Rock/Metal

Свирепые и бескомпромиссные в исполнении, способность CARCASS замысловато разбирать внутренности дэт-метала и демонстрировать их звуком, была их отличительной чертой на протяжении более трех десятилетий.

Second album from American trio Dawn Chorus And The Infallible Sea, consisting of zakè, Marc Ertel and Damien Duque. Together they're creating soft-textured and slowly unfolding sonic landscapes, somewhere between guitar-oriented drone music and modern classical. Liberamente is the kind of album that demands attention and patience from the listener, but ultimately a very rewarding one. Stylistically Dawn Chorus and the Infallible Sea sums up several decades of American soundscape and drone music, taking threads from Windy & Carl, Auburn Lull and Stars of the Lid and weaves them into a contemporary, and sonically adventurous, whole. On the surface it suggests simplicity, but dig deeper and the seven pieces on Liberamente reveals a rare compositional dexterity. This is minimalism at its absolute finest. File next to Stars Of The Lid, Arvo Pärt and Auburn Lull

Second album from American trio Dawn Chorus And The Infallible Sea, consisting of zakè, Marc Ertel and Damien Duque. Together they're creating soft-textured and slowly unfolding sonic landscapes, somewhere between guitar-oriented drone music and modern classical. Liberamente is the kind of album that demands attention and patience from the listener, but ultimately a very rewarding one. Stylistically Dawn Chorus and the Infallible Sea sums up several decades of American soundscape and drone music, taking threads from Windy & Carl, Auburn Lull and Stars of the Lid and weaves them into a contemporary, and sonically adventurous, whole. On the surface it suggests simplicity, but dig deeper and the seven pieces on Liberamente reveals a rare compositional dexterity. This is minimalism at its absolute finest. File next to Stars Of The Lid, Arvo Pärt and Auburn Lull

Originally released by Crucial Blast in 2008. The album is something of an anomaly in Nadja's catalogue as it features a live drummer, Jakob Thiesen, and there is no guitar on the album, with both Baker and Buckareff playing bass, each trading melodi

Starting as a rough demo tape recorded solely by Coil member Drew McDowall, Time Machines started to take full form when McDowall enthusiastically delivered these demo recordings to Balance and Christopherson as sketches for a new Coil project with the primary goal of shifting Coil's sound further into a more conceptually abstract direction. Largely recorded in 1997 using single takes with minimal post production, these four drones contain every intended fluctuation and tone, along with every glitch of the original - "Artifacts generated by your listening environment are an intrinsic part of the experience." "4 Tones to facilitate travel through time." So begins the listeners' journey into what has become one of the most treasured and revered pieces of COIL history ever released. Each of the four pieces on Time Machines is named after the chemical compound of the hallucinogenic drug that they were composed for, and the album was meticulously crafted to enable what John Balance referred to as "temporal slips" in time and space, allowing both the artist and audience to figuratively "dissolve time". Inspired by long form ceremonial music of Tibet and other religions, where the intent is to lose oneself in the music - to meditate or achieve a trance state - Time Machines became Drew McDowall, John Balance, and Peter Christopherson's "electronic punk-primitive" answer to this tribal concept. Remasterd by Josh Bonati and supervised by Drew McDowall, Time Machines is officially reissued as a double vinyl LP featuring deluxe matte gatefold with gloss overlay and printed eurosleeves inserts. The compact disc edition included reproductions of the six original vinyl stickers and comes housed in a gatefold chipboard digipack featuring spot gloss overlay.