Музыка и песни OCEAN (COLLECTIVE), THE / OCEAN (COLLECTIVE), THE

FOR FANS OF: BREACH, ISIS, TOOL, MASTODON. KARNIVOOL, PINKFLOYD, CULT OF LUNA, RUSSIAN CIRCLES, MONO, OPETH. 180 gram vinyl · 16mm spine triple-gatefold with diecuts on all 6 panels, blind embossing and metallic inks · printed inner sleeve and insert sheet.In the middle of the global pandemic, The Ocean are about to conclude their most engrossing endeavour to date.In 2018, they released Phanerozoic I: Palaeozoic - the first half of a sprawling but superbly cohesive palaeontology concept album: Widely hailed as their finest work to date, Phanerozoic I brimmed with moments of wide-eyed melodic brilliance, alongside the expected warping and weaving of post-metal conventions. It entered the official German album charts at #41, while also scoring the band their first significant chart positions in the US, too. In September 2020, The Ocean are poised to release the eagerly-awaited concluding parts of the Phanerozoic journey. Completing the album took longer than expected, because of the band's heavy touring schedule since the release of Phanerozoic I: impressions of these adventures through India, Russia, Kazakhstan, Armenia, Georgia, Australia, New Zealand and Europe are documented in the 130-page Phanerozoic photo-book that will be released along with the vinyl edition of Part II. In contrast with the compositional directness of Phanerozoic I, the new album - Phanerozoic II: Mesozoic | Cenozoic - is a vastly more progressive and perverse piece of work. Divided into two sections - Mesozoic and Cenozoic - Phanerozoic II once again showcases the detail and depth that have become two of The Ocean's most enduring trademarks. While ostensibly delving into the extraordinary realities of the Earth's shifting temporal tides, Staps and his comrades have long drawn hazy parallels between their chosen subjects and the emotional experiences that their music strives to convey. Phanerozoic II is essentially an album about time, with some very poignant and pointed allusions to the modern world woven into the new music's spiritual fabric. A profound cautionary tale, Phanerozoic II is underpinned by some of the most imaginative and challenging music that The Ocean - completed by drummer Paul Seidel, keyboard maestro Peter Voigtmann, bassist Mattias Hägerstrand and guitarist David Ramis Ahfeldt - have made yet. Tracked in Iceland, Spain and Germany and produced by esteemed studio guru Jens Bogren, the album is once again blessed with the presence of Jonas Renkse, whose peerless vocals find another sublime backdrop during the second half of mammoth epic Jurassic / Cretaceous. Released into a world in turmoil, Phanerozoic II will provide fans of adventurous and challenging music with all the sonic and philosophical sustenance they have come to expect from this most intuitively progressive German / Swiss / Swedish musicians collective. Founded by guitarist and composer Robin Staps at the dawn of the millennium, The Ocean immediately stood apart. Coalescing around a shared vision of limitless sonic exploration and heaviness delivered straight from the gut, the German ensemble swiftly gained a formidable reputation as standard bearers for the nebulous but unstoppable post-metal movement. Simultaneously revered as one of the most devastating live bands in modern heavy music, The Ocean became a regular fixture on the European festival circuit, appearing on metal festival bills of the likes of Hellfest, Wacken, Resurrection or Summer Breeze as much as on mainstream rock open airs like Roskilde, Dour or Pukkelpop, and tastemaker's indoor boutique festivals like Roadburn or Dunk! Over the course of their storied career, The Ocean have toured Europe and North America with influential artists such as Opeth, Mastodon, Mono, Cult Of Luna, The Dillinger Escape Plan, Anathema, Over the last two decades, the band have been in a perpetual state of evolution, releasing a steady succession of groundbreaking and acclaimed albums that have all sought to push heavy music forward, embracing the cerebral, the primal and the inexplicable in equal measure. From the ominous power and thrumming potential of 2004 debut Fluxion and Metal Blade debut Aeolian, described as...