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Bohren & Der Club Of Gore release their eighth studio album!

I honestly cant remember the first time I saw Notorische Reflexe perform, but I imagine it was probably at some mad avant-garde experimental event in SO36 or Tempodrom, or somewhere, because those days have become a hazy, crazy mixture of drunken, d

Hamburg-based Love-Songs' newest output Nicht Nicht continues the band's striving to mesh defined grids with improvisatory snapshots to create their very own take on organic electronica. Since 2012, the electro-acoustic trio were able to explore the possibilities of their free-flowing interplay through the course of several EPs and the mini-album 'Inselbegabung', which was released on Kame House. Now they are ready to submit their debut album Nicht Nicht on Bureau B. Meandering through its seven tracks Nicht Nicht contains the Trios most aerially shimmering tracks to date flanked by tribal bouncers. Form, deform and somewhere in between.

From the series GDR Underground Tapes (1984-1989): Die Gehirne was a part of the East German subculture of the 80s.

2LP - Limited to just 1000 copies, this special double disc edition pressed in clear and blue vinyl features brand new cover artwork by Crepuscule design director Benoit Hennebert, based on a portrait by Vini Reilly of filmmaker Carol Morley. This 2019 vinyl re-master features two bonus tracks: My Only Love was originally released in 1995 on a covermount CD with a specialist guitar magazine, while experimental piece The New Fidelity was issued on a Portuguese compilation album from 1992 called Hare, Hunter, Field

Have We Met, as Dan Bejar puts it, `came together in such a crazy way - all equal parts ecstasy and terror'. Initially conceived (but quickly ditched) as a Y2K album, Bejar was without a clear concept in mind. So he said "fuck it" and let it all rip while brainstorming at home. Culled from years' worth of saved writing, set aside for projects "beyond music," and recorded at his kitchen table, Have We Met harkens back to Kaputt-era Dan stringing together lyrics off hand while lounging on his couch. The resulting vocal sound exists in the sweet spot between two Destroyer worlds colliding: hints of the past, more strident Destroyer mixed in with a relaxed, new-aged Crooning one

Aymeric Maini got his first electric guitar when he was only eight years old. It would be the beginning of a lifetime passion. Twenty years later, Aymeric Maini played more than 300 concerts. He started to decipher and learn songs by ear, starting with his father’s records - Buddy Guy, Bill Deraime, Eric Clapton, BB King, Marc Knopfler - and then anything he could find from George Brassens to Serge Gainsbourg. After a while, playing guitar became a challenge and at 12 the goal was to manage to play the hardest solos; Led Zeppelin, Pink Floyd, Metallica and then Jimi Hendrix and Stevie Ray Vaughan. At 15 Aymeric joined his first band to play his own solos. It’s only later when he discovered Ben Harper and Ray Charles that he found out that the voice could be an instrument of its own as moving as the guitar. He then immersed himself in Rhythm and Blues, Soul and Funk: Al Green, Otis Redding, Marvin Gaye, James Brown. In 2007 he learnt the principles of guitar making, and the techniques of adjustments and repairs. Later he became the international project manager of a French guitar brand but in 2010 he left the company to become a full-time artist and musician… After a few bands (More Diplomacy, Dtwice) and a few concerts (over 150 shows with David Le Deunff of Hocus Pocus), Aymeric released his first solo EP in 2013 and his first album, Sun Is Back On The Way, in 2016. After sharing the stage with Maceo Parker, Lucky Peterson, Santana, The Cranberries, and many more, Aymeric received the prestigious "Cognac Blues Passion" award in 2017. Today Aymeric Maini is back with a new album entitled Winter Sun. Taking a break from his intensive touring, Aymeric took the tame to write alone these 9 new songs in a small room, far from anything superfluous. More refined, more acoustic, more authentic, this new record is marked with a sensitivity that the songwriter of today takes on board fully. Winter Sun gives way to songs, stories, acoustic guitars, voices, pianos and cellos, in a sweet melancholy as soothing as the thrill of a winter sun.

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