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ALL THE 2014 DANCEFLOOR HITS AND THE BEST OF 2015 CLUBBING NEWS FROM IBIZA!THE IBIZA NO.1 COMPILATION ! Feat. Bob Sinclar, Armin Van Buuren, Fedde Le Grand, Gusgus, Gui Boratto, Blasterjaxx, Ferry Corsten, Harry Romero, Avicii and many more!!! Record Label: Wagram Style: Dance

THE GREATEST GOSPEL SONGS!REMASTERED ORIGINAL VERSIONS. Feat. The Caravans, Mahalia Jackson, Reverend J.C. Burnett, The Staple Singers, The Golden Gate Quartet, The Blind Boys Of Alabama and many more! Record Label: Wagram Style: Gospel

Ninth volume for DJ ZONE 2014 serie. 2CD with CD1 commercial Dance and CD 2 Elektroclub tunes. In this number ELENA feat. GLANCE "MAMMA MIA (HE'S ITALIANO)", EMIS KILLA "MARACANA", SANDER VAN DOORN, MARTIN GARRIX, DVBBS feat. ALEESIA "GOLD SKIES", DIMITRI Record Label: Time Style: House

Hauschildt and BNJMN — like Timon and Pumbaa, except they aren’t the potential victims of numerous hungry carnivores, so they can afford to take the phrase “no worries” to extremely enjoyable heights! You’re likely more familiar with the long-running Kompakt compilation series Pop Ambient, but what started in 2011 was something a bit more innovative than your run-of-the-mill label showcasing. Air Texture is apparently a label offshoot of Kompakt, but so far it’s been dedicated exclusively to the release of the Air Texture dual albums — where two chosen artists are tasked (on their respective discs) with keeping to the stated mission: “to present a diverse array of electronic music that is not dance floor oriented.” You probably have some sense of what this means. Now close your eyes.No wait! Open them again. Air Texture Volume IV has just been announced, and this time Steve Hauschildt (formerly of Emeralds), alongside the typically dancefloor-oriented BNJMN will be doing the honors after Deadbeat and DJ Olive regaled with last year’s stunning edition. Obviously, Hauschildt has personal expertise in “air textures” himself, but it’ll be interesting to hear BNJMN’s take on things. Techno and/or house seem to be at his heart. Record Label: Air Texture Style: Electronic

THE LOUNGE MUSIC HAUTE COUTURE UNIQUE BOXSET ! Feat. Deluxe, Quantic Feat. Alice Russell, Barbara Tucker, RadioHead, Bart & Baker, Dj Cam Quartet, Moby, Moloko, Belleruche, Boards Of Canada, Bonobo Feat. Cornelia, Kendra Morris, Etienne De Crecy, St Germain, Fatboy Slim,Nick Holder, Nuspirit Helsinki, Jazzanova and many more! Record Label: Wagram Style: Lounge

Record Label: Van Records Style: Hardrock

Appearances can be very deceptive. Take USURPRESS for instance: those Swedes surely don't need any introduction anymore, having proven the world (and beyond!) through various EPs, splits and one album ('Trenches of the Underworld', released in 2012) that the old mix of D-beat/crust and death freaking metal of yore still rages on. Yet, with 'Ordained' they have the same time got even heavier and more aggressive while throwing all the rules out of the window with a sadistic grin on its face. In case you haven't been tipped off by the inclusion on two tracks of Magnus Stjernberg, who already appeared on their debut, on 'nyckelharpa' but also of a guest flutist and pianist, there are changes in the air. Bloody hell, stop the press, USURPRESS have gone progressive! Well, at least, kind of. Not as in 'endless songs with solos all over the places' but progressive as in 'let's see how we can evolve and make things even more interesting without changing our identity'. Mixed by Lawrence Mackrory from DARKANE and with a lavish cover artwork by Ola Larsson (DISMA, SULPHUR AEON etc.), 'Ordained' show a different face of USURPRESS without loosing its extreme edge nor its energy. And if you aren't convinced enough, even if among those twelve tracks you'll find a surprising cover "Lóthlorien", originally recorded back in 1970 by Swedish progressive rock guru Bo Hansson and inspired by the 'Lords of the Rings' saga (!), be sure that those punks will gladly punch your face in to prove their point. Record Label: Doomentia Style: Metal

TRACKLISTING:01. GOODDAY SUNSHINE 02. HERE COMES MY BABY 03. SILENCE IS GOLDEN 04. EVEN THE BAD TIMES ARE GOOD 05. BE MINE 06. SUDDENLY YOU LOVE ME 07. HELULE HELULE 08. MY LITTLE LADY 09. I'M GONNA TRY 10. I SHALL BE RELEASED 11. HELLO WORLD 12. ONCE ON A SUNDAY MORNING 13. (CALL ME) NUMBER ONE 14. BY THE WAY 15. ME AND MY LIFE 16. RIGHT WHEEL, LEFT HAMMER, SHAM 17. HELLO BUDDY 18. TOO LATE (TO BE SAVED) 19. I LIKE IT THAT WAY 20. BLUE SUEDE TIE 21. RIDE ON 22. MAKE IT BREAK IT 23. YOU CAN'T TOUCH SUE 24. DO I LOVE YOU 25. SAY OK 26. BE BOPPIN' BOOGIE Record Label: Paradiso Style: Pop

ALL THE CHRISTMAS MAGIC AND HIS GREATEST TITLES! CD1 - CHRISTMAS//CD2 - BEST OF Record Label: Wagram Style: Pop

THE SHIFFERS is Claudio Zanoni' solo Project . He is one of the Authors and Trumpet player for the Ridillo acclaimed outfit with Five Albums under their belt and numerous prestigious collaborations from Eumir Deodato to Gianni Morandi from Montefiori Cock Record Label: Irma Records Style: Lounge/Chillout

Dwayne Michael Carter, Jr. (born September 27, 1982), known by his stage name Lil Wayne, is an American rapper from New Orleans, Louisiana. In 1991, at the age of nine, Lil Wayne joined Cash Money Records as the youngest member of the label, and half of the duo The B.G.'z, alongside fellow New Orleans-based rapper Lil' Doogie. In 1996, Lil Wayne formed the Southern hip hop group Hot Boys, with his Cash Money label-mates Juvenile, Young Turk and Lil' Doogie (who now goes by B.G.). Hot Boys debuted with Get It How U Live! that same year. Lil Wayne gained most of his success with the group's major selling album Guerrilla Warfare (1999). Along with being the flagship artist of Cash Money Records, Lil Wayne is also the chief executive officer (CEO) of his own imprint, Young Money Entertainment, which he founded in 2005.Lil Wayne's solo debut album Tha Block Is Hot (1999), was certified platinum by the Recording Industry Association of America (RIAA). His following albums, Lights Out (2000) and 500 Degreez (2002), were certified gold. He reached higher popularity with his fourth album Tha Carter (2004), which was led by the single "Go D.J." and his appearance on Destiny's Child's top ten single "Soldier", that same year. The album was followed by Tha Carter II (2005) and several mixtapes and collaborations throughout 2006 and 2007. Wayne's sixth album Tha Carter III (2008), became his most successful album to date, with first-week sales of over one million copies in the United States. The album includes the number-one single "Lollipop", as well as "A Milli" and "Got Money", and won the Grammy Award for Best Rap Album.Following the success of Tha Carter III, Wayne decided to record a rock-esque album titled Rebirth. The album, released in 2010, was certified gold by the RIAA, despite a generally negative critical response. In March 2010, Lil Wayne began serving an 8-month jail sentence in New York after being convicted of criminal possession of a weapon stemming from an incident in July 2007. Wayne's eighth album I Am Not a Human Being (2010), was released during his incarceration. His 2011 album and first following his release, Tha Carter IV, sold 964,000 copies in its first week of availability in the United States. It includes the singles "6 Foot 7 Foot", "How to Love" and "She Will". On September 27, 2012, Lil Wayne passed Elvis Presley as the male with the most entries on the Billboard Hot 100 chart, with 109 songs. Lil Wayne's eleventh studio album, Tha Carter V is scheduled for released on October 28, 2014. TRACKLISTING :1 - The Reincarnation 2 - Im A Monster/Eat You Alive 3 - Red Magic Feat. The Game 4 - Nina 5 - Best Thing Yet 6 - First Place Winner Feat. Swizz Beatz 7 - Gorilla 8 - Louisianimal Feat. Lil' Boosie 9 - Down Here Feat. Rick Ross 10 - My Office 11 - I Feel Me Prod. By Mental Instruments 12 - Put Me In The Game 13 - Different Girl Feat. Nu Jerzey Devil 14 - Blinded 15 - Forever Feat. Chris Brown 16 - See It For Myself 17 - Tell Everybody That You Know Feat. Kanye West 18 - Whatever You Like Feat. Jae Millz & Young Gutta 19 - Shootout 20 - Dick Pleaser Feat. Jae Millz 21 - Street Life 22 - Drought Is Never Over Record Label: Wagram/JWS Records Style: Hip Hop

Record Label: Specula Records/Audioglobe Style: Electronic

Record Label: Echoes Style: Rock

Foremost international techno outlet Drumcode is delighted to announce the release of its next full-length album, 'Satellite', by enduring Italian techno talent Sam Paganini.Though he has been active since the mid nineties, recent years have been huge Record Label: Drumcode Style: Techno

Record Label: Target Distribution Style: Metal

Record Label: Infacted Style: Pop

Record Label: Domino Records Style: Independent

Record Label: Acoustic Music Style: Blues

Rise Records would like to introduce you to PVRIS (pronounced: paris) and their debut full length "White Noise". After witnessing their performance on the 2013 Vans Warped Tour, Rise quickly worked to sign the Boston 3-piece. Things are moving fast, and people are taking notice. After spending the end of 2013 and beginning of 2014 working on "White Noise" the band hit the road on the Rise Records & Friends Tour, right into a string of dates on the 2014 Warped Tour. The debut single "St. Patrick" was released during Warped Tour and received exceptionally well. Combining Rise's built in fan-base and PVRIS' knack for writing upbeat, accessible but unique pop songs, the band really came out swinging. Critics and PVRIS' peers in the scene have all taken notice, leading the video for St. Patrick to gain airplay on MTV as well as allowing the band to secure support slots on tours alongside Mayday Parade, Emarosa, Anthony Green, Tonight Alive and more this fall around the release. The album was recorded and mixed by Blake Harnage (Versa Emerge) and Jeff Juliano (Paramore, We The Kings, Train, John Mayer). Frontwoman Lynn Gvnn is both charming and mysterious, proving her confidence and dedication through her songwriting, stage presence and in interviews. When speaking to Huffington Post about being the first female-fronted band on Rise, Lynn replied, "It means I have to be a boss. It feels totally awesome." PVRIS is the kind of band that gets people talking, the kind of band where you tell your friends they have to check it out. White Noise touches on themes of loss, spirituality, and coming to terms with the choices you've made. At 20 years old, Lynn tackles these concepts in a mature and relatable fashion over super infectious music. The band blends edgy electronic music over grooving drums and melodic guitar work, and the result is a record that transcends genres. PVRIS is poised to be the next big thing from Rise Records. PVRIS is the real deal. Record Label: Rise Records Style: Alternative Rock

It's not surprising that The Picturebooks recorded their 2014 album, Imaginary Horse [Riding Easy Records], in the same garage where they regularly refurbish and repair motorcycles and choppers. The German duo—Fynn Claus Grabke [vocals, guitar] and Philipp Mirtschink [drums]—capture a raw, rich, and real energy befitting of the room's natural reverb, industrial aura, and spiritual spark. Most importantly, the record also begins to rev up the boys' career like never before. Fynn and Philipp first crossed paths at a local skate park. Becoming fast friends, they realized their mutual interests extended beyond shredding half-pipes and into music like The Smiths, The Cure, and Minor Threat. Soon, they began writing songs together, utilizing equipment Fynn's dad Claus had accumulated over his years as a musician and record producer.After two independent releases in Europe, the pair played major festivals such as Sziget and toured with everybody from International Noise Conspiracy to Spinnerette. Simultaneously, they garnered international attention for their motorcycle builds and received prominent profiles in tastemaker publications including DICE Magazine, Kustom, and many others.They made their first trek to the United States in 2013. Following an explosive Hollywood gig supporting Eagles of Death Metal for DICE, they embarked on their inaugural North American tour and buzz began to organically spread through word of mouth and social media, specifically Twitter and Instagram. By the time they returned home, the group had inked a deal with Riding Easy Records. The Picturebooks retreated to their "garage" in order to record Imaginary Horse during early 2014. Mirroring their daredevil skateboarding ethos, they broke rules while recording. For starters, there was considerable physical space between the musicians and the microphones, and it wasn't simply a sterile studio environment. The concrete floors and airy expanse contributed to the sound, and the overall atmosphere proved quite a propos."It really helped us formulate our style," declares Fynn. "First of all, the studio is in the middle of nowhere. There are forests and fields around it. You can focus on making music without any distractions. Our goal was to come up with as unique of a sound as possible. We recorded everything in the garage with two mics next to our motorcycles fifteen feet away from us. I would basically sit on my chopper and sing. We got this incredible, real reverb. It was just awesome." In fact, Fynn even sees quite a few similarities between building a rock song and a bike. He smiles, "Coming from skateboarding and then making music, motorcycles were an extension from both of those pursuits. Building your own bike, you decide the colors, choose the bars, the engine, and the frame. It's like producing a song." They even constructed their own instruments to boot. Fynn picked up thrift shop guitars in Los Angeles. Influenced by the tribal sounds of Native American music, the frontman built custom percussion and augmented his guitars with bells. Moreover, Philipp decided to eschew playing cymbals and adopted large Toms, which he bashes with mallets instead of sticks. They conjuredtrue fire in the garage with that astounding, untainted reverb and their personal arsenal of modified instruments. That fire pulsates through the first single "Your Kisses Burn Like Fire". A hulking beat gives way to a bluesy guitar twinge before Fynn howls the titular refrain."David Bowie used to write one word on a piece of paper, and then he'd put all of these words together to make lyrics," explains Fynn. "I was really intrigued by that technique. This song came together in a similar way. Of course, there's a girl, and this feeling of being lost lyrically. That hurts, but it comes out in the performance." Meanwhile, the title track takes flight on that distorted hum and booming echo before slipping into psychedelic territory. "I had an imaginary horse when I was a kid," the singer recalls. "He was called Pon Pon, and he was with me all the time. He was that companion by my side. It was so crazy I had to write a song about him." "PCH Diamond" tells a vivid, cinematic tale of the band's time in Huntington Beach, CA at the Sun'n Sand Motel. Fynn's lyrics paint a picture of Southern California pulp as he recounts one night in particular. "The Pacific Coast Highway is always the first place we go when we arrive from Germany," he says. "It gives you this strange feeling. We spent three weeks at the hotel in Huntington, and so much happened. The lyrics are a story. I bought this diamond ring from a guy who told me he was a 'Shaman'. It was the cheapest piece of shit ever that I paid too much money for [Laughs]. However, you don't want to fuck around with a shaman so I bought it. It made for a good song subject!" Ultimately, all of these pieces form a blues rock pastiche that's as individualistic as it is infectious. The Picturebooks' Imaginary Horse becomes a reality for rock 'n' roll now. "We never wanted to sound like anybody else," concludes Fynn. "We've done everything possible to create something our own. I hope people see that, hear it, and feel it Record Label: Nois-O-lution Style: Alternative Rock

Three time Grammy nominated and former DJ Mag number one DJ Paul Oakenfold presents FullOnFluoro - the latest instalment from is acclaimed We Are Planet Perfecto compilation series.Featuring no less than seven exclusive tracks #WAPP04 #FullOnFluoro boasts nearly three hours of Seamlessly blended trance, breaks, psy and progressive dance music. A trademark epic Oakenfold journey that die-­-hard fans known as Oakenfolk have been waiting to experience for many months.Hailed as one of the original pioneers of trance, Paul Oakenfold’s Perfecto Fluoro label has been releasing the more underground sounds of trance, Goa and progressive for the last twenty years. The 1996 release of “Fluoro” - a ground breaking Oakenfold compilation that not only introduced the futuristic sounds of Goa trance to a wider audience but also pushed the boundaries of the traditional template for a DJ mix album by fusing film samples, elements of score and other sources of audio to enhance and create a completely new journey.Fast forward 18 years and “Fluoro” is still a widely revered album of legendary status. Today - Paul’s Perfecto Fluoro label and FullOnFluoro Radio show continue to source and promote interesting and unique talent from around the world and this latest album acts as a show reel to a number of those names including Simon Patterson, Angryman, Liquid Soul, Thomas Datt and of course the return of the original Fluoro legend Man with No Name.Over two CDs Paul Oakenfold crafts a melodic and seamless progression that builds in intensity and momentum. This is an energetic exploration into the varying boundaries of trance and all of its sub genres. Record Label: Perfecto Style: Trance

Record Label: Klondike Records Style: Rock

Record Label: Season Of Mist Style: Metal

A ship at port is safe, but that’s not what ships are built for.” (Grace Hopper) Following their debut, “Hold this Ghost”, whose immediate melodies and lush orchestration garnered significant press and a devoted listenership worldwide, Musée Mécanique returns with the ambitious “From Shores of Sleep”, a through-composed musical voyage that finds its lineage as much in the song-cycles of Robert Schumann as in its Portland, Oregon folk-rock contemporaries. Using water as a central image, Musée Mécanique has crafted a story both surreal and insightful, meticulous and moving, a record about travels and transitions, of restlessness and longing, and the grief that comes from leaving things behind.“From Shores of Sleep” is a statement twenty years in the making. Songwriters Micah Rabwin and Sean Ogilvie met in their 9th grade English class and have been making music together ever since. Rabwin reflects “We've known each other for 20 years, through burgeoning adolescence, making bad decisions, having children and getting married. We were coming to terms with what it means to grow up.” Over the course of two years, they labored over lyrics both together and separately, referencing Homer’s Odyssey, Dante’s Inferno, Jacques Cousteau, old sailors legends, as well as their own interactions with the ocean and the rivers near Portland. As Ogilvie notes, “There were so many personal struggles and observations from our combined lives that we wanted to fuse into this one small forty-five minute piece of material.” Rich with wordplay, lyrics with double and triple meanings, and references to earlier songs in later songs, the musical journey ultimately parallels the time and emotional toll of making the record; reconciling the writer’s identities as artists with the responsibilities and expectations of adulthood and forming a dialogue between the dreamer and the realist.Ogilvie’s background in classical composition is apparent throughout “From Shores Of Sleep”, as is his tenure with respected post-rock instrumental band Tristeza. From the upbeat opener “O Astoria” to the arresting choral harmonies of “Castle Walls”, arrangements mirror and interact with the lyrics. Strings, woodwinds and synthesizer sounds appear and re-appear, often playing characters, not unlike Tchaikovsky’s instrumentation in “Peter and The Wolf”. Sirens enter, sung beautifully by Johanna Kunin and Alela Diane. Layered percussion at times resembles the complex rigging of a ship, and elsewhere invokes the steady pulse of ocean waves. The album ends with a quiet meditation on mortality “The Shaker’s Cask”: a pump organ dissolves into a string quintet then makes way for a regal section of woodwind and brass, each change emphasizing the song’s message: all things will pass.To perform the arrangements live is a daunting task requiring more than a dozen keyboards and an array of acoustic instruments from flugelhorn to lap-steel to musical saw. Nevertheless, having swelled from a duo into a solid five-piece, the band now pulls it off with impressive passion and precision. Musée Mécanique includes drummer/ethnomusicologist Matthew Berger, one-man brass section John Whaley, and skilled multi-instrumentalist Brian Perez. Each player must do several things at once, all the while singing complex harmonies, to succeed in capturing both the technical complexity of From Shores of Sleep, and also its emotional depth and generous spirit. Not available for most territories. Please ask for details. Record Label: Glitterhouse Style: Alternative Rock

TRACKLISTING:01. AMOUR MOINS ZERO (LOVES MINUS ZERO) 02. DANS LE SOLEIL ET DANS LE VENT (RUBY, GARDE TON COEUR ICI) 03. JE N'AI RIEN APRIS (FROM BOTH SIDES NOW) 04. VOLE VOLE FARANDOLE 05. IL N'EST PAS TROP TARD POUR VIVRE 06. MON ENFANT (DAY IS DONE) 07. LE SOUVENIR 08. ET POURTANT JE T'AIME (BUT YOU KNOW I LOVE YOU) 09. DANSE A EN PERDRE TES SOULIERS 10. LA PREMIERE FOIS (THE FIRST TIME EVER I SAY YOUR FACE) 11. UN N'HARICOT DANS L'OREILLE 12. L'ENTRANGER (PRELUDE) 13. LE TOURNESOL (TURN ON THE SUN) 14. AU COEUR DE SEPTEMBRE (TRY TO REMEMBER) 15. ROSES BLANCHES DE CORFOU (WHITE ROSES OF ATHENS) 16. CHEVREFEUILLE QUE TU ES LOIN? (SCARBOROUGH FAIR) 17. COMME UN SOLEIL Record Label: Paradiso Style: Pop

4CD+LP box! The Mouse on Mars Jubilee Box Set, limited to 500 copies, which will include not only a copy of the new compilation, but also a CD of archival, unreleased material, a recording of "Paeanumnion," an orchestral piece composed by Mouse on Mars and played by Klangfabrik Köln, an LP of the group's four Peel Sessions, and texts by Chris Sharp of London's Barbican and CTM Festival director Jan Rohlf. Mouse on Mars is recognised as one of Germany’s most defining and innovative electronic music projects. Free from schools of thought, genre conventions, or of the music establishment’s constraints, Jan St. Werner and Andi Toma have forged a unique musical language over 20 years, mapping their own idiosyncratic trajectory through a no man’s land between pop, art, club music, and the avant-garde. On the occasion of their 21st birthday, Mouse on Mars celebrate with the lavish two-day 21 AGAIN festival. Curated by the band and featuring many of their peers and artist friends, the festival also coincides with the release of new and old Mouse on Mars material on Monkeytown Records. The 21 AGAIN Compilation features a series of artistic collaborations while the exclusive 21 AGAIN Box set documents the band’s rich history. Record Label: Monkeytown Style: Electronic

New York-based label Golf Channel Recordings will issue the debut album from Mind Fair in October. Mind Fair is the collaborative project of Chicken Lips member Dean Meredith and UK producer Ben Shenton. Meredith also works with close Golf Channel associate Eric Duncan as The Rhythm Odyssey. The album, titled Mind Fair, has been preceded by EPs for Golf Channel called Take Me To The Bridge and C.E.R.E.M.O.N.Y.—both came out at the tail end of August. The album comes amid a busy period of activity for Golf Channel, which also recently issued the debut record from New York Endless as well as three 12-inches inspired by restaurant and makeshift venue Mangiami. New York Endless is the project of record collector and Acute Records boss Dan Selzer, whose music bears the influence of the obscure post-punk, Italo and krautrock records he revives on Acute. Record Label: Golf Channel Style: Electronic

Mimmo Fini was born in Palermo, April 12, 1987. Artist has a particular vocal begins his musical journey driven by his fraternal Tony Colombo which leads him to make his first CD entitled "Forbidden Love" with songs written by Columbus himself . With his Record Label: Music Force Style: Pop

Right after leading us through a colorful and completely bonkers sonic interpretation of Lewis Carroll's Wonderland on is debut, the flamboyant musical wunderkind is now tackling nothing less than the attempt of solving one of the last riddles of mankind by creating a sonic rendition of the sorcerer's stone. What, at first glimpse, might sound like the mad fantasy of an utter megalomaniac is actually a quite logical next step when taking Meinhard's excessive creativity into account. Therefore, the listener should be aware that anything is possible in this first part of the artist's alchemusical journey (part two is planned for release next year) – anything... except boredom or a conservative adherence to any sort of genre-norm. Meinhard takes elements like acoustic guitars, trumpets, strings and cembalo, mingles them with rock guitars, drum-loops, synthesizers and digital mayhem and creates pure sonic gold. After listening to “ALCHEMUSIC I – solve”, you will be wondering how you could ever have doubted that a daring combination of Folk- and Medieval music, New Wave, Gothic Rock, Prog, Gipsy-Swing, Synth Pop, plus Baroque- and Neo-Classical-stints could result in anything else than pure listening bliss. Meinhard effectively proves himself a master alchemist, creating a maelstrom of emotions, atmosphere and pure addictiveness from a fusion of alleged opposites. Is this genius or is it madness? Perhaps, we should settle on defining it as a combination of both while looking forward to the most deliciously trippy sonic journey the music world has seen in quite some time. Record Label: Out Of Line Style: Dark Wave

International Project Discografico written by Maximo De Marco. Music by Vincenzo Lo Greek. With the approval of the Bishop Domenico Sigalini, President of the Episcopal Commission for the Laity of the Holy See. "Francis you called amen" is the first song Record Label: Gr Records Style: Pop