In 2010 he released the debut album of a boy from the Swedish province called Jonas Jonsson. For his musical alias he chose the eye-catching name of the Camera Eyes and the title of the record, The Long Wait Champion, showed a healthy dose of self-irony that - we do not know how prophesically - was translated into reality since it's been 7 years Before Föllinge's boy decided to follow his brilliant debut. I personally loved madness on the first album of Bedroom Eyes: it's still a formidable act of love for the indie pop, full of joyful songs such as Norwegian Pop ("three-minute songs sometimes lasts a lifetime long" sang Jonas, and Say it is not true!), And I always keep it in the car cassette ready for use in the days not. When I read about the impending return to the scenes of Bedroom Eyes, I did not know what to expect from the new songs of Jonas, considering the bulky previous one. In fact - beyond any valuable discourse - the first notes of Aurora Lights were enough to find an old friend. Bedroom Eyes's guitar pop has basically remained intact over the years. Everything is perfectly illuminated in Jonsson's songs, and every corner is full of color: cantable melodies, now energetic guitars, synthesizers, piano, winds, choirs, anything that serves to give an impression of spontaneous vitality (produces Andreas Mattsson , Which for those who know the Scandinavian indie is a guarantee). Greetings From Northern Sweden is ultimately a concept album about life in a small city lost in the north and, although there is no debut hit anthem, puts behind one another a series of particularly pleasant episodes, especially when the rhythms get up I Was A Kid But Before I Grow Up, Growing Stethoscope Sounds) but perfectly effective even in the most acoustic moments (A Change In Altitude, Trondheim Harbor). Welcome back to Jonas Vinyl, LP, Album