Музыка и песни McPhee, Joe / McPhee, Joe на LP

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Vinyl Reissue Of Joe McPhee's Classic CJR LP From 1971. Exact Repress Of The Original Artwork! "Nation Time" is the exuberance of the master in his youth and playing a glorious to-the-wall mixture of r&b and free jazz motifs, with a great deal more thrown in to the mix. Two of these three long tracks were recorded at a concert at Vassar College on December 12, 1970: "Nation Time" and "Scorpio's Dance." Featuring the electric piano of Mike Kull and the relentless percussion of Bruce Thompson and Ernest Bostic, there is a definite hint of rock, McPhee also, especially on "Nation Time," plays with a burred r&b tenor tone. Elastic enough to give way to periods where McPhee and Kull solo searchingly in empty space. "Shakey Jake," recorded in a studio the next day, adds an alto saxophonist, an organist, and an electric guitarist, and is far and away the full on dance floor cut of the LP Record Label: Boweavil Style: Jazz

Vinyl Reissue Of Joe McPhee's Classic CJR LP From 74. Exact Repress Of The Original Artwork! Recorded and released in 1974 by the CJR label. Joe McPhee, McPhee picked up on the growing electronic music movement, recording a set of duos on saxophones, trumpet, e flat alto horn, flute, modified Nagoya harp, chimes and voice with John Snyder playing an ARP analogue synthesizer. The result is a stunning six-part meditation on how best to combine acoustically and electrically driven sounds.. McPhee at times anticipates and complements the limited wave forms of his playing partner, but the two don't try to mimic or play on top of each other, they shift, meld and counter each other. McPhee at times plays extremely jazz headed in alien vistas created by Snyder's synth, while never coming off as quaint. Definitely something a little different from the Fire Music of the time... Record Label: Boweavil Style: Jazz

Vinyl Reissue Of Joe McPhee's Classic CJR LP From 1973. Exact Repress Of The Original Artwork! Originally Issued In '73. McPhee says it was not only a turning point in his music but with the tenor sax as well: "With Trinity, I began to feel more comfortable with the instrument. Not having a bassist also removed me from a normal "Jazz" context, let the music just be what it was ...The larger space provided by the trio gave me more time to explore the instrument, the colours became more clear, the area I wanted to work became more defined." Even for Joe McPhee, Trinity is a far-reaching record, a broad as you can possibly imagine. McPhee delivers animalistic howls, plaintive melodies, and bluesy ramble. the group sound spans from free-range "space" music with vocals to high-intensity energy over kicking drums. Record Label: Boweavil Style: Jazz

Vinyl, LP, Limited Edition, Reissue

This compilation presents all the highlights of Jazz from 1965 to 1980. Style: Jazz