Dance

|Этот последний альбом посвящен Германии, где музыка под влиянием джаза процветала с середины 1920-х годов, даже несмотря на социальную, политическую и расовую оппозицию. Кабаре и дэнсхоллы отвергли это националистическое сопротивление, и Веймарская республика радовалась перекрестному опыту симфонического джаза и кунстджаза - слиянию танцевальных и классических элементов. Многие ранее не записанные здесь пьесы показывают, как продвигается это энергичное музыкальное обновление. ГОТТЛИБ УОЛЛИШ выступал на сцене самых престижных концертных залов и фестивалей мира: Карнеги-холл в Нью-Йорке, Вигмор-холл в Лондоне, Кельнская филармония, Тонхалле в Цюрихе и NCPA в Пекине, а также на Рурском фортепианном фестивале, Бетховенфесте в Бонне. , а также фестивали Люцерна и Зальцбурга. Среди дирижеров, с которыми он выступал в качестве солиста, были сэр Невилл Марринер, Деннис Рассел Дэвис, Кирилл Петренко, Мартин Хазельбок и Бруно Вейл. Оркестры, с которыми он выступал, включают Венский филармонический, Ливерпульский королевский филармонический оркестр, Симфонический оркестр Франкфуртского радио, Будапештский камерный оркестр Ференца Листа и Камерный оркестр Штутгарта. Он сделал множество записей для звукозаписывающих компаний, включая Naxos. Готлиб Валлиш - художник Steinway.

1980s New York was where modern dance music took its first steps; a phoenix rising out of the ashes of disco’s over-exposure and demise. The underground scene was the very opposite of the celebrity-sprinkled commercialism of Studio 54 – “Lofts & Garages” looks at how the Spring label, with its brand new 1980s subsidiary Posse, reacted to the new movement. • As an independent New York label, it was perfectly placed to understand new trends in the clubs; it worked with some of those who would go on to define the dance music of the era, and for a glorious summer tracked the important early work of Arthur Baker, Maurice Starr and Michael Jonzun. These began their careers with productions that included Ritz, Glory and Blaze – records that sounded perfect for 12-inch singles and mixed electronic instruments with a real feel for the dancefloor. • Label mainstays Fatback were always searching for a new groove and kept an eye on the floor. Their final single for the label, ‘Spread Love’, was remixed by Morales and Munzibai. Fatback’s Bill Curtis and Gerry Thomas also produced the sought-after boogie single ‘Get Up An’ Dance (Dance With Me)’ for Mynk. • Others featured include one of the most distinctive voices in dance music, Fonda Rae, with her single ‘Live It Up’, released here in its rare radio edit; veteran soul man Lonnie Youngblood with his gospel-influenced ‘Sing A Song’; Detroit dance pioneers C-Brand’s ‘Wired For Sound’ and Body’s ‘Have Your Cake’, which has an early mixing credit for dance music legend Timmy Regisford. • These records may not have all worked on the floor of the Paradise Garage, but they were part of the energy that was given off by that and the rest of New York’s vibrant post-disco era.

1980s New York was where modern dance music took its first steps; a phoenix rising out of the ashes of disco’s over-exposure and demise. The underground scene was the very opposite of the celebrity-sprinkled commercialism of Studio 54 – “Lofts & Garages” looks at how the Spring label, with its brand new 1980s subsidiary Posse, reacted to the new movement. • As an independent New York label, it was perfectly placed to understand new trends in the clubs; it worked with some of those who would go on to define the dance music of the era, and for a glorious summer tracked the important early work of Arthur Baker, Maurice Starr and Michael Jonzun. These began their careers with productions that included Ritz, Glory and Blaze – records that sounded perfect for 12-inch singles and mixed electronic instruments with a real feel for the dancefloor. • Label mainstays Fatback were always searching for a new groove and kept an eye on the floor. Their final single for the label, ‘Spread Love’, was remixed by Morales and Munzibai. Fatback’s Bill Curtis and Gerry Thomas also produced the sought-after boogie single ‘Get Up An’ Dance (Dance With Me)’ for Mynk. • Others featured include one of the most distinctive voices in dance music, Fonda Rae, with her single ‘Live It Up’, released here in its rare radio edit; veteran soul man Lonnie Youngblood with his gospel-influenced ‘Sing A Song’; Detroit dance pioneers C-Brand’s ‘Wired For Sound’ and Body’s ‘Have Your Cake’, which has an early mixing credit for dance music legend Timmy Regisford. • These records may not have all worked on the floor of the Paradise Garage, but they were part of the energy that was given off by that and the rest of New York’s vibrant post-disco era.

The Biggest hits of the year!

Music is a universal language that plays an even more important role in uniting people around the world, especially in these extraordinary times. In the weekly United Through Music Tomorrowland Live Stream, international top DJs are currently bringing the Tomorrowland spirit straight to the homes of millions of fans worldwide. In this context, the Tomorrowland Digital Festival will also take place from 25-26.06.2020. With the Tomorrowland 2020: United Through Music 3 CD Deluxe Mediabook, including three unique DJ mixes with many new & exclusive tracks by Tomorrowland artists & DJs, the official soundtrack is now available.

COMPILED BY NIELS VAN GOGH. MAD Republic is a new compilation series being part of the event concept by DJ legend Niels Van Gogh. The double CD contains the best Electro, House, Rave and EDM sounds. The current MAD Republic compilation provides tracks and remixes that set all floors on fire. Including songs and mixes by the superstars of the scene: Vice & Tom Gregory, Gabry Ponte & Jerome, Charlotte de Witte, Harris & Ford, Jebroer x Dr Phunk, Dimitri Vegas & Like Mike vs. Timmy Trumpet, Niels Van Gogh, Graham Bell, Armin van Buuren, D-Block & S-te-Fan, Klaas, Sandro Silva & SaberZ, Dannic, Arty x Stellz, Loud Luxury & CID and many more. Furthermore the compilation invites you to discover new talents and fresh new tracks that will make you just want more. If you’re keen on partying to hot and fresh club sounds, you need this CD!

Ibiza Tunes 2020 - the best traxx from the magic island features simply the best club- and chart hits from DJs like David Guetta, Martin Solveig, Calvin Harris, Robin Schulz and many more. CD 01: 1. Shawn Mendes - If I Can't Have You 2. Møme - Club Sandwich 3. Kataa - Dream 4. Boris Way & Kimberly Cole - Wasted Love 5. Boston Bun - Don't Wanna Dance 6. N'to - the Morning After 7. Martin Solveig / Worakls - Porto 8. Sound of Legend - Tell Me Why 9. Richard Orlinski Feat. Carl Vermont - Forever Young 10. Lonely in the Rain & Dovicente Feat. Est - on & on 11. Zonderling, Josh Cumbee & Damon Sharpe - Lifetime 12. Qqun & Benjamin Braxton - the One 13. Jean Tonique - Sunny Side Up 14. Camelphat & Jake Bugg - Be Someone 15. PLÜM - Old Love 16. Paige - Get You High 17. Tourist - Kin 18. La Fine Equipe & Fakear - 5th Season 19. Cedric Gervais & Chris Willis - Turn Your Love Around 20. Duke Dumont Feat. Zak Abel - the Power CD 02: 1. Europe Feat. Madison Beer - All Day and Night 2. Jonas Blue Feat. Hrvy - Younger 3. Feder Feat. Bryce Vine & Dan Caplen - Control 4. David Guetta & Triomphe - Place de L'etoile 5. Dipcrusher - Island 6. Sebastian - Beograd (Edit) 7. Myd - Superdiscoteca 8. Qqun - Je Leve Mon Verre 9. Hayden James & Naations - Nowhere to Go 10. Leftwing & Kody - I Feel It 11. Sons of Maria - Like a Drum 12. Edx - Neptune 13. Alma - Lonely Night (Martin Solveig Remix) 14. Robin Schulz Feat. Erika Sirola - Speechless (Original Mix) 15. DJ D-Sol & Alex Newell - Rescue Me 16. Elderbrook & Rudimental - Something About You 17. Zave - Romance 18. Zara Larsson - All the Time (Don Diablo Remix) 19. Joris Voorn - Ryo (Edit) 20. Jax Jones Feat. Bebe Rexha - Harder

On 2 CDs with one energetic DJ-MIX with an average of 128 - 132 BPM and the best and most current Hits from the clubs and the dance- Charts. The sound for perfect endurance training - whether for a work-out, for a Crosstraining, Jogging etc. with mot

A CD that simply puts you in a good mood while starting the day as well as while enjoying the evening!

After the first edition in March, now the second musical master stroke follows. Get down to the latest tracks straight out of the Dance50 chart collected on a double CD! Once again the Klangbar team selected 39 tunes from the weekly charts and produced two exclusive mixes for the new Dance50 compilation. Including hits by Paul van Dyk, Inna, Nora en Pure, EDX, DJ Antoine & Tom Novy, Erik Hagleton and many more! Insert the CD, turn it on, turn up the volume and invite the neighbors to party!

Summer is here and with it the new CLUBCHARTS 2020.2! CLUB CHARTS 2020.2 delivers you on three CDs (!!!) again the concentrated load of current club and house sounds. Compiled from the playlists of the currently most successful German House DJs, CLUB CHARTS 2020.2 delivers what it promises: over 3 hours of the latest club tunes in a class of their own! Whether FELIX JAEHN, LOST FREQUENCIES, MEDUZA, EDX, LOUD LUXURY, TUBE & BERGER, CHARMING HORSES and many more. - on the new CLUB CHARTS there is only the real First-Class Clubbing! Guaranteed

Including Claptone, Purple Disco Machine, Nora En Pure, Miguel Campbell, Teenage Mutants, Levitation, Beacon, Afterlife, James Bright, Full Intention and many others!

Caribbean summer feeling, dreams of white beaches, cocktails and dancing barefoot in the warm sand! Moombathon and Reggaeton sounds provide the perfect Caribbean club and dance vibes. If you want to have an unforgettable summer, don‘t miss this CD!

All The Time', Jessy Lanza's first album since 2016's 'Oh No', is the most pure set of pop songs that she and creative partner Jeremy Greenspan have recorded, reflective and finessed over time and distance. Innovative juxtapositions sound natural, like rigid 808s rubbing against delicate chords in 'Anyone Around', subtle footwork flutter giving a nervous energy to 'Face', unusual underwater rushes underpinning 'Baby Love'. The songs also sound more "live" than ever before. Jessy's voice is treated, re-pitched and edited on songs like 'Ice Creamy' and gestural sounds seem to respond to her lyrics in songs such as 'Like Fire', which reward the listener on repeated plays. More than previous albums, the lyrics on 'All The Time' became an important focus for Jessy too, channelling the negativity of anger and frustration arising from some significant changes in her personal situation into the text. These lyrics sometimes process raw feelings, which aren't obvious to begin with, but are soon felt, standing in stark contrast to the cushioned settings of the music. 'All The Time' has ended as a triumph and an abstracted diary of a sometimes difficult, but enduring friendship and creative relationship, and it's their best work yet.

DJ Don Carlos (born Carlo Troja, from Varese-Italy) with his productions in the 90s has become one of the cult producers for DJs around the world. His track Alone released in 1991 for Calypso (under the Irma Records label) was and still is one of the classics of House Music, played by all the major American and British DJs. At the time of its publication it was considered an underground song and therefore did not sell very much, but over the years its myth has grown thanks to its subsequent productions as for example his second single, the EP entitled Mediterraneo, title which it will then inspired his first CD album printed in the USA with the same title. Several other singles followed, another album, always printed only in the USA, entitled Aqua, from which a triple promo vinyl was extracted which today is one of the artist's most requested rarities. In Italy his third album was released in 2002 entitled The Music In My Mind where Kim Mazelle, Michelle Weeks, Taka Boom and Kevin Bryant were present as vocal guests. In 2009 a collection of the first two albums released in the USA titled Mediterraneo-Club Favourite Collection '90-98 and in 2010 his fourth album entitled The Cool Deep which reproduced the sounds closest to his first productions. Also active as a remixer for Italian and international labels, one of his most important works is the remix of Byron Stingily of the song You Make Me Feel of which he made a worldwide hit. As a producer he also used other pseudonyms such as Montego Bay, Aquanuts, Sotterranea and Love 2 Love Orchestra. He has played and plays in different countries such as London, New York, Miami and at various festivals, such as the Robot and the Stickermule Festival in an evening with Apparat, Derrick May, DJ Koze, Lil 'Louis, Young Marco and Ellen Allien, LTJ Xperience .His peculiarity has always been the musicality of his productions, thanks to the various musicians who accompanied him in the studio, which created a sound that defined in the 90s some of the House's subgenres such as Paradise House and the Ambient House. And this is the kind of sound that compose this new release of Don Carlos entitled Livin a Dream (the name of his Radio Show). It is a collection of unreleased tracks or alternative versions of tracks all produced in the 90s, collected on a double vinyl of 12 tracks and a double CD of 22. The productions made by the artist in those years were numerous and therefore a selection work was done in his archive to find the best of his sound that has remained unpublished to date!

Booka Shade reveal their ninth studio album as April welcomes the arrival of ‘Dear Future Self’ on Blaufield Music. Leaders, purveyors and pioneers within the emotive, melodic realms of house and techno, German duo Booka Shade have remained at the forefront of the scene for over 25 years. Following on from their longplayer ‘Cut The Strings’ in 2018, late April will see the iconic duo deliver their latest extended body of work as they unveil the thirteen-track LP ‘Dear Future Self’ on home turf - a project which welcomes an emphasis on club-ready sounds with the tracks across at the package featuring heavily as part of their rigorous touring schedule and stand-out live performances within the past year. Recorded across the globe as the band continually tour the worldwide circuit, the album takes in recorded sessions from New Zealand to their home city of Berlin, and features collaborations with artists from Iceland, South Africa, England and Germany to deliver a collection of dancefloor-focused cuts that capture the band’s current club output. "This is by far our most ‘club-orientated' album to date, with many of the songs road tested all over the world over the last 18 months. From beautiful sunsets at the beach to industrial warehouses, big festivals to the smallest clubs, only the essentials made it onto the album." - Booka Shade Title cut and opener ‘Dear Future Self’ alongside South African spoken word artist Lazarusman and the bubbling ‘Red Medina’ provide early examples of this ethos, with both tracks featuring previously on the label but equally finding their place within the project with ease, a nod to their approach within their ever-evolving live sets. ‘Polar Lights’ featuring fellow Berlin based artist ‘Joplyn’ and ‘Perfect In A Way’ with Icelandic vocalist Kaktus Einarsson combine smooth vocal melodies with darker synths to balance light and dark to offer some trademark Booka Shade soundscapes, whilst previously released tracks such as ‘Sacred’, ‘I Go, I Go’, and ‘Torch’ undergo slick re-worked interpretations, with the resulting productions providing a fresh take for the new decade. ‘Acid Brain’ and ‘Rigera’ up the energy via sweeping leads and crisp percussion, whilst ’To The Sea’ featuring Eli & Fur provides yet another dynamic as slow-blooming melodies and organic percussion go to work alongside further infectious vocal work. ‘Plexus 3AM’ offers up playful tones backed by more menacing and hypnotic bass licks, whilst ’NZ Modular’ takes cues from its title as off-kilter analogue synths go to work amongst crunchy drums and sweeping atmospherics, before closing proceedings with ‘Atlantic Beam’ - a production which has already proved to be a favourite amongst both their own sets, but also for a number of leading names within the scene to date. A body of work showcasing the duo’s ever-evolving and forever refining palette, ‘Dear Future Self’ delivers an experience that looks set to become a must-have for fans of the band, new and old, and continues their ongoing status as one of the most celebrated acts within electronic music. --- Alongside being leaders within their musical realm, Booka Shade have always remained at the forefront of technological developments across the industry. A perfect example of this is their ongoing relationship with Dolby and Dolby Atmos, a collaboration which began in 2017 as the pairing reproduced their ‘Galvany Street’ album for a special Dolby Atmos 3D Audio Bluray edition. Mixed by Fritz Hilpert, who was nominated at the Grammys 2017 in the category best Surround Mix for the Album 'Kraftwerk 3D - Der Katalog, the project introduced Dolby’s cutting edge developments in sound design to the Booka Shade project for the very first time. Today this partnership continues as Hilpert and the Blaufield Music bosses combine once again to deliver a new version of their latest studio album, Dear Future Self’.

Detroit composer John Beltran returns to Delsin with The Season Series. A collection of subtle and colorful compositions of beautiful synth melodies creating heavenly atmospheres. A blissful walk through breezy spring fields where the gentle sunrays thaw frosty winter scenes.