2 миллиона музыкальных записей на Виниле, CD и DVD

Музыка и песни Arquez Gaëlle, soprano / Аркез Гаэлла, сопрано

1 CD
Под заказ
5999 руб.

Артикул: CDVP 690753

EAN: 0822186053515

Состав: 1 CD

Состояние: Новое. Заводская упаковка.

Дата релиза: 01-01-2013

Лейбл: Naive Classique

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Жанры: Сборник 

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1 CD
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5999 руб.
Komponist: Massenet; Komponist: Gluck; Komponist: Bizet; Artist: Arquez; Artist: Orchestre National Bordeaux Aquitaine Label: Decca (Universal Music)
1 BR
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8548 руб.
Rossini’s penultimate opera, premiered in 1828 at the Opéra National de Paris, is a musical comedy about a love triangle set during the Crusades. At the Opéra Comique its plot is transported to the time of the works’ creation with France’s military expeditions to Algeria. It is staged by a first-rate creative team: Stage director Denis Podalydès and costume designer Christian Lacroix provide stunning visuals, whilst conductor Louis Langrée leads the Orchestre des Champs-Élysées, the Chœur Les éléments and a stellar cast of soloists in this delightful fool’s game. Mezzo-soprano Gaëlle Arquez shines with her ‘superlative technique’ (Le Monde) and Julie Fuchs’s Adèle elicits ‘more than just admiration, namely enthusiasm in the etymological sense of the word: inspired by the divine’ (Le Monde). ‘A masterpiece!’ (Télérama), ‘Pure pleasure!’ (Les Échos). Le Comte Ory at the Opéra Comique is ‘a true musical and theatrical celebration where everything sparkles!’ (Bachtrack)
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2 DVD
Под заказ
9649 руб.
Rossini’s penultimate opera, premiered in 1828 at the Opéra National de Paris, is a musical comedy about a love triangle set during the Crusades. At the Opéra Comique its plot is transported to the time of the work's creation with France’s military expeditions to Algeria. It is staged by a first-rate creative team: Stage director Denis Podalydès and costume designer Christian Lacroix provide stunning visuals, whilst conductor Louis Langrée leads the Orchestre des Champs-Élysées, the Chœur Les éléments and a stellar cast of soloists in this delightful fool’s game. Mezzo-soprano Gaëlle Arquez shines with her ‘superlative technique’ (Le Monde) and Julie Fuchs’s Adèle elicits ‘more than just admiration, namely enthusiasm in the etymological sense of the word: inspired by the divine’ (Le Monde). ‘A masterpiece!’ (Télérama), ‘Pure pleasure!’ (Les Échos). Le Comte Ory at the Opéra Comique is ‘a true musical and theatrical celebration where everything sparkles!’ (Bachtrack)
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