Музыка и песни Basinski, William / Basinski, William на CD

For a collection of music built around the poignant inevitability of decay, there has been a great many hopeful and inspired words devoted to WILLIAM BASINSKI's "The Disintegration Loops": stunning, ethereal, majestic, transfixing, life-affirming. and for good reason. From its 20-year gestation period to its infamously fateful completion, "The Disintegration Loops" is one of the most powerful manifestations of the inevitable cycle of life ever committed to tape, even as it documents the inevitable decay of all that is committed to tape. The very passage of time is its most effective instrument. To mark the 10-year anniversary of its original release - and its forthcoming induction into the 9/11 Memorial Museum this year - Temporary Residence Ltd. is honored to collaborate with WILLIAM BASINSKI in presenting "The Disintegration Loops" in a fashion truly befitting a library of music with such a lasting legacy. This massive limited-edition box set contains all four historic volumes, plus a pair of stunning live orchestral performances from the Metropolitan Museum of Art, and the 54th Venice Biennale, both previously unreleased. Remastered from the original recordings and pressed onto 100% virgin vinyl for the first and only time, this exquisite box set also includes all of the remastered recordings on 5 CDs, the extremely rare 63-minute "The Disintegration Loops" film on DVD, and a 144-page full-color coffee table book featuring rare photos taken during the making of "The Disintegration Loops", and liner notes by Basinski, Antony, David Tibet of Current 93, Ronen Givony of the Wordless Music Series, and Michael Shulan, Creative Director of the National September 11 Memorial Museum Style: Ambient

Something from a long time ago...in Brooklyn, 351 jay street...A fruitful evening in the studio... Home at last after a day of work at the answering service...answering phones for calvin klein, bianca jagger, steve rubell, and all the other somebody people...in our space station: home in my studio experimenting live. James is in the adjacent studio painting masterpieces. Roger is in the front, gluing old shoes on canvas and painting them orange... I'm clicking the old norelcos back and forth between channels...all the windows are open. The sound is spreading all over downtown brooklyn mixing with the helicopters, sirens, pot smoke and fireworks... The 2062 label collects the creative musical output of now-legendary experimental media artist William Basinski. Best known for 2004's critically-beloved masterwork, ,The Disintegration Loops" (reissued by Temporary Residence in lavish LP and CD box set editions), Basinski has been a fixture in electronic, art, and film circles for over three decades. He employs obsolete technology and analog tape loops, deconstructing and reconstructing media and exploiting machines beyond their intended uses, in order to shape his haunting and melancholic soundscapes. Basinski, classically trained in composition, cites Steve Reich, Brian Eno, and John Cage as inspirations, but his creations are just as clearly drawn from the sounds of machines and the music/muzak streaming from all corners of everyday life. This account of how he used radio broadcasts and four-tracks for early pieces provides a telling glimpse into the creative process informing his unparalleled creative work: "The idea came from wanting to make a Mellotron - a string synthesizer. They were gorgeous, like a big, white spinet piano, with full keyboards and everything. I never got to see the inside of one, but apparently they had tape loops of sampled strings in there, and I loved string sounds. At that time, living in New York, this radio station at the top of the Empire State Building had the strongest signal in the Northeast, and they played these 1,001 string versions of popular American standards - with all the syncopation taken out, and no vocals except maybe some oohs and ahhs here and there. And since it was pretty much cutting into everything I was doing, just because of how strong the signal was - if you ran a wire across the floor, you'd pick it up - I thought, "Well, let me just cut up some loops and record some of these strings." A measure from the beginning, or an interlude, the outro - taking that and using a tape deck that has four speeds on it and made it possible to slow the strings down a couple times. It was very encouraging to me, so I just went crazy. Record Label: 2062 Style: Experimental

Reissue full-length CD with bonus track. "It is almost impossible to comprehend that Basinski was recording this stuff back in 1982, it still sounds so futuristic and prophetic, the delicate and sentimental ghost-like melodies and the sheets of echoing fizzing and buzzing...Anyone who dares suggest that instrumental music, that 'experimental' music can't affect you emotionally just needs to take a listen to this disc; it is a collection of music that seems to suggest the end is near, the end of what exactly is up to you to decide? absolutely breathtaking in every way..." -- boomkat The 2062 label collects the creative musical output of now-legendary experimental media artist William Basinski. Best known for 2004's critically-beloved masterwork, ,The Disintegration Loops" (reissued by Temporary Residence in lavish LP and CD box set editions), Basinski has been a fixture in electronic, art, and film circles for over three decades. He employs obsolete technology and analog tape loops, deconstructing and reconstructing media and exploiting machines beyond their intended uses, in order to shape his haunting and melancholic soundscapes Record Label: 2062 Style: Experimental

"...I got back to work and found yet another lunchbox of ancient tape-loops to go through for possible inclusion in the new piece. I came across the main theme and thought...well, this is gorgeous; let's see if we can use this to coax Viv to come out. I went through the rest of them and found another dozen or so that mixed well used randomly, just under the threshold. "The next night I performed the piece at Issue with their 16 channel hemispherical speaker system set to move the sounds randomly around the room as if waves in a pool. We all had a really good time. It was mesmerizing." - WILLIAM BASINSKI This version was recorded with microphones and two Norelco tape decks live in my studio in Los Angeles in one take in September 2008. The 2062 label collects the creative musical output of now-legendary experimental media artist William Basinski. Best known for 2004's critically-beloved masterwork, ,The Disintegration Loops" (reissued by Temporary Residence in lavish LP and CD box set editions), Basinski has been a fixture in electronic, art, and film circles for over three decades. He employs obsolete technology and analog tape loops, deconstructing and reconstructing media and exploiting machines beyond their intended uses, in order to shape his haunting and melancholic soundscapes Record Label: 2062 Style: Experimental

Early Basinski works, released on professionally pressed CDs (not CDR's!) for the first time. Minimal packaging in the style of the original release (from 2003). These works have been spoken of in hushed tones for a few years, as they have never been widely available. But the Basinski legends grows as the full catalog becomes accessible. The 2062 label collects the creative musical output of now-legendary experimental media artist William Basinski. Best known for 2004's critically-beloved masterwork, ,The Disintegration Loops" (reissued by Temporary Residence in lavish LP and CD box set editions), Basinski has been a fixture in electronic, art, and film circles for over three decades. He employs obsolete technology and analog tape loops, deconstructing and reconstructing media and exploiting machines beyond their intended uses, in order to shape his haunting and melancholic soundscapes. Basinski, classically trained in composition, cites Steve Reich, Brian Eno, and John Cage as inspirations, but his creations are just as clearly drawn from the sounds of machines and the music/muzak streaming from all corners of everyday life. This account of how he used radio broadcasts and four-tracks for early pieces provides a telling glimpse into the creative process informing his unparalleled creative work: "The idea came from wanting to make a Mellotron - a string synthesizer. They were gorgeous, like a big, white spinet piano, with full keyboards and everything. I never got to see the inside of one, but apparently they had tape loops of sampled strings in there, and I loved string sounds. At that time, living in New York, this radio station at the top of the Empire State Building had the strongest signal in the Northeast, and they played these 1,001 string versions of popular American standards - with all the syncopation taken out, and no vocals except maybe some oohs and ahhs here and there. And since it was pretty much cutting into everything I was doing, just because of how strong the signal was - if you ran a wire across the floor, you'd pick it up - I thought, "Well, let me just cut up some loops and record some of these strings." A measure from the beginning, or an interlude, the outro - taking that and using a tape deck that has four speeds on it and made it possible to slow the strings down a couple times. It was very encouraging to me, so I just went crazy Record Label: 2062 Style: Experimental

Volume II. Originally issued as a limited CDR in 2003, now reissued as a fully pressed CD. "A certain flavour of composition puts emphasis more on what could be considered 'hang-time' than 'narrative'. Some pieces don't necessarily have to 'go' anywhere in particular, their existence is simple enough in that it presents a mood, a moment, a place and encapsulates it. Think of still-images for the ears as opposed to moving-pictures for the eyes. As an audio exploration into this hovering suspension-fluid-photography, Basinski presents Watermusic. The piece utilises what seems to be a form of generative music technique similar to that employed by Brian Eno on his 'Systems Series' works, wherein the compositional factor is comprised of the simple interaction between a limited number of carefully calculated cycling motifs, designed to create a form of self-perpetuating music. Basinki's piece, however, allows for much more randomness and unexpected event happenings than may be envisioned by this coarse description. His dense textures and softly pulsing tones continually drift around one another in gradually shifting plains of sound, creating new and constantly evolving variations on the piece's theme, yet never deviating from what defines its essential sentiment... Very much the soundtrack for a place as opposed to a film, the beautiful scene is set by gently swelling low end bass tones. Lovely soft pulses caress one another, intermingling to create something both flowing and floating at the same time." -- [k/doherty] The 2062 label collects the creative musical output of now-legendary experimental media artist William Basinski. Best known for 2004's critically-beloved masterwork, ,The Disintegration Loops" (reissued by Temporary Residence in lavish LP and CD box set editions), Basinski has been a fixture in electronic, art, and film circles for over three decades. He employs obsolete technology and analog tape loops, deconstructing and reconstructing media and exploiting machines beyond their intended uses, in order to shape his haunting and melancholic soundscapes Record Label: 2062 Style: Experimental

Artist: William Basinski Label: 2026

Artist: William Basinski Label: 2026

Like his best and most iconic works, the magic of William Basinski's new album, ,Nocturnes", is in the glacial, inevitable decay of something beautiful. Tape loops of prepared piano - composed and recorded more than 30 years ago - reflecting, refracting, and disintegrating into a haunting sentimental haze, like losing a vivid memory to the natural deterioration of time. "Nocturnes" is two sprawling new works, begun in 1979 and completed in 2012. It is Basinski's first new studio release in nearly four years. Style: Ambient

William Basinski's reputation as the foremost producer of profound meditations on death and decay has long been established, but on his new album, Lamentations, he transforms operatic tragedy into abyssal beauty. More than any other work since The Disintegration Loops, there is an ominous grief throughout the album, and that sense of loss lingers like an emotional vapor. Captured and constructed from tape loops and studies from Basinski's archives - dating back to 1979 - Lamentations is over forty years of mournful sighs meticulously crafted into songs. They are shaped by the inevitable passage of time and the indisputable collapsing of space - and their collective resonance is infinite and eternal.