Фирма Neurot

Artist: Stoneburner Label: Neurot Recordings

Artist: Isis Label: Neurot Recordings

The Iron Tongue of Little Rock, on the other hand, hath told about 4:53 a.m. Fairy time's come and gone, and spurned lovers toss and turn and sweat out the sleepless night's chemical indulgences in lonely beds all over town. They're not singing of magical moonlit escapades. These are songs of pain, regret and motherfucking heartache that recall everything from the proto-metal stomp of Blue Cheer and Grand Funk to the darkest hours of Kiss, Deep Purple, Buddy Guy and Skynyrd. The band formed when a group of veteran players with diverse musical backgrounds found a common interest in the need to get down and dirty and way, way gone. Iron Tongue has spent the last three years and change playing its soulful heavy-amp blues steadily around the South, touring the Midwest and East Coast with Memphis kindred spirits The Dirty Streets, and sharing bills with Black Tusk, Scott Kelly, The Sword, High on Fire, Crowbar and Lita Ford, as well as fellow Arkansans Pallbearer and The Body. Neurosis's Steve Von Till called Iron Tongue's debut "a solid slab of balls to the wall shameless rock, with a power and an edge and soul that rarely exists in music today. CD, Album

Fourth full-length studio release, first release with Neurot Recordings. Recorded at La Chapelle studio, produced by Billy Anderson (Eyehategod, Neurosis, Om, Swans and so many more). Have toured in with the likes of Neurosis, Red Sparowes, The Locust, Starkweather, Pelican, Knut, A Storm of Light, Rwake, Switchblade, Celtic Frost and more. Current live dates set in support of album release. Formed in the forsaken fields of West-Flanders Belgium, Amenra has been conjuring unholy masses and paving their own headstrong way since 1999. Spreading their vision of a world that's out of touch with its past, present and future, they take their adepts through a world of unseen mystique. Their postmodern vision of music, existing of droning, repetitive chords alternated by gut-wrenching hauls can make an experienced listener renounce his definition of music, perhaps even his whole belief system. Amenra puts heart and soul into every note, word and image, and changes the course of peopleís lives everywhere their path leads. Recent history has shown an extremely confident and focused Amenra. Besides touring on their own and with Neurosis, the band has been branching out and taking modest steps onto what has previously been virgin territory to them with an acoustic record, a book which vulnerably offers their heart and inspiration, and various art exhibitions. Amenra forges their path while constantly gaining followers, members of the Church Of Ra, a sect, now thousands in numbers. Amenra's confounding and compelling sound that mixes surrealist melody and warped subtleties with churning rhythms, pummeling riffs and crushing dynamics stands on it's own. Having found a home with Neurot Recordings, ambitions and expectations for their upcoming release, "Mass V", are high. And as you know, and if you're fortunate enough, might have experienced, Amenra does NOT disappoint Style: Metal

IN A SHADOW WORLD An introduction to Neurosis' Honor Found In Decay. "It is said that great art has the power to take us outside of ourselves and bring us closer to ourselves simultaneously. Few bands have accomplished this rare feat on a more profound and consistent basis than Neurosis. For nearly three decades, their music has touched the hearts and minds of young men and women seeking contact with something beyond the physical world, something intangible, something that expresses the inner tumult of the human condition in a way that transcends time and space. Something that not only provokes questions but maybe even hints at answers. In 1996, I was one of those young men. I was 20 years old when I heard Through Silver In Blood, and I could never listen to music the same way again. The album was-and is-so dense, so turbulent, so different than anything I had heard before. It was-and is-like its own weather system. It didn't just challenge me to think differently; it forced me to. It opened doors that lay beyond the confines of my own narrow experience. Best of all-to an aspiring "writer" at least- the band's lyrics seemed to be saying something. Not about politics or religion or society or even interpersonal relationships, but about the life of the mind. And the words could be applied to modern life as readily as life a thousand years ago-or three thousand years ago, when our gods were our own and almost everyone still had to fight for their daily bread. With the passage of time and the accumulation of experience, Neurosis' work has only become more engaging, more penetrating, more visceral and decimating. Similarly, the band has only become more cognizant of their purpose. The music on Honor Found In Decay is both torturous and transcendent. It is the ongoing exposition of a vast internal dialogue that seems to carry the weight of eons. With the right kind of ears and eyes, it can seem like the trials and tribulations of mankind are being channeled through five individuals: Steve Von Till, Scott Kelly, Noah Landis, Jason Roeder and Dave Edwardson. And yet? They will be the first ones to tell you that they are just regular people trying to make sense of the world around them. Aided by Josh Graham, their resident visual guru, they transmit their interpretations through multiple sensory planes. The degree to which Neurosis allows them to step out of their everyday lives is the distance between one and zero, the distance between thinking and doing, the distance between this minute and the one that may or may not follow. Which is to say: Neurosis takes them outside of themselves and brings them closer to themselves. Simultaneously."-J. Bennett, July 31, 201 Style: Metal

IN A SHADOW WORLD An introduction to Neurosis' Honor Found In Decay. "It is said that great art has the power to take us outside of ourselves and bring us closer to ourselves simultaneously. Few bands have accomplished this rare feat on a more profound and consistent basis than Neurosis. For nearly three decades, their music has touched the hearts and minds of young men and women seeking contact with something beyond the physical world, something intangible, something that expresses the inner tumult of the human condition in a way that transcends time and space. Something that not only provokes questions but maybe even hints at answers. In 1996, I was one of those young men. I was 20 years old when I heard Through Silver In Blood, and I could never listen to music the same way again. The album was-and is-so dense, so turbulent, so different than anything I had heard before. It was-and is-like its own weather system. It didn't just challenge me to think differently; it forced me to. It opened doors that lay beyond the confines of my own narrow experience. Best of all-to an aspiring "writer" at least- the band's lyrics seemed to be saying something. Not about politics or religion or society or even interpersonal relationships, but about the life of the mind. And the words could be applied to modern life as readily as life a thousand years ago-or three thousand years ago, when our gods were our own and almost everyone still had to fight for their daily bread. With the passage of time and the accumulation of experience, Neurosis' work has only become more engaging, more penetrating, more visceral and decimating. Similarly, the band has only become more cognizant of their purpose. The music on Honor Found In Decay is both torturous and transcendent. It is the ongoing exposition of a vast internal dialogue that seems to carry the weight of eons. With the right kind of ears and eyes, it can seem like the trials and tribulations of mankind are being channeled through five individuals: Steve Von Till, Scott Kelly, Noah Landis, Jason Roeder and Dave Edwardson. And yet? They will be the first ones to tell you that they are just regular people trying to make sense of the world around them. Aided by Josh Graham, their resident visual guru, they transmit their interpretations through multiple sensory planes. The degree to which Neurosis allows them to step out of their everyday lives is the distance between one and zero, the distance between thinking and doing, the distance between this minute and the one that may or may not follow. Which is to say: Neurosis takes them outside of themselves and brings them closer to themselves. Simultaneously."-J. Bennett, July 31, 201 Style: Metal

UFOMAMMUT, Italian sorcerers of supernatural and obliterating doom, have completed their sixth full-length, and first as part of the Neurot Recordings family. "Oro" is the title for UFOMAMMUT's latest work, divided into ten massive movements overall, delivered in two separate pieces. The first chapter, Opus Primum, saw arrival in April, and the second, Opus Alter, now in September. As with all previous UFOMAMMUT albums, the concepts behind Oro are expansive and multi-faceted, mutating the Italian palindrome which translates to "gold" with the Latin translation of "I prey." Oro explores the concept of knowledge and its power; the magical stream controlled by the human mind to gain control of every single particle of the world surrounding us. Oro is the alchemical process to transform the human fears into pure essence; into Gold. Although Oro's two chapters will be released months apart from each other, they must be considered as a single track in which the musical themes and the sounds appear and reappear, mutate and evolve, progressively culminating in the crushing final movement. Oro is an alchemic laboratory in which substances are flowing, dividing and blending themselves in ten increments from the alembics and stills, culminating into the creation of Gold. The vinyl versions of both chapters will be handled directly by Malleus's own label Supernatural Cat Records, who were responsible for the release of all of the band's previous material. This is the third album in a row the band recorded with Lorenzo Stecconi. The band are also in the process of crafting a full video/visual version of Oro which will accompany the audio. Style: Metal

Record Label: Neurot

Steve Von Till's third solo outing continues the Neurosis' singer/guitarist's allegiance to folk traditions of his prior albums, but A Grave Is A Grim Horse is a much more personal and confident effort. Intertwined with interpretations of songs by Nick Dr Style: Independent

Record Label: Neurot

Style: Stoner Rock

Style: Rock

US Christmas have never strayed far from their roots. Its members were born and raised in or near the mountains of rural North Carolina, a place that will always be their home. Its culture, geography, history, and spiritual presence have a great influence Style: Independent

UFOMAMMUT, Italian sorcerers of supernatural and obliterating doom, have completed their sixth full-length, and first as part of the Neurot Recordings family. This is the mammoth follow-up to their 2010 full-length Eve, the band's most devastating piece of magic to date... until now. "Oro" is the title for UFOMAMMUT's latest work, divided into ten massive movements overall which is now confirmed to be delivered in two separate pieces during the coming year. The first chapter, Opus Primum, will see arrival in April, and the second, Opus Alter, in September. The vinyl versions of both chapters will be handled directly by Malleus's own label Supernatural Cat Records, who were responsible for the release of all of the band's previous material. This is the third album in a row the band recorded with Lorenzo Stecconi. The band are also in the process of crafting a full video/visual version of Oro which will accompany the audio. As with all previous UFOMAMMUT albums, the concepts behind Oro Style: Metal

Record Label: Neurot

Record Label: Neurot

Record Label: Neurot

Record Label: Neurot

Record Label: Neurot