Музыка и песни White Willard, bass / Уайт Уиллард, бас

OPERN: Paul Bunyan; Peter Grimes; The Rape of Lucretia; Albert Herring; Billy Budd; Gloriana; The Turn of the Screw; A Midsummer Night's Dream; Owen Wingrave; Death in Venice MUSIK FÜR BÜHNE & LEINWAND: The Beggar's Opera; Noye's Fludde; The Golden Vanity; Curlew River; The Burning Fiery Furnace; The Prodigal Son; The Little Sweep (Let'S make an opera);Children's Crusade; The Prince of the Pagodas; Plymouth Town (Ballettmusik);Filmmusiken zu Night Mail, The Tocher (Rossini Suite),The King's Stamp, Negroes, The Way to the Sea, Telegrams, Peace of Britain, Men Behind the Meters, Coal Face; Love from a Stranger; Johnson over Jordan-Suite; The Rescue of Penelope; The Company of Heaven; The Sword in the Stone; Russian Funeral; On the Frontier VOKALWERKE: War Requiem; Spring Symphony; Cantata Academica; Hymn to St. Cecilia; Saint Nicolas; 5 Flower Songs; Cantata Misericordium; A Boy was born; Coprus Christi Carol; A Wealden Trio; A Shepherd's Carol; Christ's Nativity; A Ceremony of Carols; The Holly and the Ivy; Songs from 'riday Afternoons'Psalm 150; Two-Part Songs; The Birds; A Hymn to the Virgin; Jubilate Deo; Te Deum; Advance Democracy; Deus in adjutorium meum; A. M.D. G.;Rejoice in the Lamb; Ballad of Little Musgrave and Lady Barnard Chorale; Festival Te Deum; A Wedding Anthem; Hymn to St Peter; Antiphon; Missa Brevis; Jubilate Deo C-Dur; Venite Exultemus Domino (Psalm 95);A Hymn of St Columba; God Save the Queen; Voices for Today; Sacred and Profane; Welcome Ode; Praise We Great Men; Quatre Chansons Françaises; Now Sleeps the Crimson Petal; Our Hunting Fathers; Ballad of Heroes; Serenade for Tenor, Horn and Strings; Les Illuminations; Three Songs; Nocturne; Phaedra; Canticles I-V; A Birthday Hansel; Sweeter than Roses (Purcell arr. Britten);Liederzyklen (The Heart of the Matter; Tit for Tat; On This Island; Four Cabaret Songs; Seven Sonnets of Michaelangelo; The Holy Sonnets of John Donne; A Charm of Lullabies; Winter Words; If it's Ever Spring Again; The Children and Sir Nameless; Songs from the Chinese; Six Hölderlin Fragments; The Songs and Proverbs of William Blake; The Poet's Echo; Who Are these Children; Dawtie's Devotion; The Gully; Tradition);Frühe Lieder; Folksongs INSTRUMENTALWERKE: Sinfonietta; Simple Symphony; Variations on a Theme by Frank Bridge; Soirees Musicales; Matinees Musicales; Rondo Concertante; Untitled Fragment for Strings (arr. Matthews); Two Portraits; Doppelkonzert h-moll; Satz für ein Klavierkonzert (realised Matthews);Klavierkonzert; Violinkonzert; Mont Juic-Suite; Young Apollo; Canadian Carnival; Sinfonia da Requiem; Diversions für Klavier linke Hand & Orchester; Scottish Ballad; An American Overture; Prelude and Fugue; The Young Person's Guide to the Orchestra; Men of Goodwill; Sellinger's Round; Occasional Overture; Symphonie für Cello & Orchester; In Memoriam Denis Brain (arr. Matthews);The Building of the House; Suite on English Folk Tunes “A Time There was”;Lachrymae; Reflection; Elegy; Suite; Reveille; Two Insect Pieces; Temporal Variations; 6 Metamorphoses after Ovid; Cellosuiten Nr. 1-3; Cellosonate;–Dur; Nocturnal after John Dowland; Suite für Harfe; Streichquartette Nr. 1-3; Streichquartett F-Dur; Thema "Sacher" für Cello; Miniature Suite; Rhapsody; Quartettino; Fantasie f-moll; Alla Marcia; 3 Divertimenti; Phantasy –Quartett für Oboe, Violine, Viola, Cello; Alpine Suite; Scherzo; Fanfare for St Edmundsbury; Voluntary on Tallis's “Lamentation”;Prelude to 'They Walk Alone';Village Organist's Piece; Prelude and Fugue on a Theme of Vittoria; Gemini Variations; Introduction and Rondo alla Burlesca; Mazurka Elegiaca; Five Waltzes; A Little Idyll; 3 Character Pieces; Two Lullabies; Holiday Diary; Sonata Romantica; Night Piece (Notturno);Variationen für Klavier +Making Music with Britten; Proben zum War Requiem; Historische Aufnahmen 1944-1953 +DVD "The Burning Fiery Funeral" (Ein Film von Tony Palmer)

This production of Francesco Cavalli’s Il Giasone was filmed in January 2017 at the Grand Théâtre of Geneva. It forms a part of the ‘Cavalli tetralogy’ of the past few years, conducted by the man who has become Cavalli’s great ambassador: Leonardo Garcia Alarcón . Il Giasone, Dramma musicale, in a Prologue and Three Acts, first performed on 5 January 1649, alternates the tragic with the comic, with no concern for fidelity to the mythological legend of Jason and Medea. Francesco Cavalli’s opera, composed for the carnival season in Venice, presents a mosaic of contrasted episodes, rich in musical emotions. His music here attains a remarkable degree of evocative power, with la musica having the upper hand over la dramma. Il Giasone represents the subtle equilibrium between lyricism and narrative. The comic, the tragic, and the supernatural all meet and mingle, and Cavalli’s Lamenti – forming the climax of the work – are particularly unequalled. Resolutely burlesque and zany, Serena Singaglia’s production celebrates the opera’s sensuality. Le Temps commented: ‘In the pit, the Cappella Mediterranea with Garcia Alarcón pursue a sense of musical flux with delicacy, lightness and quick-footedness, ideally responding to the score’s demands. With an instrumental sound that is both round and sprightly, they succeed in capturing the ludic dimension of the work, its melodic freshness, and its harmonic tensions. Drama and rapture are artfully fused together.” With English, French and German surtitles