Музыка и песни Orb, The / Орб на CD

Last year's stellar collaboration between The Orb and Lee Scratch Perry unsurprisingly produced more music than one album could handle, so Scratch, Alex Paterson and Thomas Fehlmann are returning in fine style with 'More Tales From The Orbservatory'. 2012's The ORBSERVER In The Starhouse' was rightfully acclaimed as a colossal meeting of like minds and souls, sparking with rare magic as Alex Paterson and long-time Orb member Thomas Fehlmann provided the perfect backdrops for the Upsetter's inimitable pronouncements, righteous declarations and sweet vocals. If anything, the follow-up stretches further into the cosmos, the backings more heavily rooted in the basic but infinite principles of rhythm and dub. The new tracks continue the full-blooded immersion in reggae's infinite studio universe which characterised the first set; shards of old songs loom like aural ghosts while rhythms resurface, morphing into something fresh and new. For decades, all three artists have shared a common quest to push out the sound barriers. Each one also knows that journey is never over, which makes the appearance of this fresh batch of tunes and dubs all the more exciting. The mouth-watering potential of a legendary master working with long-time acolytes who tuned into his unique wavelength long ago continues to blossom and explodes again on More Tales From The Orbservatory. Style: Electro

3 × CD DVD, DVD-Video Box Set, Compilation

THE ORB's often criminally overlooked but wildly creative 21st century catalogue is highlighted on "History Of The Future Volume 2", released by Malicious Damage in a 3-CD+DVD boxset and as a double CD. The compilation starts after Alex Paterson left his major label experience with Island Records behind him and struck into the new Millennium with different record labels, new and old collaborators and a volley of sonic experiments which, while retaining the essential ORB ethos, charted new stratas while returning to the underground which spawned it. While casual attention often seems to fall on early ORB hits such as "Little Fluffy Clouds" and "Blue Room", the 21st century saw the fullest realisations of Alex Paterson's original ORB mission. Having said that, the set kicks off with "Suck My Kiss" from 1989's "The Kiss" EP, THE ORB's formative first steps, homaging the New York radio station which so influenced THE ORB's early days. After this primitive birth holler, the set catapults into the new century and 2002's bold Badorb.com label venture, which saw Alex presaging internet fever with a Battersea cottage industry independent, releasing limited 12-inch EPs by THE ORB and his mates, along with tasty t-shirts and coffee mugs. THE ORB's "I Am The Red Worm' and The Daleth Of Elphame EP represent this idealistic but short-lived little venture here. Several tracks are drawn from THE ORB's time with respected German electronic label Kompakt, when Alex and long-time collaborator Thomas Fehlmann released several low-key EPs and 2004's acclaimed Okie Dokey It's THE ORB On Kompakt album, which saw the pair mining deeper new electronic stratas with a more minimal manifesto.That year also saw THE ORB start a relationship with Cooking Vinyl, resulting in 2004 Bicycles & Tricycles and 2008's towering bass-fest The Dream, which saw Alex reunited with original partner-in-aural-mischief Youth plus Dreadzone's Tim Bran. These two albums are represented by tracks including "Aftermath", "Prime Evil", "Gee Strings", "The Truth Is...", "Let The Music Set You Free", "From A Distance" (co-written with Jimmy Cauty) and "Vuja De". Throughout this century Alex's sessions with Thomas Fehlmann at his Berlin studio have continued to throw up richly-textured electronic explorations and soundscapes which take the original Orb blueprint far into the future. Such a work (also represented here) was 2009's criminally overlooked Baghdad Batteries (Orbsessions Volume III), released on the long-running UK imprint Malicious Damage (which first released Killing Joke in the late 70s). 2012 saw the duo's monumental sessions in Berlin with Lee cratch' Perry, resulting in "The Observer In The Star House" (including a the reggae legend's own take on an early version of "Little Fluffy Clouds" to make "Golden Clouds") and the following year's sequel "More Tales From The Orbservatory", whose ussball' appears in its Deadbeat remix incarnation. The set also includes the 17 minute "Battersea Bunches" , created by Alex and Thomas as the soundtrack to a short movie by Paterson and Malicious Damage's Mike Coles, shown at Battersea Power Station in June 2010 (and released the following year as C Batter C CD/DVD). THE ORB's spaced odyssey since the 90s hits period is, in many ways, more exciting, innovative and even fun now the pressure was off and the real mischief could start. But the last 15 years have also seen some magnificently groundbreaking music, as beautifully displayed in this sparkling new collection. Bass is the place. Record Label: Malicious Damage/Studio C Style: Dance

3CD+DVD+100pp book! THE ORB's often criminally overlooked but wildly creative 21st century catalogue is highlighted on "History Of The Future Volume 2", released by Malicious Damage in a 3-CD+DVD boxset and as a double CD. The compilation starts after Alex Paterson left his major label experience with Island Records behind him and struck into the new Millennium with different record labels, new and old collaborators and a volley of sonic experiments which, while retaining the essential ORB ethos, charted new stratas while returning to the underground which spawned it. While casual attention often seems to fall on early ORB hits such as "Little Fluffy Clouds" and "Blue Room", the 21st century saw the fullest realisations of Alex Paterson's original ORB mission. Having said that, the set kicks off with "Suck My Kiss" from 1989's "The Kiss" EP, THE ORB's formative first steps, homaging the New York radio station which so influenced THE ORB's early days. After this primitive birth holler, the set catapults into the new century and 2002's bold Badorb.com label venture, which saw Alex presaging internet fever with a Battersea cottage industry independent, releasing limited 12-inch EPs by THE ORB and his mates, along with tasty t-shirts and coffee mugs. THE ORB's "I Am The Red Worm' and The Daleth Of Elphame EP represent this idealistic but short-lived little venture here. Several tracks are drawn from THE ORB's time with respected German electronic label Kompakt, when Alex and long-time collaborator Thomas Fehlmann released several low-key EPs and 2004's acclaimed Okie Dokey It's THE ORB On Kompakt album, which saw the pair mining deeper new electronic stratas with a more minimal manifesto.That year also saw THE ORB start a relationship with Cooking Vinyl, resulting in 2004 Bicycles & Tricycles and 2008's towering bass-fest The Dream, which saw Alex reunited with original partner-in-aural-mischief Youth plus Dreadzone's Tim Bran. These two albums are represented by tracks including "Aftermath", "Prime Evil", "Gee Strings", "The Truth Is...", "Let The Music Set You Free", "From A Distance" (co-written with Jimmy Cauty) and "Vuja De". Throughout this century Alex's sessions with Thomas Fehlmann at his Berlin studio have continued to throw up richly-textured electronic explorations and soundscapes which take the original Orb blueprint far into the future. Such a work (also represented here) was 2009's criminally overlooked Baghdad Batteries (Orbsessions Volume III), released on the long-running UK imprint Malicious Damage (which first released Killing Joke in the late 70s). 2012 saw the duo's monumental sessions in Berlin with Lee cratch' Perry, resulting in "The Observer In The Star House" (including a the reggae legend's own take on an early version of "Little Fluffy Clouds" to make "Golden Clouds") and the following year's sequel "More Tales From The Orbservatory", whose ussball' appears in its Deadbeat remix incarnation. The set also includes the 17 minute "Battersea Bunches" , created by Alex and Thomas as the soundtrack to a short movie by Paterson and Malicious Damage's Mike Coles, shown at Battersea Power Station in June 2010 (and released the following year as C Batter C CD/DVD). THE ORB's spaced odyssey since the 90s hits period is, in many ways, more exciting, innovative and even fun now the pressure was off and the real mischief could start. But the last 15 years have also seen some magnificently groundbreaking music, as beautifully displayed in this sparkling new collection. Bass is the place. Record Label: Malicious Damage/Studio C Style: Dance