Фирма Rhythm & Blues Records

Live At The Flamingo 1958

On Radio & TV 1965-1970

Если в 1966 году в британском джазе и был один звук, который гарантированно шокировал, то это был ансамбль Spontaneous Music Ensemble, свободно импровизирующий коллектив, сосредоточенный вокруг барабанщика Джона Стивенса, который в том году помог создать лондонский Little Theater Club как оплот «новой волны». . Хотя авангард медленно завоевал популярность в британском джазе, время от времени какой-нибудь массовый джаз-клуб рискнул применить новый стиль, например, в ночь в июне 1966 года, когда SME высадился на Гринвичском здании принца Альберта. pub, стремясь донести свое послание до свежих ушей. Этот набор компакт-дисков содержит всю музыку, сыгранную тем вечером, плюс 30-минутный сеанс вопросов и ответов, что, несомненно, должно стать одним из самых важных ранних документов британского «фри-джаза». CD2 также добавляет студийную запись, записанную позже в том же году. Оба сета ранее не издавались, и оба необходимы для прослушивания тем, кто интересуется развитием современного джаза в Великобритании. 12-страничный буклет с примечаниями Саймона Спиллетта. Персонал - CD1 и CD2 (1) - (4) Тревор Уоттс (альт-саксофон); Пол Резерфорд (тромбон); Брюс Кейл (бас); Джон Стивенс (ударные). 22 июня 1966 года, Принц Альберт, Гринвич, Лондон. CD2 (5) - (8) Тревор Уоттс (альт-саксофон); Брюс Кейл (бас); Джон Стивенс (ударные, глокеншпиль *). 30 августа 1966 года, Неизвестная студия, Лондон.

1966-1967 гг. Два года сейсмических изменений в истории Великобритании, время побед на чемпионатах мира, психоделических «происшествий» и сержанта. Пеппер, когда улицы Лондона тряслись при виде мини-юбок, мини-куперов и самодельной британской поп-культуры

60 mambos - all with rhythm aplenty! The mambo was born in Cuba in 1938, of African and European parentage. It arrived in New York ten years later via Havana and Mexico City. 1954 was the year of the mambo in America as dancers flocked to the ballrooms to see exciting new bands led by Machito, Tito Puente, Perez Prado and Tito Rodriguez. To cash in on the craze, record companies encouraged their R&B artists to come up with songs in a Latin vein and to include the word mambo in the title. Latin rhythms have infiltrated every branch of popular music, but none has had such a wide ranging influence as the rumba. Its 3-3-2 rhythm, combined with the New Orleans second line beat, formed the basis of the Stax and Motown sound and the more complex rhythms of funk in the 1960s. Record Label: Rhythm & Blues Records Style: Latin

LIMITED EDITION 1000 COPIES. Black heavy vinyl. Harry South may not be a household name in the UK, but among its jazz world of the 50s to the late 60s, it was held in very high esteem. Even when jazz fell into a sharp decline in the UK mainstream in the late 1960s, you couldn't hold a man like Harry South back. This album concentrates on the decade 1956-1966 when British jazz was at its peak and ranges through soul jazz, bebop, Latin stylings and funky, sixties big band sounds. The Harry South family have kindly allowed us to access their archives and we have included here ten tracks that are receiving their first commercial release. Record Label: Rhythm & Blues Style: Jazz

You Really Got Me was a landmark recording: a breakthrough in sound that has echoed through dozens of rock classics and become the blueprint for hard rock, heavy metal even, while its sloppy guitar solo pointed the way for punk rock. No rock band is an island. The Kinks started writing at one of the most exciting times in popular music, when youngsters were hungry for new and obscure discs, mixing it up, learning all the time, trying it out in their front rooms. Here is the story of You Really Got Me. CD One tells the story of this seminal record and charts its influences, some of them surprising. CD Two presents original versions of Kinks stage favourites. TRACKLISTING: DISC #1: 01. THE KINKS - YOU REALLY GOT ME (TOP BEAT BROADCAST 1964) 02. MUDDY WATERS - I'M READY 03. LITTLE WILLIE JOHN - HEARTBREAK (IT'S HURTIN' ME) 04. BILLY THE KID EMERSON - IF LOVIN' IS BELIEVING 05. RENE TOUZET - EL LOCO CHA CHA 06. THE KINGSMEN (SHINDIG BROADCAST 1965) - LOUIE LOUIE 07. THE 5 ROYALES - THE SLUMMER THE SLUM 08. RAY BRYANT COMBO - SACK O' WOE 09. ARETHA FRANKLIN & RAY BRYANT - WON'T BE LONG 10. BILL RUSSO & HIS ORCHESTRA - MANTECA, OPUS 16 11. RAY CHARLES - ONE MINT JULEP 12. PHIL UPCHURCH - YOU CAN'T SIT DOWN, PT. 1 13. PHIL UPCHURCH - YOU CAN'T SIT DOWN, PT.2 14. GLADYS KNIGHT & THE PIPS - ROOM IN YOUR HEART 15. JAMES BROWN - STICKY 16. TEDDY RANDAZZO - LET THE SUNSHINE IN 17. FREDDY ROBINSON - THE HAWK 18. LINK WRAY & THE WRAYMEN - RUN CHICKEN RUN 19. KING CURTIS - TURN 'EM ON 20. NOBLE WATTS - JOOKIN' 21. MEL TORME - COMIN' HOME BABY 22. JIMMY MCGRIFF - ALL ABOUT MY GIRL 23. ROLF HARRIS - SUN ARISE 24. MOSE ALLISON - BABY, PLEASE DON'T GO 25. JOHNNY DODDS - PERDIDO STREET BLUES (EDIT) 26. DIZZY GILLESPIE - MANTECA 27. JIMMY GIUFFRE. - THE TRAIN AND THE RIVER DISC #2: 01. CYRIL DAVIES - COUNTRY LINE SPECIAL 02. LITTLE RICHARD - LONG TALL SALLY 03. CHUCK BERRY - TOO MUCH MONKEY BUSINESS 04. BO DIDDLEY - CADILLAC 05. ODETTA - BALD HEADED WOMAN 06. LAZY LESTER - I'M A LOVER NOT A FIGHTER 07. JIMMY ANDERSON - NAGGIN 08. CHUCK BERRY - BEAUTIFUL DELILAH 09. ODETTA - DRIVING ON BALD MOUNTAIN 10. THE SHINDOGS - LONG TALL SHORTY 11. RICKY NELSON - MILK COW BLUES 12. BILL HALEY & HIS COMETS - HIDE AND SEEK 13. MARTHA AND THE VANDELLAS - DANCING IN THE STREET 14. THE HULLABALOO DANCERS - BATMAN THEME 15. J.S. BACH - WELL|TEMPERED CLAVIER I #2 16. TAL FARLOW - OUT OF NOWHERE 17. THE ISLEY BROTHERS - TWIST AND SHOUT 18. GENE VINCENT & BLUE CAPS - BE-BOP-A-LULA 19. THE MCCOYS - HANG ON SLOOPY 20. ELVIS PRESLEY - RIP IT UP 21. JOHNNY KIDD & THE PIRATES - SHAKIN' ALL OVER 22. JIMMIE DAVIS - YOU ARE MY SUNSHINE 23. PEGGY LEE - MR. WONDERFUL 24. HARRY BELAFONTE - DAY-O (BANANA BOAT SONG) 25. SLIM DUSTY - A PUB WITH NO BEER 26. MAURICE CHEVALIER - LOUISE 27. DELTA RHYTHM BOYS - DRY BONES 28. LITTLE RICHARD - BABY FACE 29. WASHINGTON PHILLIPS - DENOMINATION BLUES PT. 1 Record Label: Rhythm & Blues Records Style: 60s Beat

Collected on Disc 1 is the cream of British jazz from 1962, whereas disc two showcases influential American sounds from labels such as Impulse, Blue Note and Prestige. This album captures the period just before rhythm and blues began to emerge as the dominant club sound, forcing clubs like the Flamingo to change in order to survive. TRACKLISTING: DISC #1: 01. DON RENDELL QUINTET - MANUMISSION 02. TONY COE QUINTET - SACK O' WOE 03. TUBBY HAYES & THE ALL STARS - LADY E 04. RONNIE SCOTT/JIMMY DEUCHAR - DESPERATION 05. BILL MCGUFFIE QUINTET - GIVE SEVEN 06. JOE HARRIOTT QUINTET - SHEPHERD'S SERENADE 07. RONNIE ROSS/JAZZ WORKSHOP - GOOD MORNING JUDGE 08. THE BRITISH JAZZ TRIO - CHARLIE IS MY DARLING 09. AL FAIRWEATHER & HIS BAND - QUARTERIN' 10. YEAH! TUBBY HAYES QUINTET 11. VICTOR FELDMAN ALL STARS - RITUAL 12. EDDIE THOMPSON TRIO - HOME BREW 13. JOHNNY DANKWORTH ORCHESTRA - CANNON BALL 14. JOHNNY SCOTT QUINTET - STUDY FOR JAZZ QUINTET 1 15. SHAKE KEANE QUINTET - BOSSA NEGRA 16. TONY COE QUINTET - NOT SO BLUE 17. AL FAIRWEATHER & HIS BAND - WEDNESDAY NIGHT PRAYER MEETING 18. JOE HARRIOTT QUINTET - TONAL 19. GALT MACDERMOT - BACK TO THE BARN 20. ALAN CLARE - SCREWBALL 21. SHAKE KEANE FIVETET. - RUANDA DISC #2: 01. LARRY FRAZIER - BEFORE SIX 02. TRES BIEN - BOSS TRES BIEN QUARTETTE 03. SAM LAZAR TRIO - SCOOTIN 04. PHIL GUILBEAU - CREOLE WALK 05. TED CURSON - FIRE DOWN BELOW 06. LARRY FRAZIER - AFTER SIX 07. LOU DONALDSON - FUNKY MAMA (PT.1) 08. LALO SCHIFRIN - THE WAVE 09. DON WILKERSON - CAMP MEETIN 10. LES MCCANN LTD. - THE SHAMPOO 11. JOHN WRIGHT - STRUT 12. LEE MORGAN QUINTET - RAGGEDY ANN 13. KENNY BURRELL - OUT OF THIS WORLD 14. PRINCE LASHA QUINTET - CONGO CALL 15. SAM JONES & CO - UNIT 7 16. JOHNNY LYTLE - THE MOOR MAN 17. CHICO HAMILTON - EL TORO 18. HANK CRAWFORD - THE PEEPER 19. CANNONBALL ADDERLEY - GEMINI (PT. 1) 20. PAUL DESMOND - DESMOND BLUE Record Label: Rhythm & Blues Records Style: Jazz

"Jazz; rock'n'roll; blues; music hall; guitar instrumentals; tin pan alley; rockabilly; dance band; soul; bo-lero; skiffle; trad; R&B; country; old-time; Broadway; doo-wop; folk; high school pop; Motown - the Beatles' early influences are so wide-ranging Record Label: Rhythm And Blues Style: Rock & Roll