Музыка и песни Valle, Marcos / Valle, Marcos на LP

First vinyl reissue of this fantastic 1981 album by Marcos Valle, one of the essential artists of Brazilian music. Recorded in Brazil after spending the late 70s in the US, Marcos Valle brought together his innate talent and diverse influences on this irresistible record bursting with groove. Among a selection of top musicians, the line-up features Sivuca, Chicago's Peter Cetera, Robson Jorge and Azymuth's José Roberto Bertrami. Marcos Valle is one of the few artists you cannot miss if you have the slightest interest in Brazilian music. Whether your taste is focused on bossa jazz, samba, psych folk or soul, Valle has surely recorded a great album for you. By the late 60s he had already put out enough quality records to secure a place within the top Brazilian songwriters of all time, but his career luckily did not stop there and he continued releasing amazing music over the following decades. He settled in Los Angeles in the mid-70s, tired of living under Brazil's military dictatorship, and started to collaborate with such talented artists as Leon Ware or Chicago. "Vontade de rever você" (1981) is his first album after moving back to Brazil and shows all the music influences received during his US years, especially boogie, soul and funk, featuring stellar collaborators: Sivuca, Chicago's Peter Cetera, Robson Jorge and even Azymuth's José Roberto Bertrami on the Rhodes. The opening track, 'A Paraíba nao é Chicago', is Marcos Valle's own take on Leon Ware's 'Baby Don't Stop Me', making clear that what he accomplished while in LA would now make its way into Brazil. This is an essential album for lovers of boogie. Listen to the irresistible groove of ecados de amor' (Valle's own composition although previously recorded by Cristina Camargo) or elhos surfistas querendo voar' and you will soon realize that this album is one of the most solid efforts in his entire discography. Even when the pace is kept midtempo, as on the closing tune ao pode ser qualquer mulher', Valle's songs manage to shake the dancefloor with his very well achieved mix of Brazilian sounds and funky rhythms.

Bossa/Lounge Одна из самых популярных и наиболее выраженных в своем стиле серия компиляций от Schema Records! Наслаждайтесь!

Bossa/Lounge Одна из самых популярных и наиболее выраженных в своем стиле серия компиляций от Schema Records! Для Вашего наслаждения!

"180G DELUXE VINYL LP! The king of Bossa Nova returns with his best album of the modern era. Many of these tracks sound strangely familiar, as if you’ve always known them, fresher and more immediate than ever inValle’s modern renaissance on Far Out Rec Record Label: Far Out Style: Latin

Artist: Marcos Valle

180-gram wax LP with original art expanded on a gatefold old-school "tip-on" jacket + In-depth liner notes interviewing Valle + Lyrics in Portuguese & English + The follow-up album to Brazilian singer, songwriter, and musician Marcos Valle's 1970's self-titled long player, Garra continues to express a socially aware stance combined with a playful hodge-podge of samba, bossa nova, baiao (a rhythmic beat from the rural northeast of Brazil), black American music, and psychedelic rock. Marcos and lyricist brother Paulo Sergio recorded the disc with some of Brazil's top studio musicians and created the pair's most overtly political statement. Recorded amongst sessions for a steady stream of popular TV novella soundtracks-a side gig for the sun-kissed composer-the results tested the military led government's hand picked sensors, looking over the country's art and music with sharp eyes for critical or objectionable content. Unfortunately, some of Valle's peers didn't' fare as well and were either exiled (like Tropicália movement icons Gilberto Gil and Caetano Veloso in 1969) or fled the country for the United States or Europe. Garra was originally released in 1971 and brought us the rare groove classic "Wanda Vidal," heralded by UK, European, and Japanese music fans years after the disc's initial release. Amidst an intoxicating mix of instruments, vocals, and orchestration, it's a deep cut on an even deeper document. Any way you spin it, we at Light In The Attic are extremely proud to present Garra as part of our four-album Marcos Valle reissue campaign. Consisting of an ambitious string of early 1970s landmark studio sessions (sympathetic in spirit to Stevie Wonder and Marvin Gaye's game changing work from the same era) and released on CD and LP, Garra features extensive liner notes by San Francisco-based writer Allen Thayer (Wax Poetics) with exclusive interview content and song-by-song breakdown from Marcos himself. Fans new and old will finally have easy breezy access to these once hard-to-find Brazilian classics. Tackling topic from Presidential corruption, rampant consumerism, and the black power movement, Garra is a welcome addition to any South American friendly record collection and sits proudly with the best of Brazil. File after Os Mutantes and before Caetano Veloso. Record Label: Lightintheattic Style: Latin

180-gram wax LP with original art expanded on a gatefold old-school "tip-on" jacket + In-depth liner notes interviewing Valle + Lyrics in Portuguese & English ++ Evolving from samba's percussive pulse in the late 1950s, bossa nova (literal translation: new trend), is Brazil's internationally accepted gift to the global melting pot of music. Initially brought to prominence by the likes of Antônio Carlos Jobim, Joao Gilberto, and Joao Donato, by the mid-1960s, there was an emerging pool of youthful talent ready to make their voices heard. Marcos Valle and his lyricist brother Paulo Sergio were no exception. After signing to Odeon Records (a subsidiary of EMI) the pair penned a classic of the South American songbook, "Samba De Verao"-known in English as "So Nice (Summer Samba)." A musical trip to the United States in 1966, where the singer worked with Sergio Mendes and jazz giant Verve Records, provided even more inspiration. By the dawn of the 1970s, the multi-talented Valle was entering a new era, ready to test the government censors (Brazil was under strict military rule since a coup d'état in 1964) and express a socially aware stance and a playful hodge-podge of musical styles including samba, bossa nova, baiao (a rhythmic beat from the rural northeast of Brazil), black American music, and rock. Marcos Valle was originally released in 1970 and not only features a seductive cover image of Marcos reading the local papers with a bottle of liquor on a side table, but a dynamic musical backing from some of Brazil's most gifted players. Hip-hop fans may even recognize the opening horn blasts of "Ele E Ela," sampled to great effect on Jay Z's "Thank You." Any way you spin it, we at Light In the Attic are extremely proud to present Marcos Valle as part of our four-album Marcos Valle reissue campaign. Consisting of an ambitious string of early 1970s landmark studio sessions (sympathetic in spirit to Stevie Wonder and Marvin Gaye's game changing work from the same era) and released on CD and LP, Marcos Valle (including a rare bonus track on the CD version) features extensive liner notes by San Francisco-based writer Allen Thayer (Wax Poetics) with exclusive interview content and song-by-song breakdown from Marcos himself. Fans new and old will finally have easy breezy access to these once hard-to-find Brazilian classics. With legendary progressive rock group Som Imaginário backing the Valle brothers' animated music and lyrics, Marcos Valle is a welcome addition to any South American friendly record collection and sits proudly with the best of Brazil. File after Os Mutantes and before Caetano Veloso. Record Label: Lightintheattic Style: Latin

Artist: Marcos Valle Label: Light I/T Attic

Artist: Marcos Valle Label: Light I/T Attic

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