5 1.26
7 II. Scherzo: Allegro molto – trio 2.47
8 III. Marcia funebre sulla morte d’un eroe. Maestoso andante 5.42
9 IV. Allegro 3.01
Sonata No.13 in E-flat Op.27 No.1 “Quasi una fantasia”
10 I. Andante – Allegro – Tempo I 4.56
11 II. Allegro molto e vivace 1.46
12 III. Adagio con espressione 2.35
13 IV. Allegro vivace 5.15
Sonata No.14 in C-sharp minor Op.27 No.2 “Moonlight”
14 I. Adagio sostenuto 6.34
15 II. Allegretto 2.04
16 III. Presto agitato 7.10
Sonata No.15 in D Op.28 “Pastoral”
17 I. Allegro 9.35
18 II. Andante 6.01
19 III. Scherzo: Allegro vivace – Trio 2.21
20 IV. Rondo: Allegro ma non troppo 4.49

Stephen Kovacevich piano

Recorded: VI.1998 (17–20) & XII.1999 (1–16), Lyndhurst Hall, Air Studios, London
Producer: John Fraser
Balance Engineer: Mike Hatch
P 1999 (17–20), 2001 (1–16) Parlophone Records Limited, a Warner Music Group Company


CD21
Sonata No.16 in G Op.31 No.1
1 I. Allegro vivace 6.19
2 II. Adagio grazioso 8.54
3 III. Rondo: Allegretto 5.57
Sonata No.17 in D minor Op.31 No.2 “Tempest”
4 I. Largo – Allegro – Adagio 8.10
5 II. Adagio 7.34
6 III. Allegretto 6.25
Sonata No.18 in E-flat Op.31 No.3
7 I. Allegro 7.40
8 II. Scherzo: Allegretto vivace 4.53
9 III. Menuetto: Moderato e grazioso 3.38
10 IV. Presto con fuoco 4.28
Sonata No.19 in G minor Op.49 No.1
11 I. Andante 3.02
12 II. Rondo: Allegro 3.14
Sonata No.20 in G Op.49 No.2
13 I. Allegro ma non troppo 4.19
14 II. Tempo di menuetto 3.01

Stephen Kovacevich piano

Recorded: VII.1994 Studio No.1, Abbey Road, London (1–10); XII.1999, Lyndhurst Hall, Air Studios, London (11–14)
Producer: John Fraser
Balance Engineer: Mark Vigars (1–10); Mike Hatch (11–14)
P 1995 (1–10), 2001 (11–14) Parlophone Records Limited, a Warner Music Group Company


CD22
Sonata No.21 in C Op.53 “Waldstein”
1 I. Allegro con brio 10.26
2 II. Introduzione: Adagio molto 3.28
3 III. Rondo: Allegretto moderato – Prestissimo 9.26
Sonata No.22 in F Op.54
4 I. In tempo d’un menuetto 4.51
5 II. Allegretto 6.04
Sonata No.23 in F minor Op.57 “Appassionata”
6 I. Allegro assai 10.14
7 II. Andante con moto 5.57
8 III. Allegro ma non troppo 8.09
Sonata No.24 in F-sharp Op.78
9 I. Adagio cantabile – Allegro ma non troppo 7.23
10 II. Allegro vivace 2.57
Sonata No.25 in G Op.79
11 I. Presto alla tedesca 5.03
12 II. Andante 2.10
13 III. Vivace 2.03

Stephen Kovacevich piano

Recorded: 2–6.XII.1992, Studio No.1, Abbey Road, London (1–3, 9–10); 15–21.II.1999, Lyndhurst Hall, Air Studios, London (4–8, 11–13)
Producer: John Fraser
Balance Engineer: Mark Vigars (1–3, 9–10); Mike Hatch (4–8, 11–13)
P 1993 (1–3, 9–10), 2000 (4–8, 11–13) Parlophone Records Limited, a Warner Music Group Company


CD23
Sonata No.26 in E-flat Op.81a “Les Adieux”
1 I. Das Lebewohl: Adagio – Allegro 6.33
2 II. Abwesenheit: Andante espressivo 3.30
3 III. Das Wiedersehen: Vivacissimamente 5.33
Sonata No.27 in E minor Op.90
4 I. Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck 5.22
5 II. Nicht zu geschwind und sehr singbar vorzutragen 7.10
Sonata No.28 in A Op.101
6 I. Etwas lebhaft und mit der innigsten Empfindung · Allegretto ma non troppo 4.12
7 II. Lebhaft, marschmäßig · Vivace alla marcia 5.51
8 III. Langsam und sehnsuchtsvoll · Adagio, ma non troppo, con affetto 3.01
9 IV. Geschwind, doch nicht zu sehr, und mit Entschlossenheit · Allegro 7.34
Sonata No.30 in E Op.109
10 I. Vivace ma non troppo – Adagio espressivo 3.43
11 II. Prestissimo 2.15
12 III. Gesangvoll, mit innigster Empfindung. Andante molto cantabile ed espressivo 2.26
13 Variation 1: Molto espressivo 2.15
14 Variation 2: Leggiermente 1.27
15 Variation 3: Allegro vivace 0.25
16 Variation 4: Etwas langsamer als das Thema 2.18
17 Variation 5: Allegro ma non troppo 0.47
18 Variation 6: Tempo I del tema – Cantabile 3.16

Stephen Kovacevich piano

Recorded: XII.1992 (4–9), XII.1994 (10–18) Studio No. 1, Abbey Road, London; 24–29.VI.2002, Lyndhurst Hall, Air Studios, London (1–3)
Producer: John Fraser
Balance Engineer: Mike Hatch (1–3); Mark Vigars (4–18)
P 1992 (4–9), 1996 (10–18), 2003 (1–3) Parlophone Records Limited, a Warner Music Group Company


CD24
Sonata No.29 in B-flat Op.106 “Hammerklavier”
1 I. Allegro 10.28
2 II. Scherzo: Assai vivace 2.50
3 III. Adagio sostenuto 16.26
4 IV. Largo – Allegro risoluto 11.27
Sonata No.31 in A-flat Op.110
5 I. Moderato cantabile, molto espressivo 6.38
6 II. Scherzo: Allegro molto 1.54
7 III. Adagio ma non troppo – Recitativo più adagio 1.39
8 Arioso dolente (Adagio ma non troppo) 2.15
9 Fuga (Allegro ma non troppo) 2.09
10 L’istesso tempo di arioso (perdende le forze, dolento) 2.51
11 L’istesso tempo della fuga poi di nuovo vivente – Meno allegro (Etwas langsamer) 2.01

Stephen Kovacevich piano

Recorded: 2–6.XII.1992, Studio No.1, Abbey Road, London (5–11); 17–23.X.2001, Lyndhurst Hall, Air Studios, London (1–4)
Producer: John Fraser
Balance Engineer: Mike Hatch (1–4); Mark Vigars (5–11)
P 1993 (5–11), 2003 (1–4) Parlophone Records Limited, a Warner Music Group Company


CD25
Sonata No.32 in C minor Op.111
1 I. Maestoso – Allegro con brio ed appassionato 9.01
2 II. Arietta: Adagio molto, semplice e cantabile 17.12
Sonata in D Op.6 for piano four-hands
3 I. Allegro molto 2.57
4 II. Rondo: Moderato 4.36
Sonata in E-flat WoO 47 No.1 “Kurfürstensonate”
5 I. Allegro cantabile 5.13
6 II. Andante 7.29
7 III. Rondo: Vivace 2.47
Sonata in F minor WoO 47 No.2 “Kurfürstensonate”
8 I. Larghetto maestoso 4.48
9 II. Andante 9.32
10 III. Presto 3.42
Sonata in D WoO 47 No.3 “Kurfürstensonate”
11 I. Allegro 3.25
12 II. Menuetto 7.34
13 III. Scherzando 3.05

Stephen Kovacevich piano (1–2)
Doomin Kim piano (3–10) · Guillaume Vincent piano (3–4) NEW RECORDINGS · FIRST RELEASE
Rudolf Buchbinder piano (11–13)

Guillaume Vincent appears courtesy of Naïve
Recorded: 1977, TELDEC-Studio, Berlin (11–13); I.2003, Lyndhurst Hall, Air Studios, London (1–2); 25.IV (3–4), 16–17.V.2019 (5–10), TAC, Asnières-sur-Seine
Producer: John Fraser (1–2); Luis Rigou (3–10)
Balance Engineers: Mark Vigars (1–2); Laurent Compignie, Andrei Fetcu (3–10)
P 1977 (11–13) Teldec Classics, a Warner Music UK Division
P 2003 (1–2), 2019 (3–10) Parlophone Records Limited, a Warner Music Group Company


CD26
7 Bagatelles Op.33
1 Andante, quasi allegretto in E-flat 3.05
2 Allegro in C 2.47
3 Allegretto in F 2.33
4 Andante in A 3.21
5 Allegro ma non troppo in C 2.17
6 Allegretto quasi andante in D 3.36
7 Presto in A-flat 1.57
11 Bagatelles Op.119
8 Allegretto in G minor 2.19
9 Andante con moto in C 0.56
10 Allemande in D 1.22
11 Andante cantabile in A 1.15
12 Risoluto in C minor 1.07
13 Andante in G 1.36
14 Allegro ma non troppo in C 0.55
15 Moderato cantabile in C 1.34
16 Vivace moderato in A minor 0.49
17 Allegramente in A 0.12
18 Andante ma non troppo in B-flat 1.35
6 Bagatelles Op.126
19 Andante con moto in G 3.07
20 Allegro in G minor 2.44
21 Andante in E-flat 3.15
22 Presto in B minor 3.55
23 Quasi allegretto in G 2.40
24 Presto – Andante in E-flat 4.41
25 Presto in C minor WoO 52 4.00
26 Allegretto in C minor WoO 53 3.32
27 Lustig – Traurig WoO 54 1.45
28 Bagatelle in C WoO 56 1.37
29 “Für Elise” in A Minor WoO 59 2.47
30 Ziemlich lebhaft in B-Flat WoO 60 1.28
4 Bagatelles WoO 213
31 No.1 in D-flat 0.55
32 No.2 in G 1.20
33 No.3 in A 0.40
34 No.4 in A 0.35
35 Allegretto in C WoO 214 3.28
36 Bagatelle in C WoO 216/1 0.39
37 Bagatelle in E-flat WoO 216/2 0.22
38 Sonatina in F WoO 50 2.33

Georges Solchany piano (1–7)
Stephen Kovacevich piano (8–18)
Piotr Anderszewski piano (19–24)
Rudolf Buchbinder piano (25, 26, 28, 29)
Doomin Kim piano (27, 30, 35–38) · Aurélien Pontier piano (31–34) NEW RECORDINGS · FIRST RELEASE

Recorded: XI.1969, Salle Wagram, Paris (1–7); 1977, TELDEC-Studio, Berlin (25, 26, 28, 29);
17–23.X.2001, Lyndhurst Hall, Air Studios, London (8–18); 5–9.X.2007, Deutsche Kammerphilarmonie, Bremen (19–24);
24.IV. (31–34) & 16–17.V. (27, 30, 35–38) 2019, TAC, Asnières-sur-Seine
Producer: Eric Macleod (1–7); John Fraser (8–18); Andrzej Sasin (19–24); Luis Rigou (27, 30–38)
Balance Engineers: Paul Vavasseur (1–7); Mike Hatch (8–18); Aleksandra Nagórko (19–24); Laurent Compignie, Andrei Fetcu (27, 30–38)
P 1977 (25, 26, 28), 2001 (29) Teldec Classics, a Warner Music UK Division
P 2006 Parlophone/Warner Music France (1–7)
P 2003 (8–18), 2008 (19–24), 2019 (27, 30–38) Parlophone Records Limited, a Warner Music Group Company


CD27
1–7 6 Variations Op.34 13.57
on an original theme
8–14 6 Variations in D Op.76 6.43
on a theme from Die Ruinen von Athen
33 Variations Op.120
on a waltz by Anton Diabelli
15 Theme: Vivace 0.59
16 Variation 1: Alla marcia maestoso 1.24
17 Variation 2: Poco allegro 0.43
18 Variation 3: L’istesso tempo 1.16
19 Variation 4: Un poco più vivace 0.56
20 Variation 5: Allegro vivace 0.50
21 Variation 6: Allegro ma non troppo e serioso 1.30
22 Variation 7: Un poco più allegro 0.57
23 Variation 8: Poco vivace 1.27
24 Variation 9: Allegro pesante e risoluto 1.58
25 Variation 10: Presto 0.33
26 Variation 11: Allegretto 0.51
27 Variation 12: Un poco più moto 0.42
28 Variation 13: Vivace 0.58
29 Variation 14: Grave e maestoso 2.56
30 Variation 15: Presto scherzando 0.37
31 Variation 16: Allegro 0.51
32 Variation 17: Allegro 0.56
33 Variation 18: Poco moderato 2.05
34 Variation 19: Presto 0.49
35 Variation 20: Andante 1.41
36 Variation 21: Allegro con brio – Meno allegro – Tempo primo 1.22
37 Variation 22: Allegro molto, alla “Notte e giorno faticar” di Mozart 0.51
38 Variation 23: Allegro assai 0.47
39 Variation 24: Fughetta (Andante) 2.20
40 Variation 25: Allegro 0.46
41 Variation 26: (Piacevole) 0.52
42 Variation 27: Vivace 0.55
43 Variation 28: Allegro 0.55
44 Variation 29: Adagio ma non troppo 1.06
45 Variation 30: Andante, sempre cantabile 2.00
46 Variation 31: Largo, molto espressivo 4.05
47 Variation 32: Fuga (Allegro) 2.54
48 Variation 33: Tempo di Menuetto moderato 3.15
2 Pieces WoO 51 for orphica
49 I. Allegro 7.04
50 II. Adagio (fragment, completed by Ferdinand Ries) 2.36

Georges Solchany piano (1–14)
Hans Richter-Haaser piano (15–48)
Tobias Koch orphica (49–50)


Recorded: 16–18.XII.1969, 23–24.II.1970, Salle Wagram, Paris (1–14);
25–29.XI.1963, Abbey Road Studios, London (15–48)
V.2013, Deutsches Museum, Munich. A Co-production with BR-Klassik. (49–50)
Producer: Eric Macleod (1–14); Suvi Raj Grubb (15–48); Almut Telsnig (49–50)
Balance Engineer: Paul Vavasseur (1–14); Stefan Briegel (49–50)
P 1964 Parlophone Records Limited, a Warner Music Group Company (15–48)
P 1970 Parlophone/Warner Music France (1–14) · P 2014 Bayerischer Rundfunk/Avi (49–50)



CD 28 67.50
1–10 9 Variations WoO 63 14.51
on a march by Ernst Christoph Dressler
11–17 6 Variations WoO 64 3.11
on a Swiss song
18–42 24 Variations WoO 65 22.19
on Vincenzo Righini’s arietta “Venni Amore”
43–56 13 Variations WoO 66 12.52
on the arietta “Es war einmal ein alter Mann” from
Karl Ditters von Dittersdorf’s singspiel Das rote Käppchen
57–69 12 Variations WoO 68 14.36
on “Minuet à la Vigano” from Jakob Haibel’s ballet Le nozze disturbate

Rudolf Buchbinder piano

Recorded: I.–II.1976, TELDEC-Studio, Berlin
Producer: Wolfgang Stengel
Balance Engineer: Eberhard Sengpiel
P 1977 Teldec Classics, a Warner Music UK Division

CD 29 75.20
1–10 9 Variations WoO 69 5.27
on “Quant’e più bello” from Paisiello’s opera La molinara
11–17 6 Variations WoO 70 5.42
on the duet “Nel cor più non mi sento” from Paisiello’s opera La molinara
18–30 12 Variations WoO 71 11.32
on the Russian dance from Wranitzky’s ballet Das Waldmädchen
31–39 8 Variations WoO 72 6.26
on the romance “Une fièvre brûlante”
from Grétry’s opera Richard Coeur de Lion
40–50 10 Variations WoO 73 11.30
on the duet “La stessa, la stessissima”
from Salieri’s opera Falstaff
51–58 7 Variations WoO 75 11.18
on the quartet “Kind, willst du ruhig schlafen”
from Winter’s opera Das unterbrochene Opferfest
59–67 8 Variations WoO 76 8.26
on the trio “Tändeln und scherzen”
from Süßmayr’s opera Soliman II
68–74 6 Variations WoO 77 7.16
on an original theme
75 Andante in F WoO 57 “Andante favori” 7.41

Rudolf Buchbinder piano

Recorded: I.–II.1976, TELDEC-Studio, Berlin
Producer: Wolfgang Stengel
Balance Engineer: Eberhard Sengpiel
P 1977 Teldec Classics, a Warner Music UK Division


CD30
1–8 7 Variations WoO 78 8.39
on “God save the King”
9–14 5 Variations WoO 79 5.22
on “Rule Britannia”
15 32 Variations WoO 80 11.33
on an original theme
16–24 8 Variations WoO Anh.10 6.37
on the song “Ich hab ein kleines Hüttchen nur”
25–41 15 Variations with fugue Op.35 23.09
42–51 8 Variations WoO 67 for piano four-hands 9.29
on a theme by Count Waldstein
52–59 Lied with variations WoO 74 for piano four-hands 6.35
“Ich denke dein”
60 Rondo in C WoO 48 2.42
61 Rondo in A WoO 49 2.50

Rudolf Buchbinder piano (1–24)
Cyprien Katsaris piano (25–41)
Doomin Kim (42–61) & Guillaume Vincent (42–59) piano NEW RECORDINGS · FIRST RELEASE

Guillaume Vincent appears courtesy of Naïve
Recorded: I.–II.1976 (1–24), V.–VII.1989 (25–41), TELDEC-Studio, Berlin; 25.III.2019 (42–59), 16–17.V.2019 (60–61), TAC, Asnières-sur-Seine
Producer: Wolfgang Stengel (1–24); Friedemann Engelbrecht (25–41); Luis Rigou (42–61)
Balance Engineer: Eberhard Sengpiel (1–24); Michael Brammann (25–41); Laurent Compignie, Andrei Fetcu (42–61)
P 1977 (1–24), 1990 (25–41) Teldec Classics, a Warner Music UK Division
P 2019 Parlophone Records Limited, a Warner Music Group Company (42–61)


CD31
2 Rondos Op.51
1 No.1 Moderato e grazioso 5.51
2 No.2 Andante cantabile e grazioso 10.39
3 Fantasia in G minor Op.77 10.28
4 Polonaise in C Op. 89 5.51
5 Rondo a capriccio in G Op.129 6.01
“Die Wut über den verlornen Groschen”
“Rage over a lost penny”
2 Preludes Op.39
6 Prelude No.1 through all major keys 5.18
7 Prelude No.2 through all major keys 3.17
3 Marches Op.45 for piano four-hands
8 No.1 in C: Allegro ma non troppo 4.42
9 No.2 in E-flat: Vivace 5.20
10 No.3 in D: Vivace 5.31
Grosse Fuge in B-flat Op.134 for piano four-hands (arr. Beethoven after Op.133)
11 Overtura: Allegro – Meno mosso e moderato – Allegro
Fuga: Allegro – Meno mosso e moderato – Allegro molto e con brio 15.28

Rudolf Buchbinder piano (1–5)
Aurélien Pontier piano (6–7)
Doomin Kim & Guillaume Vincent piano (8–11) NEW RECORDINGS · FIRST RELEASE

Guillaume Vincent appears courtesy of Naïve
Recorded: I.–II.1976, TELDEC-Studio, Berlin (1–5); 15.IV.2019 (6–7), 25.III.2019 (8–11), TAC, Asnières-sur-Seine
Producer: Wolfgang Stengel (1–5); Luis Rigou (6–11)
Balance Engineers: Eberhard Sengpiel (1–5); Laurent Compignie, Andrei Fetcu (6–11)
P 1977 Teldec Classics, a Warner Music UK Division (1–5)
P 2019 Parlophone Records Limited, a Warner Music Group Company (6–11)


CD32
1–8 7 Ländler WoO 11 4.47
(piano reduction of lost original)
9–20 12 Deutsche Tänze WoO 13 16.36
(piano reduction of lost original)
21 Fugue in D WoO 31 3.19
3 Pieces WoO 33a for mechanical clock
22 No.1 Adagio assai in F 5.41
23 No.2 Scherzo: Allegro in G 2.16
24 No.3 Allegro in G 2.13
2 Pieces WoO 33b
25 No.1 Allegro non più molto 4.31
26 No.2 Menuett: Allegretto 5.04
27 Prelude in F minor WoO 55 2.53
2 Cadenzas WoO 58
for Mozart’s Piano Concerto K466
28 for I. Allegro 2.17
29 for III. Rondo: Allegro assai 1.26
30 Allegretto in B minor WoO 61 2.25
31 Allegretto quasi andante in G minor WoO 61a 0.29
32 Allemande in A WoO 81 1.35
33 Minuet in E-flat WoO 82 3.22
34–39 6 Écossaises in E-flat WoO 83 2.09
40 Waltz in E-flat WoO 84 1.50
41 Waltz in D WoO 85 0.37
42 Écossaise in E-flat WoO 86 0.27
43 Andante in C WoO 211 0.57
44 Anglaise in D WoO 212 0.41
45 Three-voice fugue in C WoO 215 1.52
46 Minuet in F WoO 217 2.06
47 Minuet in C WoO 218 2.18
48 Waltz [Ländler] in C minor WoO 219 0.37
49 Piano exercise in B-flat Hess 58 1.20
50 Piano exercise in C Hess 59 0.40
2 Deutsche Tänze Hess 67
51 I. Allegro in F
II. “The Deutscher” in F minor (da capo) 1.23

Aurélien Pontier piano (1–21, 34–39, 44, 46–51) NEW RECORDINGS · FIRST RELEASE
Hans-Ola Ericsson organ (22–26)
Doomin Kim piano (27, 30, 32–33, 40–42, 45) NEW RECORDINGS · FIRST RELEASE
Annie Fischer piano (28–29)
Rudolf Buchbinder piano (31, 43)


Recorded: 13–15.II & 22.IV.1959, Studio No.1, Abbey Road, London (28–29); I.–II.1976, TELDEC-Studio, Berlin (31, 43);
11–14.II.1993, organ by Mads Kjersgaard, Masonic Hall, Uppsala (22–26);
15.IV. (1–21, 34–39), 24.IV. (44, 46–51), 16–17.V. (27, 30, 32–33, 40–42, 45) 2019, TAC, Asnières sur Seine
Producer: Luis Rigou (1–21, 27, 30, 32–42, 44–51); Ingo Petry (22–26); Walter Jellinek (28–29); Wolfgang Stengel (31, 43)
Balance Engineers: Laurent Compignie, Andrei Fetcu (1–21, 27, 30, 32–42, 44–51); Ingo Petry (22–26); Robert Gooch (28–29); Eberhard Sengpiel (31, 43)
P 1960 & Remastering P 1990 (28–29); P 2019 (1–21, 27, 30, 32–42, 44–51) Parlophone Records Limited, a Warner Music Group Company
P 1977 Teldec Classics, a Warner Music UK Division (31, 43) · P 1993 BIS Records AB (22–26)


CD33
Violin Sonata No.1 in D Op.12 No.1
1 I. Allegro con brio 8.55
2 II. Tema con variazioni: Andante con moto 1.19
3 Variation 1 1.14
4 Variation 2 1.16
5 Variation 3 1.01
6 Variation 4 2.00
7 III. Rondo: Allegro 4.45
Violin Sonata No.2 in A Op.12 No.2
8 I. Allegro vivace 6.29
9 II. Andante più tosto allegretto 5.12
10 III. Allegro piacevole 4.45
Violin Sonata No.3 in E-flat Op.12 No.3
11 I. Allegro con spirito 8.07
12 II. Adagio con molt’espressione 6.05
13 III. Rondo: Allegro molto 14.19
Violin Sonata No.4 in A minor Op.23
14 I. Presto 5.13
15 II. Andante scherzoso – Più allegretto 5.43
16 III. Allegro molto 5.17

Renaud Capuçon violin
Frank Braley piano

Recorded: 16–20.IX.2009, L’Heure Bleue, Salle de Musique, La-Chaux-de-Fonds
Producer: Étienne Collard
Balance Engineer: Michel Pierre
P 2010 Parlophone Records Limited, a Warner Music Group Company


CD34
Violin Sonata No.5 in F Op.24 “Spring”
1 I. Allegro 9.53
2 II. Adagio molto espressivo 5.52
3 III. Scherzo: Allegro molto 1.08
4 IV. Rondo: Allegro ma non troppo 6.39
Violin Sonata No.8 in G Op.30 No.3
5 I. Allegro assai 6.17
6 II. Tempo di Menuetto 7.31
7 III. Allegro vivace 3.33
Violin Sonata No.9 in A Op.47 “Kreutzer”
8 I. Adagio sostenuto – Presto 13.24
9 II. Andante con variazioni 2.26
10 Variation 1 2.06
11 Variation 2 1.51
12 Variation 3 2.52
13 Variation 4 5.51
14 III. Finale: Presto 8.22

Renaud Capuçon violin
Frank Braley piano

Recorded: 16–20.IX.2009. L’Heure Bleue, Salle de Musique, La-Chaux-de-Fonds
Producer: Étienne Collard
Balance Engineer: Michel Pierre
P 2010 Parlophone Records Limited, a Warner Music Group Company


CD35
Violin Sonata No.6 in A Op.30 No.1
1 I. Allegro 7.47
2 II. Adagio molto espressivo 6.28
3 III. Allegretto con variazioni 0.45
4 Variation 1 0.43
5 Variation 2 0.50
6 Variation 3 0.44
7 Variation 4 0.59
8 Variation 5 1.42
9 Variation 6 2.05
Violin Sonata No.7 in C minor Op.30 No.2
10 I. Allegro con brio 7.21
11 II. Adagio cantabile 8.43
12 III. Scherzo: Allegro 3.22
13 IV. Finale: Allegro 5.06
Violin Sonata No.10 in G Op.96
14 I. Allegro moderato 10.40
15 II. Adagio espressivo 5.48
16 III. Scherzo: Allegro 2.05
17 IV. Poco allegretto 8.38

Renaud Capuçon violin
Frank Braley piano

Recorded: 16–20.IX.2009, L’Heure Bleue, Salle de Musique, La-Chaux-de-Fonds
Producer: Étienne Collard
Balance Engineer: Michel Pierre
P 2010 Parlophone Records Limited, a Warner Music Group Company


CD36
Cello Sonata No.1 in F Op.5 No.1
1 I. Adagio sostenuto – Allegro 14.18
2 II. Rondo: Allegro vivace 6.45
Cello Sonata No.2 in G minor Op.5 No.2
3 I. Adagio sostenuto ed espressivo – II. Allegro molto più tosto presto 13.55
4 III. Rondo: Allegro 9.18
Cello Sonata No.3 in A Op.69
5 I. Allegro ma non tanto 9.37
6 II. Scherzo: Allegro molto 5.44
7 III. Adagio cantabile – Allegro vivace 8.44

János Starker cello
Rudolf Buchbinder piano

Recorded: IV.1978, TELDEC-Studio, Berlin
Producer: Hans Bernhard Bätzing
Balance Engineer: Eberhard Sengpiel
P 1978 Teldec Classics, a Warner Music UK Division


CD37
Cello Sonata No.4 in C Op.102 No.1
1 I. Adagio – Allegro vivace 8.15
2 II. Adagio – Tempo d’andante – Allegro vivace 7.23
Cello Sonata No.5 in D Op.102 No.2
3 I. Allegro con brio 6.57
4 II. Adagio con molto sentimento d’affetto 9.47
5 III. Allegro – Allegro fugato 4.06
7 Variations WoO 46 for cello & piano
on “Bei Männern, welche Liebe fühlen” from Mozart’s Die Zauberflöte
6 Thema: Andante 0.47
7 Variation 1 0.37
8 Variation 2 0.43
9 Variation 3 1.00
10 Variation 4 1.46
11 Variation 5: Si prenda il tempo un poco più vivace 0.36
12 Variation 6: Adagio 3.06
13 Variation 7: Allegro ma non troppo 1.53

12 Variations Op.66 for cello & piano
on “Ein Mädchen oder Weibchen” from Mozart’s Die Zauberflöte
14 Thema: Allegretto 0.31
15 Variation 1 0.35
16 Variation 2 0.31
17 Variation 3 0.30
18 Variation 4 0.33
19 Variation 5 0.31
20 Variation 6 0.29
21 Variation 7 0.37
22 Variation 8 0.29
23 Variation 9 0.35
24 Variation 10: Adagio 1.23
25 Variation 11: Poco adagio quasi andante 1.04
26 Variation 12: Allegro 1.51
12 Variations WoO 45 for cello & piano
on “See the Conqu’ring Hero Comes” from Handel’s Judas Maccabaeus
27 Thema: Allegretto 0.44
28 Variation 1 0.41
29 Variation 2 0.40
30 Variation 3 0.46
31 Variation 4 0.46
32 Variation 5 0.54
33 Variation 6 0.42
34 Variation 7 0.36
35 Variation 8 0.48
36 Variation 9 0.49
37 Variation 10: Allegro 0.43
38 Variation 11: Adagio 3.36
39 Variation 12: Allegro 1.02

János Starker cello
Rudolf Buchbinder piano

Recorded: IV.1978, TELDEC-Studio, Berlin
Producer: Hans Bernhard Bätzing · Balance Engineer: Eberhard Sengpiel
P 1978 Teldec Classics, a Warner Music UK Division


CD38
Sonata in B-flat WoO Anh.4
for flute & piano
1 I. Allegro moderato 10.32
2 II. Polonaise 4.17
3 III. Largo 6.06
4 IV. Tema (Allegretto) con variazione 6.34
Serenade Op.41 for flute & piano (arr. F.X. Kleinheinz after Op.25)
5 I. Entrata: Allegro 3.27
6 II. Tempo ordinario d’un menuetto 4.57
7 III. Allegro molto 2.06
8 IV. Andante con variazioni 6.02
9 V. Allegro scherzando e vivace 1.49
10 VI. Adagio – 1.24
11 Allegro vivace 3.59
12 Rondo in G WoO 41 3.38
for violin & piano
Duo in E-flat WoO 32 “Mit zwei obligaten Augengläsern”
for viola & cello
13 I. Allegro 9.39
14 II. Minuetto 4.46
Horn Sonata in F Op.17
15 I. Allegro moderato 5.45
16 II. Poco adagio, quasi andante 1.20
17 III. Rondo: Allegro moderato 4.59

Michel Debost flute · Christian Ivaldi piano (1–4)
Wolfgang Schulz flute · Helmut Deutsch piano (5–11)
Yehudi Menuhin violin · Hephzibah Menuhin piano (12)
Clémence Dupuy viola · Jordan Costard cello (13–14) NEW RECORDINGS · FIRST RELEASE
David Pyatt horn · Martin Jones piano (15–17)

Recorded: 29.III.1938, Studio No.3, Abbey Road, London MONO (12); 3, 6, 9.I.1970, Salle Wagram, Paris (1–4);
20.IX.1977, Casino Zögernitz, Vienna (5–11); X.1996, St. George’s Church, Bristol (15–17);
15.IV.2019, TAC, Asnières-sur-Seine (13–14)
Producer: Eric Macleod (1–4); Urbanner (5–11); Luis Rigou (13–14); Tom Oldham (15–17)
Balance engineers: Paul Vavasseur (1–4); Schmidt (5–11); Edward Fowler (12);
Laurent Compignie, Andrei Fetcu (13-14); Jean Chatauret (15–17)
P 1938 & Remastering P 2016 (12); P 2019 (13–14) Parlophone Records Limited, a Warner Music Group Company
P 1970 & Remastering P 2006 Parlophone/Warner Music France, a Warner Music Group Company (1–4)
P 1978 Teldec Classics, a Warner Music UK Division (5–11)
P 1998 Erato Disques, a Warner Music UK Division (15–17)


CD39
6 Themes and variations Op.105 for flute & piano
1 Scottish Air “The cottage maid”: Andantino quasi allegretto 2.28
2 Scottish Air “Von edlem Geschlecht war Shinkin”: Allegretto scherzoso 2.43
3 Austrian Air “A Schlüsserl und a Reindl”: Andantino 6.01
4 Scottish Air “The last rose of summer”: Andante espressivo assai 3.38
5 Scottish Air “Chiling O’Guiry”: Allegretto spiritoso 2.15
6 Scottish Air “Paddy whack”: Allegretto più tosto vivace 2.45
10 Themes and variations Op.107 for flute & piano
7 Tyrolian Air “I bin a Tiroler Bua”: Moderato 4.33
8 Scottish Air “Bonny laddie, Highland laddie”: Allegretto, quasi vivace 2.56
9 Little-Russian Folksong: Vivace 5.38
10 Scottish Air “St. Patrick’s Day”: Allegretto scherzoso 4.36
11 Tyrolian Air “A Madel, ja a Madel”: Moderato 6.23
12 Scottish Air “Peggy’s daughter”: Andante commodo 4.21
13 Russian Air “Schöne Minka”: Andante 5.21
14 Scottish Air “O Mary, at thy window be”: Andantino quasi allegretto 2.42
15 Scottish Air “Oh, thou art the lad of my heart”: Allegretto più tosto vivace 4.17
16 Scottish Air “The highland watch”: Spiritoso e marciale 3.56

Wolfgang Schulz flute
Rudolf Buchbinder piano

Recorded: 14.IV.1976, TELDEC-Studio, Berlin
Producer: Hans Bernhard Bätzing
Balance Engineer: Eberhard Sengpiel
P 1976 Teldec Classics, a Warner Music UK Division


CD40
Allegro and Minuet in G WoO 26
for 2 flutes
1 I. Allegro con brio 2.47
2 II. Menuetto: Quasi allegretto 3.49
3–8 6 Deutsche Tänze WoO 42 5.50
for piano & violin
9 Sonatina in C minor WoO 43a 6.36
for mandolin & harpsichord
10 Adagio in E-flat WoO 43b 6.19
for mandolin & harpsichord
11 Sonatina in C WoO 44a 2.16
for mandolin & harpsichord
12 Variations in D WoO 44b 10.02
for mandolin & harpsichord
Notturno Op.42 for viola & piano (arr. F.X. Kleinheinz after Serenade Op.8)
13 I. Marcia: Allegro 2.02
14 II. Adagio 5.15
15 III. Menuetto 2.05
16 IV. Adagio 5.15
17 V. Allegretto alla Polacca 3.21
18 VI. Theme con variazioni 9.32
19–32 12 Variations WoO 40 12.09
for violin & piano
on “Se vuol ballare” from Mozart’s Le nozze di Figaro
33 Allegro in A WoO 34 0.26
34 Short Piece in A WoO 35 0.34

Frans Vester, Martine Bakker flutes (1–2)
Werner Grobholz violin · Werner Genuit piano (3–8)
Maria Scivittaro mandolin · Robert Veyron-Lacroix harpsichord (9–12)
Gérard Caussé viola · François-René Duchâble piano (13–18)
Mathilde Potier violin · Aurélien Pontier piano (19–32)
Clémence Dupuy viola · Jordan Costard cello (33–34) NEW RECORDINGS · FIRST RELEASE

Recorded: 29.X.1966, Salle Wagram, Paris (9–12); V.1969, Bennebroek (1–2); 17.XII.1976, TELDEC-Studio, Berlin (3–8)
14–16.II.1994, Dortoir de l’Abbaye Royale de Fontevraud (13–18); 15.IV.2019, TAC, Asnières-sur-Seine (19–34)
Producer: Wolf Erichson (1–2); Wolfgang Stengel (3–8); René Challan (9–12); Étienne Collard (13–18); Luis Rigou (19–34)
Balance Engineers: Eberhard Sengpiel (3–8); Daniel Michel (13–18); Laurent Compignie, Andrei Fetcu (19–34)
P 1969 & Remastering P 1998 (1–2); P 1977 (3–8) Teldec Classics, a Warner Music UK Division
P 1966 (9–12), 1994 (13–18) Parlophone/Warner Music France, a Warner Music Group Company
P 2019 Parlophone Records Limited, a Warner Music Group Company (19–34)


CD41
Piano Trio in E-flat Op.1 No.1
1 I. Allegro 7.22
2 II. Adagio cantabile 9.12
3 III. Scherzo 5.44
4 IV. Finale: Presto 6.29
Piano Trio in G Op.1 No.2
5 I. Adagio – Allegro vivace 10.27
6 II. Largo con espressione 13.04
7 III. Scherzo: Allegro 3.57
8 IV. Finale: Presto 6.11
9 14 Variations in E-flat Op.44 for piano trio 13.51
on an original theme

Pinchas Zukerman violin
Jacqueline du Pré cello
Daniel Barenboim piano

Recorded: 29–30.XII.1969, 3.I.1970, Abbey Road Studios, London
Producer: Suvi Raj Grubb
Balance Engineer: Martin Benge
P 1970 & Remastering P 1989 Parlophone Records Limited, a Warner Music Group Company


CD42
Piano Trio in C minor Op.1 No.3
1 I. Allegro con brio 7.20
2 II. Andante cantabile con variazioni 8.43
3 III. Menuetto: Quasi allegro 4.46
4 IV. Finale: Prestissimo 6.35
Piano Trio in B-flat Op.97 “Archduke”
5 I. Allegro moderato 13.38
6 II. Scherzo: Allegro 9.59
7 III. Andante cantabile, ma però con moto 11.24
8 IV. Finale: Allegro moderato 7.17
9 Piano Trio in B-flat WoO 39: Allegretto 4.39
10 Allegretto in E-flat Unv 9 for piano trio 3.15

Pinchas Zukerman violin
Jacqueline du Pré cello
Daniel Barenboim piano

Recorded: 29–30.XII.1969, 3.I.1970, Abbey Road Studios, London
Producer: Suvi Raj Grubb
Balance Engineer: Martin Benge
P 1970 & Remastering P 1989 Parlophone Records Limited, a Warner Music Group Company


CD43
Piano Trio in D Op.70 No.1 “Ghost”
1 I. Allegro vivace e con brio 7.34
2 II. Largo assai ed espressivo 13.03
3 III. Presto 6.24
Piano Trio in E-flat Op.70 No.2
4 I. Poco sostenuto – Allegro ma non troppo 9.26
5 II. Allegretto 5.41
6 III. Allegretto ma non troppo 7.39
7 IV. Finale: Allegro 8.14
8 10 Variations Op.121a for piano trio 19.08
on “Ich bin der Schneider Kakadu” from Wenzel Müller’s Singspiel Die Schwestern von Prag

Pinchas Zukerman violin
Jacqueline du Pré cello
Daniel Barenboim piano

Recorded: 29–30.XII.1969, 3.I.1970, Abbey Road Studios, London
Producer: Suvi Raj Grubb
Balance Engineer: Martin Benge
P 1970 & Remastering P 1989 Parlophone Records Limited, a Warner Music Group Company


CD44
Piano Trio in E-flat WoO 38
1 I. Allegro moderato 4.27
2 II. Scherzo: Allegro ma non troppo 4.19
3 III. Rondo: Allegretto 5.17
Piano Trio in E-flat Op.38
(arr. Beethoven after Septet Op.20)
4 I. Adagio – Allegro con brio 9.31
5 II. Adagio cantabile 7.56
6 III. Tempo di Menuetto 3.10
7 IV. Tema con variazioni: Andante 6.43
8 V. Scherzo: Allegro molto e vivace 3.05
9 VI. Andante con moto alla marcia – Presto 7.25
Piano Trio in B-flat Op.11 “Gassenhauer”
10 I. Allegro con brio 6.35
11 II. Adagio 5.13
12 III. Allegretto: Variations on “Pria ch’io l’impegno” 6.40

Pinchas Zuckerman violin (1–3) · Gervase de Peyer clarinet (10–12)
Jacqueline du Pré cello · Daniel Barenboim piano (1–3, 10–12)
Paul Meyer clarinet · Claudio Bohórquez cello · Éric Le Sage piano (4–9)

Recording: 29–30.XII.1969, 30.I.1970, Abbey Road Studios, London (1–3, 10–12);
28–29.VII.2017, Auditorium Campra, Conservatoire Darius Milhaud d’Aix-en-Provence (4–9)
Producer: Suvi Raj Grubb (1–3, 10–12); Jean-Marc Laisné (4–9)
Balance Engineer: Martin Benge (1–3, 10–12); Jean-Marc Laisné (4–9)
P 1970 & Remastering P 2001 (1–3), 2006 (10–12) Parlophone Records Limited, a Warner Music Group Company
P 2017 Association internationale de musique de chambre (AIM’) (4–9)


CD45
String Trio in E-flat Op.3
1 I. Allegro con brio 10.59
2 II. Andante 6.49
3 III. Menuetto: Allegro 3.45
4 IV. Adagio 8.54
5 V. Menuetto: Moderato 3.24
6 VI. Finale: Allegro 6.37
Serenade in D Op.8 for string trio
7 I. Marcia: Allegro 2.52
8 Adagio 6.50
9 II. Menuetto: Allegretto & Trio 2.14
10 III. Adagio 1.29
11 Scherzo: Allegro molto 0.35
12 Adagio (Tempo I) 1.32
13 Allegro molto 0.29
14 Adagio 0.47
15 IV. Allegretto alla Polacca 3.10
16 V. Andante quasi allegretto 1.09
17 Variation 1 1.13
18 Variation 2 1.15
19 Variation 3 0.55
20 Variation 4 1.15
21 Allegro 0.42
22 Tempo I 1.02
23 Marcia: Allegro 1.27

Itzhak Perlman violin
Pinchas Zukerman viola
Lynn Harrell cello

Recorded (LIVE): IV.1989, 92nd Street Y, New York
Producer: John Fraser
Balance Engineer: John Kurlander
P 1992 Parlophone Records Limited, a Warner Music Group Company

CD46
String Trio in G Op.9 No.1
1 I. Adagio 1.32
2 Allegro con brio 8.38
3 II. Adagio ma non tanto e cantabile 6.57
4 III. Scherzo: Allegro 0.59
5 Trio I 1.31
6 Trio II 1.27
7 Scherzo 0.38
8 IV. Presto 5.02
String Trio in D Op.9 No.2
9 I. Allegretto 7.33
10 II. Andante quasi allegretto 5.16
11 III. Menuetto: Allegro 3.42
12 IV. Rondo: Allegro 6.05
String Trio in C minor Op.9 No.3
13 I. Allegro con spirito 8.00
14 II. Adagio con espressione 6.49
15 III. Scherzo: Allegro molto e vivace 3.10
16 IV. Finale: Presto 5.46

Itzhak Perlman violin
Pinchas Zukerman viola
Lynn Harrell cello

Recorded (LIVE): IV.1989, 92nd Street Y, New York
Producer: John Fraser
Balance Engineer: John Kurlander
P 1992 Parlophone Records Limited, a Warner Music Group Company


CD47
Serenade in D Op.25 for flute, violin & viola
1 I. Entrata: Allegro 3.22
2 II. Tempo ordinario d’un Menuetto 4.51
3 III. Allegro molto 2.08
4 IV. Andante con variazioni 6.26
5 V. Allegro scherzando e vivace 1.47
6 VI. Adagio – Allegro vivace e disinvolto 5.31
Trio in C Op.87 for 2 oboes & cor anglais
7 I. Allegro 7.52
8 II. Adagio cantabile 4.54
9 III. Menuetto – Allegro molto – Scherzo 2.49
10 IV. Finale: Presto 4.09
8 Variations WoO 28 for 2 oboes & cor anglais
on “Là ci darem la mano” from Mozart’s opera Don Giovanni
11 Theme – Variations – Coda 9.15
Trio concertante in G WoO 37 for piano, flute & bassoon
12 I. Allegro 11.34
13 II. Adagio 4.36
14 III. Tema andante con variazioni 9.23

(1–6) Michel Debost flute · Gérard Jarry violin · Serge Collot viola
(7–10) André François, Robert G. Casier oboes · Étienne Baudo cor anglais
(11) Marc Schachman, John Abberger oboes · Lani Spahr cor anglais
(12–14) Les Vents Français
Emmanuel Pahud flute · Gilbert Audin bassoon · Éric Le Sage piano

Recorded: 1.IV.1970, Salle Wagram, Paris (1–6); 26, 28–29.IX.1961, Schola Cantorum, Paris (7–10);
22–24.II.1999, St. John’s Lutheran Church, Stamford, Connecticut (11); 3–5.I.2016, Bavaria Musikstudios, Munich (12–14)
Producer: Eric Macleod (1–6); Philippe Thomas (7–10); Gregory K. Squires (11); Dagmar Birwe (12–14)
Balance engineer: Gregory K. Squires (11); Anton Billmayer (12–14)
P 1962 Decca Records France, un label Universal Music France (7–10)
P 1970 & Remastering P 2006 Parlophone/Warner Music France, a Warner Music Group Company (1–6)
P 2004 Naxos Rights International Ltd (11)
P 2016 Parlophone Records Limited, a Warner Music Group Company (12–14)


CD48
String Quartet No.1 in F Op.18 No.1
1 I. Allegro con brio 9.08
2 II. Adagio affettuoso ed appassionato 8.50
3 III. Scherzo: Allegro molto – Trio 4.00
4 IV. Allegro 6.42
String Quartet No.4 in C minor Op.18 No.4
5 I. Allegro ma non tanto 8.21
6 II. Scherzo: Andante scherzoso quasi allegretto 7.05
7 III. Menuetto: Allegro – Trio 3.50
8 IV. Allegretto – Prestissimo 4.14
String Quartet No.6 in B-flat Op.18 No.6
9 I. Allegro con brio 8.37
10 II. Adagio ma non troppo 7.43
11 III. Scherzo: Allegro – Trio 4.00
12 IV. La Malinconia: Adagio – 3.21
13 Allegretto quasi allegro 4.31

Artemis Quartet
Natalia Prishepenko (1–4, 9–13) · Gregor Sigl violin I (5–8)
Gregor Sigl (1–4, 9–13) · Natalia Prishepenko violin II (5–8)
Friedemann Weigle viola · Eckart Runge cello

Recording: 13–15.II. & 5–7.V.2008 (5–8), 8–13.XI. & 16–18.XII.2009 (9–13), 19–20.V., 29–30.VI. & 1.VII.2010 (1–4),
Teldex Studio, Berlin
Producer, Balance Engineer: Michael Silberhorn
P 2008 (5–8), 2010 (1–4, 9–13) Parlophone Records Limited, a Warner Music Group Company


CD49
String Quartet No.2 in G Op.18 No.2
1 I. Allegro 7.43
2 II. Adagio cantabile 6.25
3 III. Scherzo: Allegro – Trio 5.08
4 IV. Allegro molto, quasi presto 5.04
String Quartet No.3 in D Op.18 No.3
5 I. Allegro 7.22
6 II. Andante con moto 7.48
7 III. Allegro – Minore – Maggiore 2.47
8 IV. Presto 6.10
String Quartet No.5 in A Op.18 No.5
9 I. Allegro 10.23
10 II. Menuetto – Trio 4.47
11 III. Andante cantabile 9.36
12 IV. Allegro 6.14

Artemis Quartet
Natalia Prishepenko violin I
Heime Müller (1–4) · Gregor Sidl violin II (5–12)
Volker Jacobsen (1–4) · Friedemann Weigle viola (5–12)
Eckart Runge cello

Recorded: 10–12.VI. & 2–4 VII.2002, Studio Stolbergerstraße, Cologne (1–4);
21–22.XII.2010 (9–12), 27–28.I.2011 (5–8), Teldex Studio, Berlin
Producer: Bernard Wallerius (1–4); Michael Silberhorn (5–12)
Balance Engineer: Georg Litzinger (1–4); Michael Silberhorn (5–12)
Co-production with Westdeutscher Rundfunk, Köln (1–4)
P 2003 (1–4), 2011 (5–12) Parlophone Records Limited, a Warner Music Group Company


CD50
String Quartet No.7 in F Op.59 No.1 “Razumovsky”
1 I. Allegro 9.50
2 II. Allegretto vivace e sempre scherzando 8.44
3 III. Adagio molto e mesto 12.10
4 IV. Thème russe: Allegro 7.31
String Quartet No.8 in E minor Op.59 No.2 “Razumovsky”
5 I. Allegro 12.40
6 II. Molto adagio 11.58
7 III. Allegretto – Maggiore 6.08
8 IV. Finale: Presto 5.08

Artemis Quartet
Heime Müller (1–4) · Natalia Prishepenko violin I (5–8)
Natalia Prishepenko (1–4) · Gregor Sigl violin II (5–8)
Volker Jacobsen (1–4) · Friedemann Weigle viola (5–8)
Eckart Runge cello

Recorded: 23–26.VI & 2–3.VII.2005, Jesus-Christus-Kirche, Berlin (1–4); 13–15.II. & 5–7.V.2008, Teldex Studio, Berlin (5–8)
Producer, Balance Engineer: Michael Silberhorn
P 2005 (1–4), 2008 (5–8) Parlophone Records Limited, a Warner Music Group Company


CD51
String Quartet No.9 in C Op.59 No.3 “Razumovsky”
1 I. Introduzione: Andante con moto – Allegro vivace 10.45
2 II. Andante con moto quasi allegretto 9.05
3 III. Menuetto: Grazioso – Trio – Coda 5.29
4 IV. Allegro molto 5.58
String Quartet No.10 in E-flat Op.74 “Harp”
5 I. Poco Adagio – Allegro 9.30
6 II. Adagio ma non troppo 8.34
7 III. Presto 4.46
8 IV. Allegretto con variazioni 6.35
String Quartet No.11 in F minor Op.95 “Serioso”
9 I. Allegro con brio 4.03
10 II. Allegretto ma non troppo 6.34
11 III. Allegro assai vivace ma serioso 4.08
12 IV. Larghetto espressivo – Allegretto agitato – Allegro 4.20

Artemis Quartet
Natalia Prishepenko violin I
Heime Müller (1–4, 9–12) · Gregor Sigl violin II (5–8)
Volker Jacobsen (1–4, 9–12) · Friedemann Weigle viola (5–8)
Eckart Runge cello

Recorded: 20–26.VII.1998, WDR Funkhaus Wallrafplatz, Klaus von Bismark-Saal, Cologne (1–4);
23–26.VI. & 2–3.VII.2005, Jesus-Christus Kirche, Berlin (9–12); 29–31.III. & 3–4.IV.2011, Teldex Studio, Berlin (5–8)
Producer: Bernard Wallerius (1–4); Michael Silberhorn (5–12)
Balance Engineer: Mark Hohn (1–4); Michael Silberhorn (5–12)
Co-production with Westdeutscher Rundfunk, Köln (1–4)
P 1999 (1–4), 2005 (9–12), 2011 (5–8) Parlophone Records Limited, a Warner Music Group Company


CD52
String Quartet No.12 in E-flat Op.127
1 I. Maestoso – Allegro 10.45
2 II. Adagio, ma non troppo e molto cantabile 9.05
3 III. Scherzando vivace 5.29
4 IV. Finale: Allegro 5.58
String Quartet No.14 in C-sharp minor Op.131
5 I. Adagio ma non troppo e molto espressivo 9.30
6 II. Allegro molto vivace 8.34
7 III. Allegro moderato 4.46
8 IV. Andante ma non troppo e molto cantabile 6.35
9 V. Presto 6.35
10 VI. Adagio quasi un poco andante 6.35
11 VII. Allegro 6.35

Artemis Quartet
Natalia Prishepenko (1–4) · Heime Müller violin I (5–11)
Gregor Sigl (1–4) · Natalia Prishepenko violin II (5–11)
Friedemann Weigle (1–4) · Volker Jacobsen viola (5–11)
Eckart Runge cello

Recorded: 10–12.VI. & 2–4 VII.2002, Studio Stolbergerstraße, Cologne (5–11); 19–20.V., 29–30.VI. & 1.VII.2010 (1–4), Teldex Studio, Berlin
Producer: Michael Silberhorn (1–4); Bernard Wallerius (5–11)
Balance Engineer: Michael Silberhorn (1–4); Georg Litzinger (5–11)
Co-production with Westdeutscher Rundfunk, Köln (5–11)
P 2003 (5–11), 2010 (1–4) Parlophone Records Limited, a Warner Music Group Company


CD53
String Quartet No.13 in B-flat Op.130
1 I. Adagio molto ma non troppo – Allegro 13.07
2 II. Presto 1.51
3 III. Andante con moto ma non troppo, poco scherzoso 6.48
4 IV. Alla danza tedesca: Allegro assai 3.03
5 V. Cavatina: Adagio molto espressivo 6.15
Grosse Fuge Op.133 (original finale to Op.130):
6 Overtura: Allegro – Fuga 15.00
String Quartet in F Hess 34 (arr. Beethoven after Piano Sonata Op.14/1)
7 I. Allegro moderato 6.56
8 II. Allegretto 3.37
9 III. Allegro 3.37

Artemis Quartet
Natalia Prishepenko violin I · Gregor Sigl violin II
Friedemann Weigle viola · Eckart Runge cello

Recorded: 8–10, 12, 13.XI. & 16–18.XII. 2009 (1–6) & 29–31.III. & 3, 4.IV.2011 (7–9),
Teldex Studio, Berlin
Producer, Balance Engineer: Michael Silberhorn
P 2010 (1–6), 2011 (7–9) Parlophone Records Limited, a Warner Music Group Company


CD54
String Quartet No.15 in A minor Op.132
1 I. Assai sostenuto – Allegro 9.35
2 II. Allegro ma non tanto 9.13
3 III. Heiliger Dankgesang eines Genesenen an die Gottheit, in der lydischen Tonart: Molto adagio – Neue Kraft fühlend: Andante 16.28
4 IV. Alla marcia, assai vivace 2.03
5 V. Allegro appassionato – Presto 6.42
String Quartet No.16 in F Op.135
6 I. Allegretto 6.20
7 II. Vivace 3.15
8 III. Lento assai, cantante e tranquillo 7.42
9 IV. Der schwer gefasste Entschluss, „Muss es sein? Es muss sein!“: Grave, ma non troppo tratto – Allegro 9.17

Artemis Quartet
Heime Müller (1–5) · Gregor Sigl violin I (6–9)
Natalia Prishepenko violin II
Volker Jacobsen (1–5) · Friedemann Weigle viola (6–9)
Eckart Runge cello

Recorded: 20–26.VII.1998, WDR Funkhaus Wallrafplatz, Klaus von Bismark-Saal, Cologne (1–5);
9–11.II.2011 Teldex Studio, Berlin (6–9)
Producer: Bernard Wallerius (1–5); Michael Silberhorn (6–9)
Balance Engineers: Mark Hohn, Georg Litzinger (1–5); Michael Silberhorn (6–9)
Co-production with Westdeutscher Rundfunk, Köln (1–5)
P 1999 (1–5), 2011 (6–9) Parlophone Records Limited, a Warner Music Group Company


CD55
1 Allegretto in B minor WoO 210
“Pencarrow” for string quartet 0.39
Prelude and Fugue in C Hess 31 for string quartet
2 Prelude 1.43
3 Fugue 2.31
Prelude and Fugue in F Hess 30 for string quartet
4 Prelude 2.45
5 Fugue 3.00
6 Menuet in A-flat WoO 209 for string quartet 3.19
Piano Quartet in E-flat Op.16 (arr. Beethoven after Quintet Op.16)
7 I. Grave – Allegro ma non troppo 10.29
8 II. Andante cantabile 7.48
9 III. Rondo: Allegro ma non troppo 6.02
Piano Quartet in E-flat WoO 36 No.1
10 I. Adagio assai 8.27
11 II. Allegro con spirito 5.43
12 III. Tema con variazioni 8.38

(1–6) Endellion String Quartet
Ralph de Souza, Andrew Watkinson violins · Garfield Jackson viola · David Waterman cello
(7–9) Salvatore Accardo violin · Luciano Moffa viola
Umberto Egaddi cello · Lodovico Lessona piano
(10–12) Quartetto Beethoven
Félix Ayo violin · Alfonso Ghedin viola · Enzo Altobelli cello · Carlo Bruno piano

Recorded: 1969 (7–9); 1977, Fonit Cetra Studios, Rome (10–12);
31.I & 2, 7.II.2005, West Road Concert Hall, Cambridge (1);
19–22.I.2008, Concert Hall, Wyastone, Monmouth (2–6)
Producer: Anna Barry (1–6); Edoardo Ogando (10–12)
Balance Engineer: Tony Faulkner (1); Jonathan Stokes (2–6); Massimo Becagli (10–12)
P 1969 (7–9), 1977 (10–12) Fonit Cetra, Warner Music Italia Srl
P 2008 (1–6) Warner Classics, a Warner Music UK Division



CD56
Piano Quartet in D WoO 36 No.2
1 I. Allegro moderato 7.23
2 II. Andante con moto 5.13
3 III. Rondo: Allegro 5.19
Piano Quartet in C WoO 36 No.3
4 I. Allegro vivace 8.15
5 II. Adagio con espressione 6.29
6 III. Rondo: Allegro 3.38
3 Æquale for 4 trombones WoO 30
7 I. Andante 2.08
8 II. Poco adagio 1.53
9 III. Poco sostenuto 1.03

(1–3) Alissa Margulis violin · Lyda Chen viola · Mark Drobinsky cello · Karin Lechner piano
(4–6) Renaud Capuçon violin · Lyda Chen viola · Gautier Capuçon cello · Martha Argerich piano
(7–9) Triton Trombone Quartet
Olaf Ott, Ulrich Dieckmann alto trombones (Glassl)
Ulrich Behrends tenor trombone (Cruspe) · Hermann Baume bass trombone (Cruspe)

Recorded: VI.2005 (LIVE) Auditorio Stelio Molo, Lugano (4–6); VI.2007 (LIVE), Lugano (1–3);
VII–VIII.1993 Evangelische Kirche, Bielefeld-Ummeln (7–9)
Producer, Balance Engineer: Michael Rast (1–3); Ulrich Ruscher (4–6); Ingo Petry (7–9)
P 1993 BIS Records AB (7–9)
P 2006 (4–6), 2008 (1–3) Parlophone Records Limited, a Warner Music Group Company


CD57
3 Duos WoO 27 for clarinet & bassoon
No.1 in C
1 I. Allegro commodo 7.39
2 II. Larghetto sostenuto 2.18
3 III. Rondo: Allegretto 3.50
No.2 in F
4 I. Allegro affettuso 8.01
5 II. Aria: Larghetto 2.03
6 III. Rondo: Allegretto moderato 3.07
No.3 in B-flat
7 I. Allegro sostenuto 8.51
8 II. Aria con variazioni: Andantino con moto – III. Allegro assai 6.29

Octet in E-flat Op.103 for 2 oboes, 2 clarinets, 2 bassoons & 2 horns
9 I. Allegro 7.28
10 II. Andante 7.24
11 III. Menuetto 3.26
12 IV. Finale: Presto 3.48
13 Rondino in E-flat WoO 25 for 2 oboes, 2 clarinets, 2 bassoons & 2 horns 6.48

Kazunori Seo flute · Mitsuo Kodama bassoon (1–8)
Melos Ensemble (9–13)

Recorded: 20–21.XI & 1.XII.1969, No.1 Studio, Abbey Road, London (9–13);
8–9.VII.2016, Grand Auditorium, Mie Center for the Arts, Tsu, Mie (1–8)
Transcribed by Kazunori Seo (1–8) · Producer: Kazunori Seo (1–8)
Balance Engineers: Kotaro Yamanaka (Rec-Lab) (1–8) · Publisher: G. Henle Verlag (1–8)
P 1970 & Remastering P 1997 Parlophone Records Limited, a Warner Music Group Company (9–13)
P 2018 Naxos Rights Ltd US, Inc. (1–8)


CD58
String Quintet in E-flat Op.4
1 I. Allegro con brio 10.36
2 II. Andante 7.33
3 III. Menuetto 5.45
4 IV. Finale: Presto 5.52
Quintet in E-flat Op.16 for piano, oboe, clarinet, horn & bassoon
5 I. Grave – Allegro ma non troppo 13.45
6 II. Andante cantabile 7.24
7 III. Rondo: Allegro ma non troppo 5.40
Quintet in E-flat WoO 208 for oboe, 3 horns & bassoon
8 I. Allegro (fragment) 8.23
9 II. Adagio maestoso 3.19
10 III. Minuetto (fragment) 1.42

(1–4) Endellion String Quartet with David Adams viola
(5–7) Les Vents Français with Éric Le Sage piano
(8–10) Ad Mater oboe · Brian Pollard bassoon
Hermann Baumann, Adriaan van Woudenberg, Werner Meyendorf natural horns

Recorded: V.1969, Bennebroek (8–10); 17–21.IV.2008 Concert Hall, Wyastone, Monmouth (1–4);
9–11.I. & 19–20.V.2014, Bayerischer Rundfunk, Studio 2, Munich (5–7)
Producer: Anna Barry (1–4); Torsten Schreier (5–7)
Balance Engineer: Neil Hutchinson (1–4); Josuel Theegarten (5–7)
P 1969 & Remastering P 1998 Teldec Classics, a Warner Music UK Division (8–10)
P 2006 Warner Classics, a Warner Music UK Division (1–4)
P 2014 Parlophone Records Limited, a Warner Music Group Company (5–7)


CD59
String Quintet in C Op.29 “Storm”
1 I. Allegro moderato 9.57
2 II. Adagio molto espressivo 9.42
3 III. Scherzo: Allegro 3.44
4 IV. Presto 8.27
String Quintet in C minor Op.104
5 I. Allegro con brio 11.02
6 II. Andante cantabile con variazioni 9.39
7 III. Menuetto: Quasi allegro 3.43
8 IV. Finale: Prestissimo 9.35
9 Fugue in D Op.137 for string quintet 1.50
10 Prelude and Fugue fragment in D minor Unv 7 for string quintet 3.14

(1–4, 9–10) Endellion String Quartet
Andrew Watkinson, Ralph de Souza violins · Garfield Jackson viola
David Waterman cello with David Adams viola
(5–8) Fine Arts Quartet
Ralph Evans, Efim Boico violins · Chauncey Patterson viola
Wolfgang Laufer cello
with Gil Sharon viola II

Recorded: 17–21.IV.2008, Concert Hall, Wyastone, Monmouth (1–4, 9, 10);
6–8.X.2008, Wittem Monastery Library, Wittem (5–8)
Producer: Anna Barry (1–4, 9, 10); Florian B. Schmidt (5–8)
Balance engineer: Neil Hutchinson (1–4, 9, 10); Florian B. Schmidt (5–8)
P 2008 Warner Classics, a Warner Music UK Division (1–4, 9, 10)
P 2010 Naxos Rights International Ltd. (5–8)


CD60
Sextet in E-flat in C Op.71 for 2 clarinets, 2 horns & 2 bassoons
1 I. Adagio – Allegro 9.25
2 II. Adagio 4.51
3 III. Menuetto: Quasi allegretto 2.35
4 IV. Allegro 3.47
Sextet in E-flat Op.81b for 2 violins, viola, cello & 2 horns
5 I. Allegro con brio 7.44
6 II. Adagio 4.02
7 III. Rondo: Allegro 5.37
8 March in B-flat WoO 29 for 2 clarinets, 2 horns & 2 bassoons 1.19
Septet in E-flat Op.20 for clarinet, bassoon, horn, violin, viola, cello & double bass
9 I. Adagio – Allegro con brio 9.49
10 II. Adagio cantabile 8.56
11 III. Tempo di Menuetto 3.10
12 IV. Tema con variazioni: Andante 7.12
13 V. Scherzo: Allegro molto e vivace 3.02
14 VI. Andante con moto alla marcia – Presto 7.12

(1–4) André Boutard, Henri Boutard clarinets · Gérard Faisandier, André Dhellemmes bassoons
Michel Bergès, Georges Barboteu horns
(5–14) Melos Ensemble
Gervase de Peyer (8–14), Keith Puddy (8) clarinets · William Waterhouse (8–14), Edgar Williams (8) bassoons
Neill Sanders (5–14), James Buck (5–8) horns · Emanuel Hurwitz (5–7, 9–14), Ivor McMahon (5–7) violins
Cecil Aronowitz (5–7, 9–14) viola · Terence Weil (5–7, 9–14) cello · Adrian Beers (9–14) double bass

Recorded: 26, 28–29.IX.1961, Schola Cantorum, Paris (1–4);
29.III. & 11.X.1969 (9–14), XI. & XII.1969 (8), 4.II.1970 (5–7), Studio No.1, Abbey Road Studios, London
Producers: Philippe Thomas (1–4); Ronald Kinloch Anderson, Michael Williamson (5–8); Suvi Raj Grubb (9–14)
Balance Engineers: Neville Boyling (5–14), Robert Gooch (5–8)
P 1962 (1–4) Decca Records France, un label Universal Music France
P 1969 & Remastering P 1997 (9–14); P 1972 & Remastering P 1998 (5–8) Parlophone Records Limited, a Warner Music Group Company


CD61
Fidelio Op.72
1 Overture 6.59
Act I
2 Duet: Jetzt, Schatzchen, jetzt sind wir allein (Jaquino, Marzelline) 4.53
3 Recitative: Der arme Jaquino dauert mich beinahe (Marzelline) 0.13
4 Aria: O war’ ich schon mit dir vereint (Marzelline) 4.04
5 Recitative: Guten Tag, Marzelline. Ist Fidelio noch nicht zuruck? (Rocco, Marzelline, Leonore) 1.09
6 Quartet: Mir ist so wunderbar (Marzelline, Leonore, Rocco, Jaquino) 4.37
7 Recitative. Hore, Fidelio, weist du, was ich tue? (Rocco) 0.18
8 Aria: Hat man nicht auch Gold beineben (Rocco) 2.53
9 Recitative: Ihr konnt das leicht sagen, Meister Rocco (Leonore, Rocco, Marzelline) 2.20
Trio:
10 Gut, Sohnchen, gut, hab immer Mut (Rocco, Leonore, Marzelline) 2.23
11 Der Gouverneur... der Gouverneur soll heut’ erlauben (Rocco, Leonore, Marzelline) 1.48
12 Nur auf der Hut, dann geht es gut (Rocco, Leonore, Marzelline) 2.49
13 March 2.19
14 Recitative: Wo sind die Depeschen? (Pizarro, Rocco) 0.53
15 Aria with Chorus: Ha! Welch ein Augenblick! (Pizarro, Chorus) 3.38
16 Recitative: Hauptmann, besteigen Sie mit einem Trompeter sogleich den Turm (Pizarro, Rocco) 0.34
17 Duet: Jetzt, Alter, jetzt hat es Eile! (Pizarro, Rocco) 5.25
18 Recitative and Aria: Abscheulicher! Wo eilst du hin? (Leonore) 2.10
19 Komm, Hoffnung, las den letzten Stern (Leonore) 6.07
20 Recitative: Rocco, Ihr verspracht mir so oft (Leonore, Marzelline) 0.45
Finale:
21 O welche Lust! (Chorus) 3.01
22 Wir wollen mit Vertrauen auf Gottes Hulfe bauen (Zwei Gefangene, Chorus) 4.17
23 Nun sprecht, wie ging’s? (Lenore, Rocco) 5.30
24 Ach! Vater, eilt! (Marzelline, Rocco, Jaquino, Leonore) 0.46
25 Verwegener Alter (Pizarro, Rocco) 1.56
26 Leb wohl, du warmes Sonnenlicht (Chorus, Marzelline, Leonore, Jaquino, Pizarro, Rocco) 4.19

Leonore: Christa Ludwig soprano
Florestan: Jon Vickers tenor
Don Pizarro: Walter Berry bass-baritone
Rocco: Gottlob Frick bass
Marzelline: Ingeborg Hallstein soprano
Jaquino: Gerhard Unger tenor
Don Fernando: Franz Crass bass
First Prisoner: Kurt Wehofschitz tenor
Second Prisoner: Raymond Wolansky bass-baritone
Philharmonia Chorus chorus master Wilhelm Pitz
Philharmonia Orchestra / Otto Klemperer

Recorded: 6–10, 12–14, 17.II & 7.III.1962, Kingsway Hall, London;
15 & 19.II.1962, Studio No.1, Abbey Road, London
Producer: Walter Legge ・ Balance Engineer: Douglas Larter
P 1962 & Remastering P 2000 Parlophone Records Limited, a Warner Music Group Company


CD62
Fidelio Op.72
Act II
1 Introduction 3.32
2 Aria: Gott! Welch’ Dunkel hier! (Florestan) 2.15
3 In des Lebens Fruhlingstagen (Florestan) 2.33
4 Und spur’ ich nicht linde (Florestan) 2.31
5 Melodrama and Duet: Wie kalt ist es (Leonore, Rocco) 1.58
6 Nur hurtig fort, nur frisch gegraben (Leonore, Rocco) 4.54
7 Recitative: Er erwacht! (Leonore, Rocco, Florestan) 2.37
8 Trio: Euch werde Lohn in bessern Welten (Florestan, Rocco, Leonore) 6.48
9 Recitative: Alles ist bereit (Rocco, Leonore, Florestan, Pizarro) 0.47
10 Quartet: Er sterbe! (Pizarro, Florestan, Leonore, Rocco) 3.49
11 Vater Rocco! (Jaquino, Rocco) 0.21
12 Recitative: Es schlagt der Rache Stunde! (Leonore, Florestan, Pizarro, Rocco) 1.27
13 Duet: O namenlose Freude! (Leonore, Florestan) 3.12
Finale:
14 Heil sei dem Tag (Chorus) 2.23
15 Des besten Konigs Wink und Wille (Don Fernando, Chorus) 1.40
16 Wohlan! So helfet, helft den Armen! (Rocco, Pizarro, Don Fernando, Leonore, Marzelline, Chorus) 2.27
17 Du schlossest auf des Edlen Grab (Don Fernando) 2.54
18 O Gott! O welch ein Augenblick! (Leonore, Florestan, Don Fernando Marzelline, Rocco, Chorus) 0.34
19 Wer ein holdes Weib errungen (Chorus, Florestan, Leonore, Marzellin Jaquino, Don Fernando, Rocco) 4.27
20 Leonore No.3 Overture Op.72b 14.38

Leonore: Christa Ludwig soprano · Florestan: Jon Vickers tenor
Don Pizarro: Walter Berry bass-baritone · Rocco: Gottlob Frick bass
Marzelline: Ingeborg Hallstein soprano · Jaquino: Gerhard Unger tenor · Don Fernando: Franz Crass bass
First Prisoner: Kurt Wehofschitz tenor · Second Prisoner: Raymond Wolansky bass-baritone
Philharmonia Chorus chorus master Wilhelm Pitz
Philharmonia Orchestra / Otto Klemperer

Recorded: 6–10, 12–14, 17.II & 7.III.1962, Kingsway Hall & 15 & 19.II.1962 Studio No.1, Abbey Road, London (1–19);
4 & 5.XI.1963, Kingsway Hall, London (20)
Producer: Walter Legge ・ Balance Engineer: Douglas Larter
P 1962 (1–19), 1964 (20) & Remastering P 2000 Parlophone Records Limited, a Warner Music Group Company


CD63
1 Leonore No.2 Overture Op.72a 14.02
Leonore Hess 109 (1805 version)
Act I
2 Fidelio kommt nicht zuruck! (Marzelline) 0.35
3 Aria: O war’ ich schon mit dir vereint (Marzelline) 4.32
4 Wenn ich diese Tur nicht (Jaquino, Marzelline) 0.23
5 Duet: Jetzt, Schatzchen (Jaquino, Marzelline) 5.04
6 Hore, Jaquino… So habt ihr denn (Marzelline, Jaquino, Rocco) 2.00
7 Ein Mann ist bald genommen (Rocco, Jaquino, Marzelline) 3.40
8 Ist Fidelio noch nicht nach Hause gekommen?… Lieber Gott (Rocco, Marzelline, Jaquino, Leonore) 1.18
9 Quartet: Mir ist so wunderbar (Marzelline, Leonore, Rocco, Jaquino) 4.52
10 Hore, Fidelio (Rocco, Marzelline, Leonore) 0.48
11 Aria: Hat man nicht auch Gold beineben (Rocco) 2.46
12 Ihr konnt das leicht sagen, Meister Rocco (Leonore, Rocco, Marzelline) 2.37
13 Trio: Gut, Sohnchen, gut (Rocco, Leonore, Marzelline) 7.08
Act II beginning
14 March WoO 2b 1.57
15 Drei Schildwachten auf den Wall (Pizarro, Rocco) 1.35
16 Aria: Ha! Welch ein Augenblick! (Pizarro, Chorus) 2.58
17 Rocco! (Pizarro, Rocco) 0.09
18 Duet: Jetzt, Alter, jetzt hat es Eile! (Pizarro, Rocco) 4.59
19 Nun ist es endlich entschieden (Marzelline, Leonore) 0.09
20 Duet: Um in der Ehe froh zu leben (Marzelline, Leonore) 6.05
21 Sieh doch, wie du so schnell… Wie ruhrend (Marzelline, Leonore) 1.17
22 Recitative & Aria: Ach, brich noch nicht… Komm, Hoffnung (Leonore) 8.18

Leonore: Edda Moser soprano · Florestan: Richard Cassilly tenor · Don Pizarro: Theo Adam bass
Rocco: Karl Ridderbusch bass · Marzelline: Helen Donath soprano · Jaquino: Eberhard Buchner tenor
Don Fernando: Hermann Christian Polster bass
First Prisoner: Reiner Goldberg tenor · Second Prisoner: Siegfried Lorenz baritone
Rundfunkchor Leipzig chorus master Horst Neumann
Staatskapelle Dresden / Herbert Blomstedt

Recorded: V–VI.1976, Lukaskirche, Dresden
Producer: Bernd Runge
Balance Engineer: Gerald Junge
P 1977 Licensed from Berlin Classics, a project of Edel Germany GmbH


CD64
Leonore Hess 109
Act II conclusion
Finale:
1 O welche Lust! (Chorus) 8.38
2 Entfernt euch jetzt! (Rocco, Leonore) 2.52
3 Wir mussen gleich zu Werke schreiten… Ach Vater, eilt!… Noch immer zaudert ihr? (Rocco, Leonore, Marzelline, Pizarro) 3.45
4 Auf euch nur will ich bauen (Pizarro, Chorus) 3.49
Act III
5 Recitative & Aria: Gott! Welch ein Dunkel hier!… In des Lebens Fruhlingstagen (Florestan) 10.56
6 Melodrama & Duet: Wie kalt ist es in diesem unterirdischen Gewolbe! 6.00
7 Er erwacht! (Leonore, Rocco, Florestan) 2.13
8 Trio: Euch werde Lohn in bessern Welten (Florestan, Rocco, Leonore) 6.48
9 Alles ist bereit… Ist alles bereit? (Rocco, Leonore, Pizarro) 0.32
10 Quartet: Er sterbe! (Pizarro, Florestan, Leonore, Rocco) 4.37
11 Die Waffe hab’ ich mir nehmen lassen (Leonore) 0.13
12 Recitative and Duet: Ich kann mich noch nicht fassen… O namen, namenlose Freude! (Florestan, Leonore) 9.26
13 O Leonore, sprich! (Florestan, Leonore) 0.34
Finale:
14 Zur Rache, zur Rache! (Chorus, Leonore, Florestan, Rocco, Don Fernando) 5.06
15 O Gott! O welch ein Augenblick! (Leonore, Marzelline, Florestan, Don Fernando, Rocco, Chorus) 5.04
16 Wie lange habt Ihr sie getragen? (Don Fernando, Florestan, Rocco, Chorus, Leonore, Marzelline, Jaquino) 2.04
17 Preist mit hoher Freude Glut (Chorus) 0.39
18 Wer ein solches Weib errungen (Florestan, Marzelline, Jaquino, Rocco, Don Fernando, Chorus) 4.54

Leonore: Edda Moser soprano · Florestan: Richard Cassilly tenor · Don Pizarro: Theo Adam bass
Rocco: Karl Ridderbusch bass · Marzelline: Helen Donath soprano · Jaquino: Eberhard Buchner tenor
Don Fernando: Hermann Christian Polster bass
First Prisoner: Reiner Goldberg tenor · Second Prisoner: Siegfried Lorenz baritone
Rundfunkchor Leipzig chorus master Horst Neumann
Staatskapelle Dresden / Herbert Blomstedt

Recorded: V–VI.1976, Lukaskirche, Dresden
Producer: Bernd Runge
Balance Engineer: Gerald Junge
P 1977 Licensed from Berlin Classics, a project of Edel Germany GmbH


CD65
Christus am Ölberge Op.85
No.1:
1 Introduction: Grave – Adagio 6.28
2 Recitative: Jehova, du mein Vater!… (Jesus) 3.58
3 Aria: Meine Seele ist erschuttert (Jesus) 4.46
No.2:
4 Recitative: Erzittre, Erde!, Jehovas Sohn liegt hier!… (Seraph) 1.45
5 Aria: Preist, preist des Erlosers Gute (Seraph) 1.24
6 Chorus & Solo: O Heil euch, ihr Erlosten… (Angels, Seraph) 5.15
7 Doch weh! die frech entehren (Angels, Seraph) 1.53
No.3:
8 Recitative: Verkundet, Seraph, mir dein Mund... (Jesus, Seraph) 1.09
9 Duet: So ruhe denn mit ganzer Schwere (Jesus, Seraph) 7.00
No.4:
10 Recitative: Willkommen, Tod!… (Jesus) 1.10
11 Chorus: Wir haben ihn gesehen (Soldiers) 2.13
No.5:
12 Recitative: Die mich zu fangen ausgezogen sind... (Jesus) 1.46
13 Chorus: Hier ist er, der Verbannte (Soldiers, Disciples) 2.35
No.6:
14 Recitative: Nicht ungestraft soll der Verwegnen Schar... (Peter, Jesus) 1.20
15 Trio: Im meinen Adern wuhlen gerechter Zorn und Wut… (Peter, Jesus, Seraph) 4.58
16 Chorus & Solo: Auf! auf! ergreifet den Verrater (Soldiers, Disciples, Jesus) 3.01
17 Chorus: Welten singen Dank und Ehre... Preiset ihn, ihr Engelchore (Angels) 4.33

Seraph: Cristina Deutekom soprano · Jesus: Nicolai Gedda tenor · Peter: Hans Sotin bass
Philharmonischer Chor der Stadt Bonn / Chor des Theaters der Stadt Bonn
chorus master Theodor Scheer
Orchester der Beethovenhalle, Bonn / Volker Wangenheim

Recorded: XI.1969, III. & IV.1970, Beethovenhalle, Bonn
Producer: Helmut Storjohann
Balance Engineer: Wolfgang Gulich
P 1970 & Remastered P 2004 Warner Music Group Germany Holding GmbH, a Warner Music Group Company


CD66
Mass in D Op.123 “Missa solemnis” for soloists, chorus & orchestra
1 I. Kyrie 9.26
2 II. Gloria in excelsis Deo 5.21
3 Qui tollis 5.41
4 Quoniam tu solus sanctus 7.15
5 III. Credo in unum Deum 4.17
6 Et incarnatus est 5.17
7 Et resurrexit 11.06
8 IV. Sanctus 5.29
9 Benedictus 10.18
10 V. Agnus Dei 6.03
11 Dona nobis pacem 9.09

Elisabeth Soderstrom soprano
Marga Hoffgen contralto
Waldemar Kmentt tenor
Martti Talvela bass
New Philharmonia Chorus chorus master Wilhelm Pitz
New Philharmonia Orchestra / Otto Klemperer

Recorded: 30.IX & 1, 4–8, 11–13.X.1965, Kingsway Hall, London
Producer: Peter Andry
Balance Engineer: Robert J. Gooch
P 1966 & Remastering P 2001 Parlophone Records Limited, a Warner Music Group Company


CD67
Mass in C Op.86 for soloists, chorus & orchestra
1 I. Kyrie 5.36
2 II. Gloria 10.22
3 III. Credo 13.18
4 IV. Sanctus 11.19
5 V. Agnus Dei 7.56

Elly Ameling soprano
Janet Baker mezzo-soprano
Theo Altmeyer tenor
Marius Rintzler bass
New Philharmonia Chorus chorus master Wilhelm Pitz
New Philharmonia Orchestra / Carlo Maria Giulini

Recorded: 15–18.IX.1970, All Saints Church, Tooting
Producer: Suvi Raj Grubb
Balance Engineer: Christopher Parker
P 1971 & Remastering P 1990 Parlophone Records Limited, a Warner Music Group Company


CD68
1 Meeresstille und Glückliche Fahrt Op.112 6.41
Cantata for chorus & orchestra
Calm sea and Prosperous voyage
2 Sanft wie du lebtest Op.118 6.19
Elegiac song for 4 voices & string quartet
3 Die Flamme lodert Op.121b 6.11
Opferlied for soprano, chorus & orchestra
4 In allen guten Stunden Op.122 3.24
Bundeslied for 2 solo voices, 3-part chorus, 2 clarinets, 2 bassoons & 2 horns
Der glorreiche Augenblick Op.136
Cantata for soloists, chorus & orchestra
5 I. Europa steht! (Chorus) 4.02
6 II. Recitative: O seht sie nah’ und naher treten! (Führer des Volkes, Genius, Chorus) 4.26
7 III. Aria with Chorus: O Himmel, welch’ Entzucken! (Vienna, Chorus) 9.50
8 IV. Recitative: Das Auge schaut (Seherin, Chorus) 6.57
9 V. Recitative & Quartet: Der den Bund im Sturme festgehalten (Seherin, Vienna, Führer des Volkes, Genius) 8.11
10 VI. Es treten hervor (Chorus) 4.13

(1) Audrey Michael soprano · Lilia Bizimeche-Eisinger mezzo-soprano
Markus Schafer tenor · Michel Brodard bass
Gulbenkian Choir and Orchestra / Michel Corboz
(2) Collegium Musicum 90 / Richard Hickox
(3–4) Adele Stolte soprano (4) ・ Ingeborg Springer (3), Gertraud Prenzlow (4) mezzo-sopranos
Berlin Radio Choir chorus master Ehm Kurzweg
Berlin Radio Symphony Orchestra / Helmut Koch
(5–10) Vienna: Claire Rutter soprano · Seherin (Prophetess): Matilde Wallevik mezzo-soprano
Genius: Peter Hoare tenor · Fuhrer des Volkes (Leader of the People): Stephen Gadd baritone
Clio Gould solo violin (7) · Ben Hughes solo cello (6)
Westminster Boys’ Choir (10) · City of London Choir
Royal Philharmonic Orchestra / Hilary Davan Wetton

Recorded: VI.1969 (3–4); 4–10.VIII.1988, Igreja de Jesus, Lisbon (1); 5–7.IX.2002 Blackheath Halls, London (2);
5–6.II.2011, Cadogan Hall, London (5–10)
Producer: Michel Garcin (1); Nicholas Anderson (2); Reimar Bluth (3–4); Andrew Walton, K&A Productions Ltd (5–10)
Balance Engineer: Yolanta Skura (1); Ralph Couzens (2); Bernd Runge (3–4); Mike Clements (5–10)
P 1970 Licensed from Berlin Classics, a project of Edel Germany GmbH (3–4)
P 1990 Erato Disques, a Warner Music UK Division (1)
P 2003 Chandos Records Ltd (2) ・ P 2012 Naxos Rights International Ltd (5–10)


CD69
Auf den Tod Kaiser Josephs II. WoO 87
Cantata for soloists, chorus & orchestra
1 Chorus: Tot! Tot, stohnt es durch die ode Nacht 7.11
2 Recitative: Ein Ungeheuer, sein Name Fanatismus 1.11
3 Aria: Da kam Joseph 5.00
4 Aria, chorus: Da stiegen die Menschen ans Licht 5.00
5 Recitative: Er schlaft 2.25
6 Aria: Hier schlummert seinen stillen Frieden 8.25
7 Chorus: Tot! Tot, stohnt es durch die ode Nacht 7.58
Auf die Erhebung Leopolds II. zur Kaiserwürde WoO 88
Cantata for soloists, chorus & orchestra
8 Recitative: Er schlummert… Lasst sanft den grossen Fursten ruhen! 4.21
9 Aria: Fliesse, Wonnezahre, fliesse! 12.08
10 Recitative: Ihr staunt, Volker der Erde! 0.50
11 Recitative: Wie bebt mein Herz vor Wonne! 0.55
12 Trio: Ihr, die Joseph ihren Vater nannten 4.14
13 Chorus: Heil! Sturzet nieder, Millionen 5.12
14 Chorus for the Allied Princes WoO 95
“Ihr weisen Gründer” for chorus & orchestra 1.56
15 Un lieto brindisi WoO 103 Cantata campestre for 4 voices & piano 5.26
Hochzeitslied WoO 105
16 First version (in C) Hess 125 for solo voice, unison chorus & piano 1.53
17 Second version (in A) Hess 124 for solo voice, 4-part chorus & piano 1.56
18 “Lobkowitz Birthday” Cantata WoO 106 2.02

(1–7) Nadine Denize (4–6) soprano · Robert Gierlach (2–3) baritone
Krakow Philharmonic Choir (1, 4, 7) · Krakow Philharmonic Orchestra / Jean-Paul Penin
(8–13) Christine Schafer soprano (8–9, 12–13) ・ Ulrike Helzel alto (6)
Clemens Bieber tenor (4–6) · Victor von Halem bass (3, 5–6)
Chor der Deutschen Oper Berlin chorus master Karl Kamper (1, 6)
Orchester der Deutschen Oper Berlin / Christian Thielemann
(14) Chamber Choir of Europe · European Chamber Soloists / Nicol Matt
(15) Barbara Emilia Schedel soprano · Daniel Schreiber, Rainer Tetenberg tenors · Michael Wagner piano

(16–17) Dania El Zein soprano (17) · Natalie Perez mezzo-soprano (17) · Vincent Lievre-Picard tenor (16 solo, 17)
Jean-Francois Rouchon baritone (16, 17 solo) · Jean-Pierre Armengaud piano
NEW RECORDINGS · FIRST RELEASE

(18) Pamela Coburn soprano · Heinrich-Schutz-Kreis chorus master Wolfgang Matkowitz · Leonard Hokanson piano

Recorded: 1987–1989, Studio 10, RIAS, Berlin (18); 19–22.XII.1992 & 5–9.II.1993, Krakow (1–7);
IX.1996, Jesus-Christus-Kirche, Berlin (8–13); 9–15.II. (15) & 13.III. (14) 2007, Bauer Studios, Ludwigsburg;
28.VI.–9.VII. (17) & 29–31.VII. (16) 2019, Eglise Saint-Pierre et Saint-Paul, Evry ・ Producers: Jerzy Długosz (1–7);
Werner Mayer (8–13); Nicol Matt (14–15); Arthur Delzescaut (16); Charles-Alexandre Englebert (17); Helge Jorns (18)
Balance Engineers: Jerzy Długosz (1–7); Gregor Zielinsky (8–13); Philipp Heck (14); Soren Pehrs, Geert Puhlmann (18)
Co-Produktion RIAS Berlin/CAPRICCIO, P 1991 & Remastering P 2012 CAPRICCIO (18)
P 1993 Decca Records France, un label Universal Music France (1–7)
P 1997 Deutsche Grammophon GmbH (8–13) ・ P 2019 Parlophone Records Limited (16–17)
P 2007 Music licensed courtesy of Brilliant Classics Licensing (14–15)

CD70
1 Scene & aria: “Ah! Perfido” … “Per pietà, non dirmi addio” Op.65 13.15
2 Trio: “Tremate, empi, tremate” Op.116 8.39
3 Singspiel aria: “Prüfung des Küssens” WoO 89 5.22
4 Singspiel aria: “Mit Mädeln sich vertragen” WoO 90 5.02
5 Scene & aria: “Primo amore” WoO 92 14.07
6 Scene & aria: “No, non turbati” WoO 92a 6.21
7 Duet: “Ne’ giorni tuoi felici” WoO 93 8.01

(1) Karita Mattila soprano
Staatskapelle Dresden / Sir Colin Davis
(2, 5–7) Hanne-Lore Kuhse soprano ・ Eberhard Buchner tenor (2, 7) ・ Siegfried Vogel bass (2)
Staatskapelle Berlin / Arthur Apelt
(3–4) Thomas Hampson baritone
Concentus Musicus Wien / Nikolaus Harnoncourt

Recorded: VIII. & XII.1971, Berlin (2, 5–7); VI.2001, Lukaskirche, Dresden (1); 23–27.V.2003 Musikverein, Vienna (3–4)
Producer: Wolfram Graul (1); Eberhard Geiler (2, 5–7); Martin Sauer (3–4)
Balance Engineers: Jean Chatauret (1); Eberhard Richter, Bernd Runge (2, 5–7); Michael Brammann (3–4)
P 1972 Licensed from Berlin Classics, a project of Edel Germany GmbH (2, 5–7)
P 2002 (1), 2005 (3–4) Warner Classics, a Warner Music UK Division

CD71
1 Adelaide Op.46 6.40
2 An die Hoffnung (II) Op.94 7.41
3 An die Hoffnung (I) Op.32 4.34
4 Der Kuß Op.128 1.56
6 Lieder Op.48
5 I. Bitten 1.42
6 II. Die Liebe des Nachsten 1.01
7 III. Vom Tode 2.16
8 IV. Die Ehre Gottes aus der Natur 2.17
9 V. Gottes Macht und Vorsehung 0.35
10 VI. Buslied 4.50
8 Lieder on various poets Op.52
11 No.1: Urians Reise um die Welt 3.43
12 No.2: Feuerfarb’ 2.55
13 No.3: Das Liedchen von der Ruh 3.42
14 No.4: Maigesang (Mailied) 1.56
15 No.5: Lebe wohl, du Mann der Lust und Schmerzen (Mollys Abschied) 2.11
16 No.6: Die Liebe 1.23
17 No.7: Marmotte 2.07
18 No.8: Das Blumchen Wunderhold 1.51
4 Ariettas & a duet Op.82
19 No.1 Dimmi, ben mio, che m’ami (Hoffnung) 2.08
20 No.2 T’intendo, si, mio cor (Liebes-Klage) 2.13
21 No.3 Arietta buffa: Che fa il mio bene? L’amante impatiente (Stille Frage) 1.35
22 No.4 Arietta assai seriosa: Che fa il mio bene? L’amante impatiente (Liebesungeduld) 2.18
23 No.5 Odi l’aura che dolce sospira (Lebensgenus) 3.08
24 Trinklied
(beim Abschied zu singen) WoO 109
“Erhebt das Glas mit froher Hand” 1.31
25 Punschlied WoO 111 0.54
26 Que le temps me dure WoO 116
First version (in C minor) Hess 129 2.38
27 O care selve WoO 119 1.54
28 An die Geliebte WoO 140 1.02

Herman Prey baritone (1–2, 24–25, 27) · Gerald Moore piano (1–2)
Leonard Hokanson piano (24–25, 27) · Heinrich-Schutz-Kreis chorus master Wolfgang Matkowitz (27)
Dietrich Fischer-Dieskau baritone · Hartmut Holl piano (3–10, 12–14, 16–22, 28)

Dania El Zein soprano (11, 23, 26) · Natalie Perez mezzo-soprano (11, 15) · Vincent Lievre-Picard tenor (11 solo, 23)
Jean-Francois Rouchon baritone (11) · Jean-Pierre Armengaud piano (11, 15, 23, 26)
NEW RECORDINGS · FIRST RELEASE

Recorded: 17–19.IV.1961, Berlin (1–2); 23–30.XI.1982 (16–18, 22, 28), 4–6.III.1984 (3–10, 12–14, 19–21) Siemensvilla, Berlin;
1987–1989, Studio 10, RIAS, Berlin (24–25, 27); 28.VI.–9.VII.2019, Eglise Saint-Pierre et Saint-Paul, Evry (11, 15, 23, 26)
Producer: Christfried Bickenbach (3–10, 12–14, 16–22, 28); Charles-Alexandre Englebert (11, 15, 23, 26); Helge Jorns (24–25, 27)
Balance Engineers: Wolfgang Gulich (3–10, 12–14, 16–22, 28); Soren Pehrs, Geert Puhlmann (24–25, 27)
P 1961 & Remastering P 1995 Warner Music Group Germany Holding GmbH (1–2)
P 1984 (3–10, 12–14, 16–22, 28), 2019 (11, 15, 23, 26) Parlophone Records Limited, a Warner Music Group Company
P 1991 & Remastering P 2012 CAPRICCIO (24–25, 27) (Co-Produktion RIAS Berlin)


CD72
6 Songs Op.75
1 No.1: Kennst du das Land (Mignonslied) 3.50
2 No.2: Neue Liebe, neues Leben (II) 2.53
3 No.3: Aus Goethes Faust 2.03
4 No.4: Gretels Warnung 2.25
5 No.5: An den fernen Geliebten 2.36
6 No.6: Der Zufriedene 1.19
7 Schilderung eines Mädchens WoO 107 0.39
8 Selbstgespräch WoO 114 3.21
2 Songs WoO 118
9 Seufzer eines Ungeliebten 3.13
10 Gegenliebe 3.06
11 Zärtliche Liebe WoO 123 “Ich liebe dich, sowie du mich” 1.49
12 La partenza WoO 124 1.05
(Der Abschied)
13 Opferlied WoO 126 “Die Flamme lodert” 2.56
14 Plaisir d’aimer WoO 128 1.13
(Romance)
15 Der Wachtelschlag WoO 129 3.47
16 Gedenke mein WoO 130 1.05
17 Als die Geliebte sich trennen wollte WoO 132 1.54
18 Arietta: In questa tomba oscura WoO 133 3.00
19 Die laute Klage WoO 135 2.42
20 Andenken WoO 136 2.57
21 Gesang aus der Ferne WoO 137 3.31
22 Der Jüngling in der Fremde WoO 138 1.55
23 Der Liebende WoO 139 2.15
24 Der Bardengeist WoO 142 2.43
25 Das Geheimnis WoO 145 1.22
(Liebe und Wahrheit)
26 Sehnsucht (III) WoO 146 2.22
27 Ruf vom Berge WoO 147 1.35
28 Resignation WoO 149 2.21
29 Abendlied unterm gestirnten Himmel WoO 150 5.13

Natalie Perez mezzo-soprano ・ Jean-Pierre Armengaud piano (1, 4–5)
NEW RECORDINGS · FIRST RELEASE

Dietrich Fischer-Dieskau baritone ・ Hartmut Holl piano (2–3, 6–13, 15–29)
Pamela Coburn soprano ・ Leonard Hokanson piano (14)

Recorded: 23–30.XI.1982 (8–10, 12–13, 16, 19–20, 23–25), 4–6.III.1984 (2–3, 6–7, 11, 15, 17–18, 21–22, 26–29) Siemensvilla, Berlin;
1987–1989, Studio 10, RIAS, Berlin (14); 28.VI.–9.VII.2019, Eglise Saint-Pierre et Saint-Paul, Evry (1, 4–5)
Producer: Charles-Alexandre Englebert (1, 4–5); Christfried Bickenbach (2–3, 6–13, 15–29); Helge Jorns (14)
Balance Engineers: Charles-Alexandre Englebert (1, 4–5); Wolfgang Gulich (2–3, 6–13, 15–29); Soren Pehrs, Geert Puhlmann (14)
P 1984 (2–3, 6–13, 15–29), 2019 (1, 4–5) Parlophone Records Limited, a Warner Music Group Company
Co-Produktion RIAS Berlin/CAPRICCIO, P 1991 & Remastering P 2012 CAPRICCIO (14)


CD73
3 Songs Op.83
1 No.1: Wonne der Wehmut 2.23
2 No.2: Sehnsucht (II) 2.02
3 No.3: Mit einem gemalten Band 2.01
An die ferne Geliebte Op.98
song cycle on Alois Jeitteles
4 No.1: Auf dem Hugel sitz’ ich, spahend 3.01
5 No.2: Wo die Berge so blau 1.37
6 No.3: Leichte Segler in den Hohen 1.38
7 No.4: Diese Wolken in den Hohen 0.54
8 No.5: Es kehret der Maien, es bluhet die Au 2.29
9 No.6: Nimm sie hin denn, diese Lieder 3.57
10 Das Glück der Freundschaft
(Lebensglück) Op.88 vlp 2.33
11 Der Mann von Wort Op.99 vlp 2.17
12 Merkenstein (II) Op.100 np vlp 2.07
13 An einen Säugling WoO 108 kw np 3.14
14 Elegie auf den Tod eines Pudels WoO 110 vlp 4.14
15 An Laura WoO 112 vlp 3.20
16 Klage WoO 113 vlp 2.59
17 An Minna WoO 115 vlp 1.01
18 Que le temps me dure WoO 116
Second version (in C) Hess 130 dez 1.29
19 Der freie Mann WoO 117 vlp jb jfr* 2.07
20 Man strebt, die Flamme zu verhehlen WoO 120 np 3.46
21 Abschiedsgesang an Wiens Bürger WoO 121 vlp 3.58
22 Kriegslied der Österreicher WoO 122 vlp* jb jfr 2.01
23 La Tiranna WoO 125 vlp 2.59
24 Neue Liebe, neues Leben (I) WoO 127 vlp 3.43
Sehnsucht (I) WoO 134 np
25 First setting 1.32
26 Second setting 1.00
27 Third setting 1.12
28 Fourth setting 1.24
29 Der Gesang der Nachtigall WoO 141 np 1.28
30 Des Kriegers Abschied WoO 143 vlp 3.42
31 Merkenstein (I) WoO 144 vlp 2.43
32 So oder so WoO 148 vlp 3.05
33 Der edle Mensch sei hilfreich und gut WoO 151 np 1.13
* solo

(1–9) Olaf Bar baritone ・ Geoffrey Parsons piano

(10–33) Dania El Zein (DEZ), Karen Wierzba (KW) sopranos ・ Natalie Perez (NP) mezzo-soprano
John Bernard (JB), Vincent Lievre-Picard (VLP) tenors ・ Jean-Francois Rouchon (JFR) baritone
Jean-Pierre Armengaud piano NEW RECORDINGS · FIRST RELEASE

Recorded: IX.1992, Abbey Road Studio No.1, London (1–9); 28.VI.–9.VII. (10–11, 14–33), 29–31.VII. (12) & 2–4.VIII. (13) 2019, Eglise Saint-Pierre et Saint-Paul, Evry
Producer: David R. Murray (1–9) ・Balance Engineer: Simon Rhodes (1–9)
Producer & Balance Engineer: Charles-Alexandre Englebert (10–11, 14–33); Arthur Delzescaut (12); Simon Becquet (13)
P 1993 (1–9), 2019 (10–33) Parlophone Records Limited, a Warner Music Group Company


CD74
25 Scottish Songs Op.108
1 No.1 Music, Love and Wine ja jb jfr 1.30
2 No.2 Sunset jfr 3.22
3 No.3 O sweet were the hours jfr 3.33
4 No.4 The maid of Isla jfr 1.55
5 No.5 The sweetest lad was Jamie np 2.36
6 No.6 Dim, dim is my eye dez 2.56
7 No.7 Bonny laddie, highland laddie np 1.35
8 No.8 The lovely lass of Inverness np 3.17
9 No.9 Behold, my love, how green the groves ja vlp 2.03
10 No.10 Sympathy jb 2.01
11 No.11 Oh! Thou art the lad of my heart, Willy ja 2.14
12 No.12 Oh, had my fate been join’d with thine jrb 3.15
13 No.13 Come fill, fill, my good fellow np vlp jfr* 1.52
14 No.14 O, how can I be blithe and glad np 2.38
15 No.15 O cruel was my father np 3.47
16 No.16 Could this ill world have been contriv’d jfr 2.05
17 No.17 O Mary, at thy window be jb 2.08
18 No.18 Enchantress, farewell jb 2.45
19 No.19 O swiftly glides the bonny boat dez* np jb jfr 2.45
20 No.20 Faithfu’ Johnie np jfr 2.55
21 No.21 Jeanie’s Distress np 1.45
22 No.22 The Highland Watch ja jb* jfr 3.40
23 No.23 The Shepherd’s song jfr 2.11
24 No.24 Again, my Lyre, yet once again np 3.50
25 No.25 Sally in our Alley jb 2.55
63 Irish Songs
WoO 152 Part 1
26 No.1 The Return to Ulster jfr 3.55
27 No.2 Sweet Power of Song np jfr 3.12
28 No.3 Once more I hail thee jb 2.25
* solo

Juliette Allen (JA), Dania El Zein (DEZ) sopranos ・ Natalie Perez (NP) mezzo-soprano
John Bernard (JB), Vincent Lievre-Picard (VLP) tenors ・ Jean-Francois Rouchon (JFR) baritone
Alessandro Fagiuoli violin ・ Andrea Musto cello
Jean-Pierre Armengaud piano NEW RECORDINGS · FIRST RELEASE

Recorded:28.VI.–9.VII. (1–25, 27–28) & 2–4.VIII. (26) 2019, Eglise Saint-Pierre et Saint-Paul, Evry
Producer & Balance Engineer: Charles-Alexandre Englebert (1–25, 27–28); Simon Becquet (26)
Dialect Coach: Frazer Scott-Russell (Scottish); Patrick Barrett (Irish)
P 2019 Parlophone Records Limited, a Warner Music Group Company


CD75
63 Irish Songs
WoO 152 Part 1 continued
1 No.4 The morning air plays on my face jfr 2.43
2 No.5 On the massacre of Glencoe np 3.53
3 No.6 What shall I do to shew how much I love her? dez jb 2.46
4 No.7 His boat comes on the sunny tide ja 2.35
5 No.8 Come draw we round a cheerful ring jfr 2.08
6 No.9 Our bugles sung truce (or The Soldier’s Dream) jfr 4.00
7 No.10 The Deserter dez łr jfr* 2.09
8 No.11 Thou emblem of faith (upon returning a ring) jb 2.35
9 No.12 English Bulls (or The Irishman in London) jb 1.33
10 No.13 Musing on the roaring ocean np 2.12
11 No.14 Dermot and Shelah jfr 2.22
12 No.15 Let brain-spinning swains jb 1.36
13 No.16 Hide not thy anguish jb 2.10
14 No.17 In vain to this desert my fate I deplore ja jfr 3.48
15 No.18 They bid me slight my Dermot dear np jb 2.23
16 No.19 Wife, Children and Friends np jb 2.41
17 No.20 Farewell bliss and farewell Nancy vlp jfr 2.08
18 No.21 Morning a cruel turmoiler is jfr 2.42
No.22 From Garyone, my happy home
19 (1st version) ja 3.15
20 (2nd version) ja 3.12
21 No.23 A wand’ring gypsy, Sirs, am I np 2.20
22 No.24 The Traugh Welcome jfr 1.57
23 No.25 O harp of Erin dez 3.03
24 No.26 When eve’s last rays in twilight die vlp jfr 2.40
25 No.27 No riches from his scanty store np 2.54
26 No.28 The British Light Dragoons jb 1.49
27 No.29 Since greybeards inform us that youth will decay jb 1.53
63 Irish Songs
WoO 153 Part 2
28 No.30 I dream’d I lay where flow’rs were springing ja jfr 3.01
29 No.31 The hero may perish dez jfr 2.15
30 No.32 Sad and luckless was the season jfr 3.12
* solo

Juliette Allen (JA), Dania El Zein (DEZ) sopranos ・ Natalie Perez (NP) mezzo-soprano
John Bernard (JB), Vincent Lievre-Picard (VLP), Łukasz Romejko (ŁR) tenors
Jean-Francois Rouchon (JFR) baritone
David Petrlik violin ・ Max Kim cello (1–2, 11, 21–22)
Alessandro Fagiuoli violin ・ Andrea Musto cello (3–10, 12–20, 23–30)
Jean-Pierre Armengaud piano NEW RECORDINGS · FIRST RELEASE

Recorded:28.VI.–9.VII. (3–5, 7–10, 12–17, 19–20, 23–30), 29–31.VII. (1, 18, 21–22) & 2–4.VIII. (2, 6, 11) 2019,
Eglise Saint-Pierre et Saint-Paul, Evry
Producer & Balance Engineer: Arthur Delzescaut (1, 18, 21–22); Simon Becquet (2, 6, 11);
Charles-Alexandre Englebert (3–5, 7–10, 12–17, 19–20, 23–30) ・ Dialect Coach: Patrick Barrett
P 2019 Parlophone Records Limited, a Warner Music Group Company


CD76
63 Irish Songs
WoO 153 Part 2 continued
1 No.33 O soothe me, my lyre np 2.34
2 No.34 By the side of the Shannon jfr 2.10
3 No.35 Norah of Balamagairy np jb jfr* 2.27
4 No.36 The kiss, dear maid, thy lip has left jfr 3.24
5 No.37 The Soldier vlp 2.20
6 No.38 Oh! Thou hapless soldier ja np 2.42
7 No.39 The Elfin Fairies ja np 2.19
8 No.40 When far from the home dez 1.52
9 No.41 I’ll praise the saints ja 2.46
10 No.42 Put round the bright wine jb 1.57
11 No.43 The wandering minstrel np jb* jfr 2.39
12 No.44 ’Tis sunshine at last vlp 2.12
13 No.45 O who, my dear Dermot dez 2.00
14 No.46 The pulse of an Irishman jfr 2.34
15 No.47 Paddy O’Rafferty np 2.00
16 No.48 Oh! would I were but that sweet linnet! ja np 3.36
17 No.49 ‘Tis but in vain, for nothing thrives np 2.42
18 No.50 Save me from the grave and wise np* vlp* jfr* 2.10
19 No.51 A health to the brave np jfr 2.45
20 No.52 He promised me at parting ja jb 2.20
21 No.53 O might I but my Patrick love ja 2.02
22 No.54 Come, Darby dear, easy, be easy ja 2.02
23 No.55 The Soldier in a Foreign Land np jb 2.29
24 No.56 No more, my Mary, I sigh for splendour vlp 2.10
25 No.57 Judy, lovely matchless creature vlp 3.09
26 No.58 Thy ship must sail, my Henry dear ja 2.29
27 No.59 The Farewell Song ja 1.31
63 Irish Songs
WoO 154 Part 3
28 No.60 Lament for Owen Roe O’Neill 2.25
29 No.61 Adieu, my lov’d harp np 3.09
30 No.62 Castle O’Neill 2.30
31 No.63 Since all thy vows [Robin Adair] dez jb jfr 2.45
* solo

Juliette Allen (JA), Dania El Zein (DEZ) sopranos ・ Natalie Perez (NP) mezzo-soprano
John Bernard (JB), Vincent Lievre-Picard (VLP) tenors ・ Jean-Francois Rouchon (JFR) baritone
Alessandro Fagiuoli violin ・ Andrea Musto cello (1–4, 6–11, 13, 15–23, 26–31)
David Petrlik violin ・ Max Kim cello (5, 12, 14, 24–25)
Jean-Pierre Armengaud piano NEW RECORDINGS · FIRST RELEASE

Recorded:28.VI.–9.VII. (1–4, 6–11, 13, 15–23, 26–31), 29–31.VII. (5, 12, 24–25) & 2–4.VIII. (14) 2019, Eglise Saint-Pierre et Saint-Paul, Evry
Producer & Balance Engineer: Charles-Alexandre Englebert (1–4, 6–11, 13, 15–23, 26–31);
Arthur Delzescaut (5, 12, 24–25); Simon Becquet (14)
Dialect Coach: Patrick Barrett
P 2019 Parlophone Records Limited, a Warner Music Group Company

CD77
26 Welsh Songs WoO 155
1 No.1 Sion, The Son Of Evan vlp jfr 3.34
2 No.2 The Monks of Bangor’s March vlp jfr 2.56
3 No.3 The Cottage Maid dez 2.21
4 No.4 Love without Hope vlp 2.33
5 No.5 The Golden Robe np jfr 3.03
6 No.6 The Fair Maid of Mona dez 3.15
7 No.7 O let the night my blushes hide np 2.39
8 No.8 Farewell, thou noisy town jfr 1.24
9 No.9 To the Aeolian Harp np 4.51
10 No.10 Ned Pugh’s Farewell jfr 2.55
11 No.11 Merch Megan (Peggy’s Daughter) jfr 2.04
12 No.12 Waken, lords and ladies gay vlp 2.19
13 No.13 Helpless Woman ja 1.57
14 No.14 The Dream ja np 1.53
15 No.15 When mortals all to rest retire ja 3.58
16 No.16 The Damsels of Cardigan ja vlp 2.03
17 No.17 The Dairy House jfr 1.47
18 No.18 Sweet Richard vlp 2.30
19 No.19 The Vale of Clwyd ja 2.56
20 No.20 To the Blackbird jfr 3.26
21 No.21 Cupid’s Kindness np 2.06
22 No.22 Constancy ja vlp 1.09
23 No.23 My pleasant home (The old strain) np 3.53
24 No.24 Three Hundred Pounds np 2.49
25 No.25 The Parting Kiss jfr 3.26
26 No.26 Good Night jfr 1.39

Juliette Allen (JA), Dania El Zein (DEZ) sopranos ・ Natalie Perez (NP) mezzo-soprano
John Bernard (JB), Vincent Lievre-Picard (VLP) tenors ・ Jean-Francois Rouchon (JFR) baritone
David Petrlik violin ・ Max Kim cello (1–2, 4–5, 7, 9–12, 18, 20–21, 23–24, 26)
Alessandro Fagiuoli violin ・ Andrea Musto cello (3, 6, 8, 13–17, 19, 22, 25)
Jean-Pierre Armengaud piano NEW RECORDINGS · FIRST RELEASE

Recorded:28.VI.–9.VII. (3, 6, 13–16, 19, 22), 29–31.VII. (1–2, 4–5, 7–12, 17–18, 20–21, 23, 25–26) & 2–4.VIII. (24) 2019, Eglise Saint-Pierre et Saint-Paul, Evry
Producer & Balance Engineer: Arthur Delzescaut (1–2, 4–5, 7–12, 17–18, 20–21, 23, 25–26);
Charles-Alexandre Englebert (3, 6, 13–16, 19, 22); Simon Becquet (24)
P 2019 Parlophone Records Limited, a Warner Music Group Company


CD78
22 Scottish Songs WoO 156
1 No.1 [untitled, without words] 3.05
2 No.2 Erin! O Erin! np 2.45
3 No.3 O Mary, ye’s be clad in silk jb 2.41
4 No.4 Highland Harry [My Harry was a gallant gay] dez 2.14
5 No.5 Oh ono chri, oh np 2.58
6 No.6 Red gleams the sun on yon hill tap dez 1.44
7 No.7 Sir Johnnie Cope jb 2.41
8 No.8 Sweet Annie frae the sea beach came [Lochnagar] ja jb jfr 3.39
9 No.9 Duncan Cray ja vlp jfr 2.57
10 No.10 She’s fair and fause [Womankind] ja jb jfr 2.28
11 No.11 Auld Lang Syne np vlp jfr 2.24
12 No.12 Dark was the morn [The Quaker’s Wife] ja vlp jfr 2.09
13 No.13 Low down in the broom [Ye Shepherds] ja jb jfr 2.13
14 No.14 From thee, Eliza, I must go dez jb jfr 2.53
15 No.15 Polly Stewart jb 2.17
16 No.16 Charlie is my darling ja np jfr 1.40
17 No.17 Up! quit thy bower ja np jfr 2.13
18 No.18 Glencoe ja vlp jfr 3.01
19 No.19 The Banner of Buccleuch dez np jfr 2.02
20 No.20 Highlander’s Lament [My Harry was a gallant gay] dez* łr jfr 3.06
21 No.21 Mark yonder pomp of costly fashion jb 4.03
22 No.22 Bonnie wee thing dez np 1.48
4 English Songs WoO 157
23 No.1 When my Hero in court appears dez 1.38
24 No.2 Cease your funning ja 1.16
25 No.3 God save the King np jb jfr 4.59
26 No.4 The Miller of Dee dez jb jfr 2.13
* solo

Juliette Allen (JA), Dania El Zein (DEZ) sopranos ・ Natalie Perez (NP) mezzo-soprano
John Bernard (JB), Vincent Lievre-Picard (VLP), Łukasz Romejko (ŁR) tenors
Jean-Francois Rouchon (JFR) baritone
Alessandro Fagiuoli violin ・ Andrea Musto cello
Jean-Pierre Armengaud piano NEW RECORDINGS · FIRST RELEASE

Recorded:28.VI.–9.VII.2019, Eglise Saint-Pierre et Saint-Paul, Evry
Producer & Balance Engineer: Charles-Alexandre Englebert
Dialect Coach: Frazer Scott-Russell (Scottish)
P 2019 Parlophone Records Limited, a Warner Music Group Company


CD79
29 Songs of various nations WoO 158
1 No.1 Ridder Stigs Runer dez np vlp* jfr 4.25
2 No.2 Horch auf, mein Liebchen vlp 1.54
3 No.3 Wegen meiner bleib d’Fraula vlp 2.25
4 No.4 Wann i in der Fruh aufsteh dez 1.50
5 No.5 Teppichkramer-Lied vlp 4.17
6 No.6 A Madel, ja a Madel vlp 3.05
7 No.7 Wer solche Buema afipackt vlp 1.07
8 No.8 Ih mag di nit nehma dez 2.49
9 No.9 Oj, oj, upiłem sie˛ karczmie łr 1.33
10 No.10 Poszła baba po popioł łr 1.15
11 No.11 Yo no quiero embarcarme np 1.39
12 No.12 Seus lindos olhos vlp jfr 2.19
13 No.13 Vo lesocke komarockov mnogo urodilos’ np 2.03
14 No.14 Akh, recen’ki, recen’ki np 2.41
15 No.15 Kak posli nasi podruzki np 1.54
16 No.16 Schöne Minka, ich muss scheiden np vlp 2.25
17 No.17 Lilla Carl np 2.07
18 No.18 An a Bergli bin i gesasse dez np 2.02
19 No.19 Una paloma blanca np 2.05
20 No.20 Como la mariposa soy np jfr 1.45
21 No.21 Tiranilla espanola vlp 2.34
22 No.22 Edes kinos emlekezet np 1.08
23 No.23 Da brava, Catina vlp 1.53
24 No.24 Non, non, Colette n’est point trompeuse vlp 1.57
25 No.25 Air francais np 2.09
26 No.26 O sanctissima ja np jfr 2.05
27 No.27 La gondoletta vlp 3.40
28 No.28 Das liebe Katzchen np 0.27
29 No.29 Der Knabe auf dem Berge np 0.46
30 O Hoffnung WoO 200 0.23
(theme for a theme & variations for solo piano) an assignment for Archduke Rudolph
31 Abschiedsgesang WoO 102 4.05
for three male voices
* solo

(1–30) Juliette Allen (JA), Dania El Zein (DEZ) sopranos · Natalie Perez (NP) mezzo-soprano
John Bernard (JB), Vincent Lievre-Picard (VLP), Łukasz Romejko (ŁR) tenors
Jean-Francois Rouchon (JFR) baritone
Alessandro Fagiuoli violin · Andrea Musto cello (1–29)
Jean-Pierre Armengaud piano NEW RECORDINGS · FIRST RELEASE
(31) Joachim Vogt tenor · Gunther Beyer, Siegfried Hausmann basses

Recorded:1976, Berlin (31); 28.VI.–9.VII.2019, Eglise Saint-Pierre et Saint-Paul, Evry (1–30)
Producer & Balance Engineer: Charles-Alexandre Englebert (1–30)
Producer: Heinz Wegner (31) ・ Balance Engineers: Eberhard Richter, Heinrich Eras (31)
Language/Dialect Coach: Clemens Haudum (Austrian); Jozsef Gal (Hungarian); Christine Morgan (Swedish);
Piotr Sakharov (Russian); Laura Blanco Martin (Spanish); Luca Bernard (Swiss German) (1–30)
P 2007 Music licensed courtesy of Brilliant Classics Licensing (31)
P 2019 Parlophone Records Limited, a Warner Music Group Company (1–30)


CD80
Polyphonic Italian Songs WoO 99
1 No.1: Bei labbri, che Amore kw vlp 1.45
2 No.2: Ma tu tremi, o mio tesoro kw np vlp 1.46
3 No.3: E pur fra le tempeste vlp 1.02
4 No.4: Sei mio ben kw vlp 0.49
5–7 No.5: Giura il nocchier (3 versions) 2.21
1) kw np jfr 2, 3) kw np vlp jfr
8 No.7: Chi mai di questo core kw vlp jfr 1.45
9 No.8: Scrivo in te kw vlp 1.09
10 No.9: Per te d’amico aprile kw np jfr 1.02
11–12 No.10: Nei campi e nelle selve (2 versions) 3.16
1*, 1†) kw np vlp jfr
13–18 No.11: Fra tutte le pene (6 versions) 8.35
1*, 1†) vlp jfr 2*, 2†) kw np vlp 3*, 3†) kw np vlp jfr
19 No.12: Salvo tu vuoi lo sposo kw vlp 0.45
20–22 No.13: Quella cetra ah pur tu sei (3 versions) 3.31
1) kw vlp jfr 2, 3) kw np vlp jfr
23–24 No.14: Gia la notte s’avvicina (2 versions)
1) kw vlp jfr 2) kw np vlp jfr 2.02
*as submitted by Beethoven / †corrected by Salieri
Canons and Musical Jokes
25 Languisco e moro Hess 229 mp sz 0.54
26 Lob auf den Dicken WoO 100 mp gc sz sb 0.35
27 Graf, Graf, liebster Graf WoO 101 mp gc sz sb 0.42
28 Im Arm der Liebe ruht sich’s wohl WoO 159 ub eg eh 1.07
29 Ewig dein WoO 161 ub eg eh 1.12
30 Ta ta ta… WoO 162 ub eg eh mp 1.14
31 Kurz ist der Schmerz WoO 163 ub eg eh 1.35
32 Freundschaft ist die Quelle wahrer Gluckseligkeit WoO 164 ub eg eh 0.45
33 Gluck zum neuen Jahr WoO 165 mp gc sz sb 0.39
34 Kurz ist der Schmerz WoO 166 ub eg eh 2.27
35 Brauchle, Linke WoO 167 ub eg eh mp 0.48
36 Das Schweigen: “Lerne Schweigen, O Freund” WoO 168 No.1 ub eg eh 1.21
37 Das Reden: “Rede, wenn’s um einen Freund dir gilt” WoO 168 No.2 ub eg eh 1.32
38 Ich kusse Sie… WoO 169 sz jbh sb 0.41
39 Ars longa, vita brevis (I) WoO 170 sz sb 0.56
40 Gluck fehl’ dir vor allem WoO 171 ub eg eh mp 1.00
41 Ich bitt’ dich, schreib mir die Es-Scala auf WoO 172 ub eg eh 0.56
42 Hol’ euch der Teufel! B’hut’ euch Gott WoO 173 sz sb 0.34
43 Glaube und hoffe WoO 174 mp gc sz sb 0.38
44–45 Sankt Petrus war ein Fels… Bernardus war ein Sankt WoO 175 sz jbh sb 1.05
46 Gluck, Gluck zum neuen Jahr WoO 176 ub eg eh 0.56
47 Bester Magistrat, Ihr friert WoO 177 sz sb 0.34
48 Signor Abate… WoO 178 ub eg eh 1.06
49 Seiner kaiserlichen Hoheit… Alles Gute, alles Schone WoO 179 ub eg eh mp 1.48
50 Hoffmann, sei ja kein Hofmann WoO 180 eg eh 0.33
51 Gedenket heute an Baden WoO 181 No.1 sz jbh sb 0.45
52 O Tobias! WoO 182 mp sz sb 0.56
53 Bester Herr Graf, Sie sind ein Schaf WoO 183 ub eg eh mp 1.07
54 Falstafferel, lass’ dich sehen! WoO 184 ub eg eh mp gc 1.25
55 Edel sei der Mensch, hilfreich und gut WoO 185 ub eg eh mp gc 2.27
56–58 Te solo adoro WoO 186 (3 versions) 1.45
1) mp gc 2) sz sb 3) gc sb
59 Schwenke dich ohne Schwanke WoO 187 ub eg eh mp 1.01
60 Gott ist eine feste Burg WoO 188 sz sb 0.34
61 Doktor, sperrt das Tor dem Tod WoO 189 ub eg eh mp 0.53
62 Ich war hier, Doktor, ich war hier WoO 190 mp gc 0.34
63 Kuhl, nicht lau WoO 191 ub eg eh 1.22
64 Ars longa, vita brevis (II) WoO 192 sz jbh sb 0.22
65 Ars longa, vita brevis (III) WoO 193 sz jbh sb 0.30
66 Si non per portas, per muros WoO 194 sz sb 0.24
67 Freu’ dich des Lebens WoO 195 eg eh 0.36
68 Es muss sein… WoO 196 sz jbh sb 1.16
69 Da ist das Werk… WoO 197 ub eg eh mp gc 1.20
70 Wir irren allesamt WoO 198 sz sb 0.32
71 Ich bin der Herr von zu, Du bist der Herr von von WoO 199 eg eh 0.46
72 Das Schone zu dem Guten WoO 203 eg eh 0.20
73 Herr Graf, ich komme zu fragen WoO 221 ub eg eh 1.35
74 Esel aller Esel WoO 227 sz jbh sb 0.31

(1–24) Karen Wierzba (KW) soprano ・ Natalie Perez (NP) mezzo-soprano
Vincent Lievre-Picard (VLP) tenor ・ Jean-Francois Rouchon (JFR) baritone ・ Jean-Pierre Armengaud piano (3)
(25–74) accentus: Ulrike Barth (UB), Ellen Giacone (EG), Emilie Husson (EH), Marie Picaut (MP) sopranos
Genevieve Cirasse (GC) mezzo-soprano ・ Steve Zheng (SZ) tenor ・ Jean-Baptiste Henriat (JBH) baritone
Sebastien Brohier (SB) bass-baritone ・ Christophe Grapperon musical director
NEW RECORDINGS · FIRST RELEASE

Recorded: 2–4.VIII.2019, Eglise Saint-Pierre et Saint-Paul, Evry (1–24); 18–19.VI.2019, Studio RIFFX1, La Seine Musicale, Boulogne-Billancourt (25–74) ・ Producer & Balance Engineer: Simon Becquet (1–24);
Isabelle Davy (25–74) ・ Language Coach: Johannes Koegel-Dorfs (German)
Rehearsal Coach: Thomas Taquet (25–74) ・ P 2019 Parlophone Records Limited, a Warner Music Group Company