Фирма Fire Records

Style: Rock

And here we have Ohio legends Rocket From The Tombs album 'The Day the Earth Met the Rocket From the Tombs' reissued on Fire Records . The five piece formed in 1974, played only a handful of shows, never put out a record and 12 short months later called i Style: Punk

Fire Records announce release of the first full studio recording from the legendary Rocket From The Tombs - the group that spawned Pere Ubu and the Dead Boys. This is their first ever release in 37 years. David Thomas pledges, I know that if we had record Style: Garage Rock

Freshly signed to Fire Records, Pinkie Maclure and John Wills are PUMAJAW and combine Pinkie's unique, multi-octave voice with looped guitar, mandolin, samples, concertina and hypnotic rhythms. Their own seductive sound stretches from psychedelic pop thro Style: Independent

Vinyl is on 180 gram vinyl and include download card. Fire are to reissue Pulp's 1992 album 'Separations' as part of the Fire Embers reissue series with unreleased bonus material. Their third and last album on Fire, Pulp had already transformed from their Record Label: Fire Records Style: Rock/Pop

Vinyl is on 180 gram vinyl and include download card. Pulp's debut and one of their most honest recordings - capturing a band at the beginning of their startling career. 'It' is a gentle, mainly acoustic album that hints at the musical directions Pulp wou Record Label: Fire Records Style: Rock/Pop

"Vinyl is on 180 gram vinyl and include download card. Fire reissue Pulp's 1987 album 'Freaks' as part of the Fire Embers reissue series with a special 2 disc release, with the second bonus disc packed with singles and b-sides from the Freaks era. Pulp ha Record Label: Fire Records Style: Rock/Pop

Style: Independent

Following the success of their acclaimed 'lost' soundtrack to the Texas chainsaw massacre songs of muerto county PUERTO MUERTO return with their own sequel Heaven & Dirt which includes two requiems on two discs, covering both themes in 6 songs. The band p Style: Punk

Style: Indie Rock

Robert Pollard's new solo album "Mouseman Cloud" shows the Guided By Voices frontman in a playful and spontaneous mood. This is a record by a guy who just wants to rock, and not have to worry about how that rock will be received by anyone other than himself. While the songs here are not a world away from anything you'll find on GBV's "Let's Go Eat The Factory", the emphasis on "Mouseman Cloud" is on wordplay rather than melody, on unkempt exploration rather than trad song structure. A lot of the tracks sound as if they started as lyrics - even poetry - first, and were fit around the sounds, which is not an uncommon way for Pollard to work, but the album's gleeful verbosity could be interpreted as the work of a man who's maybe been feeling the pressure of expectations from (for instance) a Guided By Voices reunion and just wants to cut loose. Recorded in collaboration with producer/multi-instrumentalist Todd Tobias, "Mouseman Cloud" is catchy, heavy, lovely, rocky, exuberant, complexly Style: Independent

Style: Rock

Style: Rock

Style: Independent

Style: Independent

Playing House parties, dance parties, DIY shows and opera houses, Orchestra Of Spheres have built a reputation for creating innovative, boundary-pushing music and performances. Now their cosmic dancing sound, pieced together on homemade instruments, is av Style: Independent

To celebrate Jeª Mangum curating and performing at this year's ATP festivals comes a re-issue of his explosive 1996 debut by Neutral Milk Hotel. Full of rapid- re wordplay with true and heartfelt experimentation, both ambitious and eclectic, it's not hard Style: Independent

Scalpel Slice' is the result of the intriguing collaboration between Scottish poet (and former photographer of the year) Gerry Mitchell & multi-national experimentalists LITTLE SPARTA. Seven tracks that introduces the gritty and compelling poetry of 'skys Style: Independent

From the outset, ,Unsound" was not going to be like any other Mission of Burma album. As expected, the material is raw, primal and aggressive. They still have a signature knack for twisting even the most ferocious noise into complex structures. There are, of course, those killer hooks scattered throughout, but just not quite where you would expect. Yet with all three lead members resolutely making the decision to deliberately stretch their boundaries even further, they stepped out of their comfort zone to create their most rewarding, bewildering and multifaceted long-player yet. ,Unsound" is Mission of Burma"s 5th studio album, continuing their remarkable legacy. It seems redundant now to even call it a comeback because they"re a dynamic, current band. Originally together just four years, from 1979-83, Mission of Burma reformed in 2002 for a handful of shows.which let to more concerts, then more, and eventually the release of 2004"s "ONoffON", their first new recording in over twenty years. But no one expected them to just keep putting out records, let alone records that were every bit as vital and influential as their seminal early recordings. Their first album ,Vs" is down in the annals of time as being one of the most important post-punk records ever. Their subsequent recordings: "ONoffON", "The Obliterati", "The Sound, The Speed, The Light", and now, "Unsound", continue to grow in scope, depth and accomplishment with every step. On "Unsound" we see Mission of Burma messing with their comfort zone by recording in their Boston rehearsal space which doubles as a recording studio: Analog Divide. As usual, Roger Miller (guitar, vocals), Clint Conley (bass, vocals) and Peter Prescott (drums, vocals) share the songwriting credits with their distinct styles. All of them tried their hand at other instruments and sounds, allowing them to take risks with their creativity and giving them a more fluid line-up. Of course, regular fourth member Bob Weston (of Shellac) was on hand to provide the tape loops and production duties. As part of the manifesto to stretch musical boundaries, Roger wrote two of his songs ("Opener" and "ADD in Unison") on the bass rather than guitar. Another ("Dust Devil") was based on an acoustic guitar improvisation. Both Clint and Peter also tweaked their writing just enough to make them feel it was actually worthwhile making another record. They also decided to use trumpet on the record, so Bob pulled out his trumpet playing skills to oblige. Peter Prescott describes the experience: "We are a four headed hydra trying to create unity without canceling or censoring each head. So we juggle melody, groove, noise, depression, disruption, ecstasy. tension, release. I guess it"s thrilling for us to walk that musical tightrope." Clint Conley describes being in the studio: "There were certain technological advances, as well, that might have been unthinkable just a few short years ago, in a distant time and century. During the mix at Woolly Mammoth, Peter occasionally opted for a virtual presence. From time to time a hologram of his head would appear, hovering in a darkened corner, issuing directives and encouragement. Not to say there weren"t occasional glitches in the system. For a few days the hologram seemed locked in a mystifying loop, calling for more cymbals, regardless of whether the band were working on a mix or ordering Vietnamese food." The results are spectacularly successful. With ,Unsound", Mission of Burma has achieved its goal of making something utterly unique and stretching the realms of musical possibility. Mission of Burma"s curiosity and creativity remain undiminished. The graph just keeps rising.the boundaries breaking.and the ears ringing. Style: Independent

Style: Independent