Фирма Blue Rose

Record Label: Blue Rose Style: Rock

Record Label: Blue Rose Style: Rock

Record Label: Blue Rose Style: Rock

Record Label: Blue Rose Style: Americana

Record Label: Blue Rose Style: Rock

Record Label: Blue Rose Style: Rock

Record Label: Blue Rose Style: Rock

Let me just say what appears to arrive fully formed took hours, days, even years of beautiful and blinding searchlight work by so many. Alone and then collaborative, it's always a labor of love. I always feel lucky in these moments when finally I get to share "it." This is just the beginning... Again. I'm very excited. I love the work we've done. It's soon to surface. We invested all the heart, smarts and honest cinema we were capable of. I hope some of these songs become great companions for you. Hustle Up Starlings was Produced by Brian Fallon Recorded and Mixed by Doug Lancio at Studio G Sound Mastered by Hans DeKline at Sound Bites Do Record Label: Blue Rose Style: Rock

Let me just say what appears to arrive fully formed took hours, days, even years of beautiful and blinding searchlight work by so many. Alone and then collaborative, it's always a labor of love. I always feel lucky in these moments when finally I get to share "it." This is just the beginning... Again. I'm very excited. I love the work we've done. It's soon to surface. We invested all the heart, smarts and honest cinema we were capable of. I hope some of these songs become great companions for you. Hustle Up Starlings was Produced by Brian Fallon Recorded and Mixed by Doug Lancio at Studio G Sound Mastered by Hans DeKline at Sound Bites Do Record Label: Blue Rose Style: Rock

On their second full-length album, SUSTO precede the clause & I'm Fine Today in multiple ways, studying the human experience with candor, humor and pathos. The intricate work is an exercise in actualization, an activity that continued after its release. "It turned out to be a really fun process to figure out how to make some of the stuff we created in the studio translate live," frontman Justin Osborne tells AXS. "It's a really fun and I think enlightening experience and empowering also knowing that you can set goals for yourself and say 'We're gonna figure out how to make this happen' and then you do." The Charleston-based five-piece has spent most of the year presenting their realized live experience to fans in venues of all sizes; they've gone from their own headlining tour of clubs to opening arenas for The Lumineers. Regardless of the room, the goal stays the same: "One of the most beautiful things you can experience in life is bringing a smile to someone's face and making them feel better about what's going on in life," Osborne says Record Label: Blue Rose Style: Rock

On their second full-length album, SUSTO precede the clause & I'm Fine Today in multiple ways, studying the human experience with candor, humor and pathos. The intricate work is an exercise in actualization, an activity that continued after its release. "It turned out to be a really fun process to figure out how to make some of the stuff we created in the studio translate live," frontman Justin Osborne tells AXS. "It's a really fun and I think enlightening experience and empowering also knowing that you can set goals for yourself and say 'We're gonna figure out how to make this happen' and then you do." The Charleston-based five-piece has spent most of the year presenting their realized live experience to fans in venues of all sizes; they've gone from their own headlining tour of clubs to opening arenas for The Lumineers. Regardless of the room, the goal stays the same: "One of the most beautiful things you can experience in life is bringing a smile to someone's face and making them feel better about what's going on in life," Osborne says Record Label: Blue Rose Style: Rock

Hardpan is not a band, really. It’s more of an event. Four American songwriters and guitar players – TODD THIBAUD, CHRIS BURROUGHS, TERRY LEE HALE and JOSEPH PARSONS – caught on tape at a certain very strange moment in American history. The Hardpan album is what it was, a sonic snapshot of ten crazy days in Arizona. All four of them have this solo thing going on and have a number of albums released in Europe by Blue Rose and Glitterhouse. They have all been leaders of their own bands for years and toured Europe extensively. And they are four very different personalities. They knew it would be a challenge but everyone got on with the spirit of a band. It started off fun on September 10, 2001 in Tucson. They laughed all night before they awoke on September 11 when the world has changed. Non of them wanted to play music but it was their job to make this record, and they only had ten days to do it. It was a unique experience for all of them, subtly adapting to each others styles. They recorded every track virtually live. Every lead vocal is live. Most of the back-up vocals and almost all the guitars are live. And even the percussion is live except for one song (no drummers in this group). They are proud of this. They came together and played their best and captured the event. The album has four distinct moods, depending on who is doing the singing. It all worked because they were all playing together, backing each other up as best they could, and putting the world out of their minds for a while to make good music. Record Label: Blue Rose Style: Rock

Peter Bruntnell's long musical CV pays off once again. Nos Da Comrade, his latest album (2016), is brilliant. Mr. Bruntnell creates just the right blend of up-tempo, pop melodies with songs of love and love lost, along with some 60's sensibilities and quiet harmonies. Other times, the groove is more on the line of Foo Fighters--the less screamy side of Grohl. He waxes political on the first song, "Mr. Sunshine", where scathing words are thinly masked by an addictive pop melody and jangling guitar. "Yuri Gagarin" includes a nasty guitar solo about 6 minutes into the psychedelic blues jam Record Label: Blue Rose Style: Rock

Career-spanning compilation from Scotland’s greatest exponents of Americana rock. Joe Whyte reviews for LTW. It’s hard to believe that The Wynntown Marshals have been at this for a decade; three studio albums, several EPs and singles and countless shows across Europe and they still seem like a “new” band to me. I guess there’s something effervescent and timeless about what they do that keeps me coming back. I’ve mentioned it many times before, but this is a band that truly transcend the ghetto of Americana and its glut of average-ness and make music, that while in the realms of alt. country, No Depression and all of that, has a classicism at its core that makes them so very much more. Listening to this compilation, which includes several unreleased tracks for the completists, I hear much of what Teenage Fanclub are oft applauded for; chiming guitars, climbing harmonies, lovelorn lyricism and songwriting that elevates the soul.That’s the heart of this band. The stories, the songs; and again, not unlike Teenage Fanclub, the Marshals should be national treasures for these songs from Northern Britain. They are miles above the competition at this sort of thing. I’ve compared them to bands as diverse as Big Star and The Replacements in the past and I stand by that; they’ve started off as a Jayhawks/Uncle Tupelo-influenced outfit but have quickly and cleverly evolved into a band that write their own descriptions. There’s hints of all the great blue collar rock and roll herein and the vigour of the band and the strength of the songwriting rarely disappoints. wynn 2 Repeated listening unearths treasures galore; the soaring massed vocals of The End Of The Golden Age; the pop-rock smarts of Canada, the clever and deceptively simple lyrical tricks of Red Clay Hill with its supercharged guitar licks. This is a collection for both the fan and the newcomer and the range of writing is really quite something. The later tracks such as Being Lazy with its swooning synths beneath the pulsing good-time vibe and the as-yet unreleased Odessa sparkle with the longing of country music and the brusque charm of Springsteen or Earle. The storytelling is always exquisite and 11.15, about a biblical Perthshire flood, is epic and grand while The Burning Blue, about the pilots the RAF in WW2, has pathos in spades. That cinematic, filmic feel is rarely far away. The early release Ballad Of Jayne (from a compilation) is included and is simply smile-cracking. Originally a song by Angeleno hair-metal spandex-stretchers LA Guns, it’s beautifully re-imagined as a widescreen roots-rocker with sharp incisors and a cheeky grin. Whispering Bob Harris took this one to his heart early on and his support back then on BBC Radio 2 gave the fledgling band a much-needed shove in the right direction. Mock Rock, Bob? Not these guys. Laterally, Blue Rose Records have embraced the band, releasing much of their recent material. They’re not a band to shout from the rooftops; they get on with their business of writing and recording material of such class that they don’t really need to. Keith Benzie is a lyricist of such simple but articulate craft that it’s a delight to listen to a song unfold. I’m often reminded of the street-grit of Tom Waits when I hear Benzie unfurl a phrase. The musicians (and there’s been a few of them over the decade) add a zest and shimmer, be it all-out Tele twang or gentle pedal steel flourishes. There’s a muscularity and Goddammit, a groove to much of The Marshals music that elevates it above the average. The simple joy of much of the songs (despite the often lyrical longing and restlessness) is the thing keeps me coming back. It should pull you in, too. Long may they reign. Record Label: Blue Rose Style: Americana

Record Label: Blue Rose Style: Rock

re-issue pack of the fabulous brandos live in germany Record Label: Blue Rose Style: Rock

Record Label: Blue Rose Style: Rock

Record Label: Blue Rose Style: Rock

Record Label: Blue Rose Style: Rock

More then fourty years have passed since the release of Elliott Murphy's ground-breaking first album Aquashow in 1973 (recently declared an Album Classic by the UK's prestigious UNCUT magazine) and since that time Elliott Murphy, singer-songwriter, rock troubadour, indefatigable road warrior (over 100 shows a year!) and prolific author of fiction has once again proven his dedication to his music and his commitment to his growing legion of fans. Prodigal Son is his newest effort! Record Label: Blue Rose Style: Rock