Фирма Denovali

Prairie - это проект мультиинструменталиста и продюсера Марка Джейкобса

Limited coloured vinyl. Heavy gatefold sleeves + black polylined inner sleeves, 180g vinyl, free download code. 2020 Reissue of Anthropomorphic - the third work of The Mount Fuji Doomjazz Corporation (the improvisation alter ego of The Kilimanjar

MANSUR is the newly initiated project by Jason Kohnen (ex-The Kilimanjaro Darkjazz Ensemble) joined by Dimitry El-Demerdashi (ex-Phurpa) and introducing Martina Hórvath on vocals. The sound of MANSUR navigates between the waters of musical fantasy an

2020 Reissue of Here Be Dragons - the second album of The Kilimanjaro Darkjazz Ensemble from 2009. Not existing anymore since 2012 The Kilimanjaro Darkjazz Ensemble & The Mount Fuji Doomjazz Corporation now finally make all long-time sold out rel

Denovali is pleased to present the first cooperation album of the Italian composer, arranger, producer and guitarist ERALDO BERNOCCHI with the Berlin-based Japanese violinist, composer, electronic producer and TANGERINE DREAM member HOSHIKO YAMANE.Bo

Window In is Michael Vallera's third full length o­ering on the Denovali label, following All Perfect Days (2018) and Vivid Flu (2017). The four tracks that compose Window In are an exercise in density, movement, and space. Raw studio recordings of electric guitar were taken as the foundation, then heavily altered and manipulated through sampling, erasing the trace back to origin of the sound. The result is a series of vignettes that are unattached to a particular source but instead exist in an emotive and internal state.

heavy sleeves + heavy printed inner sleeves, 180g vinyl, free download code.

heavy sleeves + heavy printed inner sleeves, 180g vinyl, free download code. // Robin Schlochtermeier is an Anglo-German composer who has written the music for several award-winning broadcast documentaries and features. Classically trained, his music often combines organic sound design elements (and occasionally synthesis) with more traditional instrumentation (piano, orchestra).Most recently Robin composed the music for 'The Spy Who Fell to Earth', an international espionage documentary which was released on Netflix worldwide in 2019. Robin, among others, also scored 'Virgin Queen's Fatal Affair' (Best Specialist Factual - Royal Television Society Awards), the features 'Queens of Syria' (Black Pearl Award - Abu Dhabi Film Festival), 'Retreat' (Premiere at Screenplay Shetland Festival, curated by UK film critic Mark Kermode), 'Oh No, Not Rudy Again!' (Cannes film festival 2015), and 'Strings' (British Independent Film Award).""Spectral"" is the first solo album of Robin Schlochtermeier. It's a set of slow, sometimes ambient pieces that function like distant echoes of childlike experiences of the natural and material world."My inspiration for the album is tied up in having become a father recently," says composer Robin Schlochtermeier. "As my daughter's consciousness was forming I would often catch an amazed look on her face or notice that she stopped and stared at some small detail in her environment. This would frequently evoke a profound sense of mystery in me, and I grew curious as to what was causing her to react in such ways."The pieces on Spectral are attempts to capture some of this mysterious, nebulous spirit of bafflement and wonderment. "Seeing the world through my daughter's eyes reminded me of the experiences the world can produce in our minds when we are open, receptive and boundary-less", says Robin. "I started to wonder if I was half-remembering my own experiences of the world from when I hadn't yet been trained to carve it up into neat concepts." The result are pieces like "Lapping", which in its slow, circular motion points to a rhythm of life unaffected by expectations of busyness, while rooted in a sense of grandeur and timeless wonder.Spectral was recorded using a British upright piano from the 1950s with original worn strings, which are occasionally dampened with poster putty. The other elements are all forms of electronics and sound design, including a software synth (Retrologue) and custom programmed sounds generated from the composer's bank of original sample recordings.One of the aims for the album was to explore a limited palette of sounds. Some pieces only contain 3 layers of sound, while some are a little more complex. "The intention was to create space and openness in the arrangements", according to Robin. "This principle also led me to explore longer and longer forms. As I went on I felt increasingly drawn to longer emotional arcs, resulting finally in Sonnenstaub.

heavy sleeves + heavy printed inner sleeves, 180g vinyl, free download code.

heavy sleeves + heavy printed inner sleeves, 180g vinyl, free download code. "There is harmony, geometry, metaphysics everywhere and, in a way, morale as well"" Gottfried Wilhelm Leibniz // Everyone knows these moments, hours or days, where one is feeling cornered, it is like running in circles or one is just trying to see something from a different angle. The new album by Sankt Otten - ""Lieder für geometrische Stunden"" (""Songs for geometrical hours"") - offers tracks for these kind of scenes. It's the soundtrack of the ups and downs of life and everyone's entirely personal geometrical hours.A very gentle and meditativ sequence introduces us to this new creation. Is it a synthesizer or a guitar? Whatever! A floating pad passes and returns, layers and shapes are rising. At the end the interaction of man and technology merges into perfect harmony. We are heading monumentally towards a futuristic world, which is frigid and surreal with a monotonous, sometimes gloomy and dark mood. Also beautiful. ""Du hast dem Schicksal die Show gestohlen"" (""You upstaged fate"") by contrast comes along with a minimalistic attitude. To some extent, sounding like rock music without being rock music. It's the perfect intersection of Minimoog sequences, acoustic drum sounds, ebow guitars and synthetic strings. Conny Plank would approve. ""Wer trifft schon immer den Ton"" (""Who always hits the mark""): A rhythm of nested patterns, a subtle arrangement, gentle choirs, pauses, compaction and thinning. Is this already jazz? Greetings from the echo chamber. The machines are trying hard. They deform the beat into geometrical forms, the bass jumps in circles, covering the tracks with ghostly choirs, creating an illusive, cuddly dreamworld. By the way, it's a long time ago, that rototoms have been heard in electronic music. Great! ""Dann doch lieber weisse Wände"" (""I'd rather have white walls""), the secret hit on the album? ""Die Blumen darfst Du behalten"" (""You can keep the flowers""): The pause is breathing, constantly wrapped in the elapsing tone of the night. A guitar in a slow-motion dialog with a synthesizer. Finally both burned up within the interstellar space. That shoud be a title for the next Blade Runner movie.This exactly 45 minute-long album fits on a C90 cassette side and thus closes properly with warm, analog 80's electronica. Man and machine are going hand in hand, infused by a hypnotic, motor function 808 beat, encouraging everyone to head-nodding by being almost danceable. Again, the central theme of this release is definitely the minimal, repetitiv drum play of Stephan Otten, whereas Oliver Klemm's ebow guitar drones hovers the tracks through this album. Sankt Otten do not disappoint. Founded in 1999, the duo from Osnabrück releases since 2009 on Denovali. With their 11th release, they give us a gem of timeless instrumental music. The holy trinity of krautrock, ambient and contemporary electronica, but always sophisticated and unique Sankt Otten. The mastering of the album was made by New York-based Rafael Anton Irisarri. Also the cover layout shows their great taste once again. This outstanding punch artwork was created by graphic designer Daniel Castrejón. Sankt Otten: Stephan Otten: Drums, Programming, Synthesizers / Oliver Klemm: Guitars, Synthesizers, Bass

Based on the idea of transferring the sound language of Ambient, Minimal Music and Avant-Pop into an orchestral format, Leipzig-based pianist, composer and sound designer Philipp Rumsch founded his own ensemble in 2015. This ensemble consists of twelve artists from Leipzig, Berlin, Dresden and Weimar. Besides the ensemble, they all work in various musical contexts and environments. Between 2013 and 2020 Philipp Rumsch has studied jazz piano under the aegis of Michael Wollny and Richie Beirach at the Academy of Music and Theatre Felix Mendelssohn Bartholdy in Leipzig. In 2016 and 2017 he has refined his sound design and composition capabilities at the Rhythmic Music Conservatory in Copenhagen with, among others Niels-Lyhne Lokkegard and August Rosenbaum. After his last LP reflections (2018), Philipp Rumsch deals on his third Denovali release ŸE: of anxiety x discernment with the subject of anxiety. Based on his own researches, observations and interviews he made, Rumsch develops a multi-dimensional picture of this complex emotional state. Individual experience dissolves in order to explore a collective perception of this phenomena. On ŸE: of anxiety x discernment Philipp Rumsch for the first time uses his self-written texts, but implements also writings by other people, who especially wrote them for the new album. The music of the suite, which consists of two mirror-inverted pieces, adopts dierent shapes. These shapes range between songs, complex compositions and conceptual improvisation. For the recording of ŸE: of anxiety x discernment, Rumsch extended his ensemble by numerous guest artists. The sessions took place at the prestigious Jazzanova Recording Studios in Berlin. In order to achieve an extraordinary listening experience, specialized artificial heads were used to record in binaural stereo. The artwork again has been created in cooperation with Berlin-based Designer Andi Rueckel. ŸE: of anxiety x discernment was mastered by Valgeir Sigurdsson (collaborations with Bjork, Sigur Ros, Ben Frost, Nico Muhly, Hildur Gudnadottir et al.) who already was part of the production process of Philipp Rumschüfs Solo-EP A Forward-Facing Review. In 2018 Philipp Rumsch and his ensemble received the Leipzig award for young jazz musicians, funded by Marion Ermer foundation. The production of ŸE: of anxiety x discernment has been supported by Initiative Musik gGmbH with project funds from the Federal Government Commissioner for Culture and the Media.