Музыка и песни Fosson, Mark / Fosson, Mark

Kentucky native Mark Fosson recorded one album for John Fahey's Takoma Records in 1976 which went unreleased until 2006. Mark recently found the home demo for that session. Here's what he has to say about them :"These 11 tracks are the songs I began writing after acquiring my first 12-String guitar. I recorded them in my living room on a Pioneer RT1050 2-track reel-to-reel with a rented microphone (I believe It was an AKG414 but I won't swear to it). All are originals except for "Back In The Saddle Again" which resulted from my other obsession at the time of watching old black & white Gene Autry movies any chance I could.usually at 5:00AM! I met Mr. Autry many years later and tried to tell him this but the crowd was too loud & his ears were too old & he couldn't hear a word I was saying. Anyway.thanks Gene.Most of these songs would appear later in slightly altered form on "The Lost Takoma Sessions", but these original versions are my personal favorites. I can't believe the tapes have survived so long and still sound as clean as the day I recorded them." Record Label: Tompkins Square Style: Independent

Kentucky native Mark Fosson recorded one album for John Fahey's Takoma Records in 1976 which went unreleased until 2006. Mark recently found the home demo for that session. Here's what he has to say about them :"These 11 tracks are the songs I began writing after acquiring my first 12-String guitar. I recorded them in my living room on a Pioneer RT1050 2-track reel-to-reel with a rented microphone (I believe It was an AKG414 but I won't swear to it). All are originals except for "Back In The Saddle Again" which resulted from my other obsession at the time of watching old black & white Gene Autry movies any chance I could.usually at 5:00AM! I met Mr. Autry many years later and tried to tell him this but the crowd was too loud & his ears were too old & he couldn't hear a word I was saying. Anyway.thanks Gene.Most of these songs would appear later in slightly altered form on "The Lost Takoma Sessions", but these original versions are my personal favorites. I can't believe the tapes have survived so long and still sound as clean as the day I recorded them." Record Label: Tompkins Square Style: Independent

Mark Fosson has been playing music for nearly 50 years now. Solo Guitar is the fifth album released under his name in all that time, which gives an insight into the nature of his music; when it is time for Mark to commit to something underneath his fingers, regardless of whether that is after two years, ten or twenty, that’s what’s right. Solo Guitar sees Mark continuing to use his chops and enthusiasm to wander musically, drawing up pieces of sparkling, nimble fingerstyle with an eclectic vision. As the title implies, this time Mark is focused on the austerity of the guitar, plain and simple, to bring out the music. Whether on six- or twelve-string, his sure touch is transported by crystal-clear recordings that belie their down-home origins, as they catch the contours of every string as it is pressed, bent and struck - a full-bodied sound projecting soulful dips down into bass strings and shimmering upper register runs with equal power. The air around these performances is coloured with curving waves of steel-stringed beauty and the pungency of free- wheeling wit and recollection. The songs are from all over the place: The bristling, fluent action around the neck on Still Ain’t Got No Home - a song he wrote when returning east from his long sojourn in California - evokes a traveling energy, motoring down the road in a way that never really ends. This is one of Mark’s favourites of all that he’s written and it is clear why: the golden, eternal promise of the guitar is ebulliently, transcendently delivered. Mark Fosson’s Solo Guitar is a masterful work, the kind it takes a lifetime to assemble Record Label: Drag City Style: Rock

Mark Fosson has been playing music for nearly 50 years now. Solo Guitar is the fifth album released under his name in all that time, which gives an insight into the nature of his music; when it is time for Mark to commit to something underneath his fingers, regardless of whether that is after two years, ten or twenty, that’s what’s right. Solo Guitar sees Mark continuing to use his chops and enthusiasm to wander musically, drawing up pieces of sparkling, nimble fingerstyle with an eclectic vision. As the title implies, this time Mark is focused on the austerity of the guitar, plain and simple, to bring out the music. Whether on six- or twelve-string, his sure touch is transported by crystal-clear recordings that belie their down-home origins, as they catch the contours of every string as it is pressed, bent and struck - a full-bodied sound projecting soulful dips down into bass strings and shimmering upper register runs with equal power. The air around these performances is coloured with curving waves of steel-stringed beauty and the pungency of free- wheeling wit and recollection. The songs are from all over the place: The bristling, fluent action around the neck on Still Ain’t Got No Home - a song he wrote when returning east from his long sojourn in California - evokes a traveling energy, motoring down the road in a way that never really ends. This is one of Mark’s favourites of all that he’s written and it is clear why: the golden, eternal promise of the guitar is ebulliently, transcendently delivered. Mark Fosson’s Solo Guitar is a masterful work, the kind it takes a lifetime to assemble Record Label: Drag City Style: Rock