Музыка и песни Black Moth / Black Moth

Their debut 'The Killing Jar', which was released in 2012, effortlessly transcended its influences to arrive at a nefarious and turbulent brew, equal parts horror movie atmosphere, thunderous drive and maverick spark, with Harriet Bevan's biting and beguiling voice leading the charge. The Killing Jar was hailed by many as 'one of the best debut album's you'll hear all year' - it even made it onto Kerrang's top 50 albums of the year. Now with an expanded (guitar) lineup to expand the riffage comes the follow up, 'Condemned To Hope.' Their long awaited second album, produced like their first by Jim Sclavunos takes their kaleidoscopic heaviosity and sepulchral style to a whole new plateau of riff-driven dementia. As with all NHS releases the album package will be something very special.The legendary Roger Dean has created a brand new painting for the cover. Dean's iconic work for Yes, Uriah Heep, Budgie, countless Vertigo sleeves and much more, has come to define 70's sleeve art. Much darker for 'Condemned To Hope', he evokes the apocalyptic landscapes of Victorian painter John Martin to create something truly bleak and epic. The sleeve itself becoming 'collectable'! The album will be a deluxe package in a gatefold American-style hardback tip on sleeve in heavy duty card. Record Label: Newheavysounds Style: Hard Rock

Heavyweight 180g black and cream vinyl, lyric insert and free download of the album. The vinyl is limited to 500 copies. Their debut 'The Killing Jar', which was released in 2012, effortlessly transcended its influences to arrive at a nefarious and turbulent brew, equal parts horror movie atmosphere, thunderous drive and maverick spark, with Harriet Bevan's biting and beguiling voice leading the charge. The Killing Jar was hailed by many as 'one of the best debut album's you'll hear all year' - it even made it onto Kerrang's top 50 albums of the year. Now with an expanded (guitar) lineup to expand the riffage comes the follow up, 'Condemned To Hope.' Their long awaited second album, produced like their first by Jim Sclavunos takes their kaleidoscopic heaviosity and sepulchral style to a whole new plateau of riff-driven dementia. As with all NHS releases the album package will be something very special.The legendary Roger Dean has created a brand new painting for the cover. Dean's iconic work for Yes, Uriah Heep, Budgie, countless Vertigo sleeves and much more, has come to define 70's sleeve art. Much darker for 'Condemned To Hope', he evokes the apocalyptic landscapes of Victorian painter John Martin to create something truly bleak and epic. The sleeve itself becoming 'collectable'! The album will be a deluxe package in a gatefold American-style hardback tip on sleeve in heavy duty card. Record Label: Newheavysounds Style: Hard Rock

BLACK MOTH are four super talented individuals, Harriet Bevan - vocals, Jim Swainston - guitar, Dave Vachon - bass, and Dom McCready, battering the crap out of his drums. Formed 2 years ago out of the ashes of Leeds garage rockers The Bacchae, the band were seduced by the brutal and hypnotic lure of the riff, to emerge translucent skinned and bleary eyed from their cocoon as the ferocious kick-ass heavy rock outfit that is BLACK MOTH. Taking a powerful chunk of influence from proto-punk acts such as Iggy and the Stooges, Motorhead and early Alice Cooper as well as a sliver of 90s grunge and stoner rock and a big dose of doom, BLACK MOTH draw out the darker elements and combine them with the heaving riffs of heavy metal giants, Pentagram and Black Sabbath, with "hooks so sharp you could hang a corpse on them". They also look to more current acts such as the Melvins, Sleep and Electric Wizard for inspiration, though singer, Harriet Bevan, still maintains a vocal style that evokes the haunting psychedelia of Grace Slick and psych-Satanist, Jinx Dawson from Coven: the woman responsible for the "sign of the horns" in rock'n'roll. Enter Mr Jim Sclavunos, the multi talented Grinderman and Bad Seed, not to mention the superbaaad connoisseur of the mixing console, fresh from producing the storming second Jim Jones Revue album. One of their shows was all it took. "Black Moth reminds me of my misspent youth" he said. And judging by the all out assault that he's crafted with BLACK MOTH, he must have been a very bad boy indeed. "The Killing Jar" is their debut from New Heavy Sounds and it rocks like a bastard. Record Label: Newheavysounds Style: Metal

BLACK MOTH are four super talented individuals, Harriet Bevan - vocals, Jim Swainston - guitar, Dave Vachon - bass, and Dom McCready, battering the crap out of his drums. Formed 2 years ago out of the ashes of Leeds garage rockers The Bacchae, the band were seduced by the brutal and hypnotic lure of the riff, to emerge translucent skinned and bleary eyed from their cocoon as the ferocious kick-ass heavy rock outfit that is BLACK MOTH. Taking a powerful chunk of influence from proto-punk acts such as Iggy and the Stooges, Motorhead and early Alice Cooper as well as a sliver of 90s grunge and stoner rock and a big dose of doom, BLACK MOTH draw out the darker elements and combine them with the heaving riffs of heavy metal giants, Pentagram and Black Sabbath, with "hooks so sharp you could hang a corpse on them". They also look to more current acts such as the Melvins, Sleep and Electric Wizard for inspiration, though singer, Harriet Bevan, still maintains a vocal style that evokes the ha Record Label: Newheavysounds Style: Metal

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